Abigail Owen is the #1 New York Times and #1 USA Today bestselling author of 30+ books that range from upper YA (18+) epic romantasy to new adult modern mythic romantasy to super spicy adult paranormal romance. She loves magical worlds with plots that move hot and fast, feisty heroines with sass, heroes with heart, a dash of snark, and oodles of HEAs! Other titles include: wife, mother, Star Wars geek, ex-competitive skydiver, AuDHD, spreadsheet lover, Jeopardy! fanatic, organizational guru, true classic movie buff, linguaphile, wishful world traveller, and chocoholic. Abigail currently resides in Austin, Texas, with her own swoon-worthy hero, their (mostly) angelic teenagers, and an adorable fur baby. abigailowen.com

Abigail Owen

Abigail Ulman was born and raised in Melbourne. She has a BA in Creative Arts from the University of Melbourne/VCA and was a recent Wallace Stegner Fellow in Fiction at Stanford University. This is her first book.

Abigail Ulman

Abilio Estévez

Abir Mukherjee is the bestselling author of the award-winning Wyndham &amp; Banerjee series of crime novels set in 1920s India and the British Book Awards Crime Thriller of the Year 2025 Hunted. His books have been translated into sixteen languages and won various awards including the CWA Dagger for best Historical Novel, the Prix du Polar Européen, and the Wilbur Smith Award for Adventure Writing. 
 
 
He also co-hosts the popular Red Hot Chilli Writers podcast which takes a wry look at the world of books, writing, and the creative arts, tackling everything from bestsellers to pop culture. Abir grew up in Scotland and now lives in Surrey with his wife and two sons. 
 
 
Website: abirmukherjee.com Twitter, Threads &amp; Instagram: @radiomukhers Facebook: AuthorAbir

Abir Mukherjee

Abolqasem Ferdowsi

Abraham Lincoln

Abraham L. Newman is a professor at the School of Foreign Service and Government Department at Georgetown University. He is a 2022-2023 Berlin Prize winner and his work has been published in leading outlets like The New York Times, The Financial Times, The Washington Post, Nature, Science, Foreign Affairs, Foreign Policy, Harvard Business Review, and Politico.

Abraham Newman

Abraham Verghese

Absolut Vodka

Ad Putter

Ada Moncrieff is the author of Murder Most Festive, Murder at the Theatre Royale and Murder at Maybridge Castle. She lives and works in London.

Ada Moncrieff

Adam Aleksic is a linguist and content creator posting educational videos as the “Etymology Nerd” to an audience of over three million. As a linguistics student at Harvard College, he founded and served as president of the Harvard Undergraduate Linguistics Society. He’s discussed online language on NPR, repeatedly contributed to The Washington Post, and his work has been mentioned in The New York Times, The Economist, and The Guardian. He’s lectured on language and social media at Stanford, Yale, Georgetown, and other top universities, including a TEDx talk at the University of Pennsylvania. Adam is based in New York City, where he spends a lot of time scrolling TikTok for “research.”

Adam Aleksic

Adam Alter is an Associate Professor at New York University's Stern School of Business, and holds an affiliated appointment within the Psychology Department. He is the author of the New York Times bestseller Drunk Tank Pink: And Other Unexpected Forces That Shape How We Think, Feel and Behave and has written for The New York Times, New Yorker, Atlantic, Wired, Popular Science and numerous other publications.

Adam Alter

Professor Adam Balen is lead clinician at one of the UK's largest and most successful IVF units at Leeds Teaching Hospitals NHS Trust. In recognition of his research on fertility and related conditions, he holds a DSc (the highest academic degree in medicine) from the University of Leeds. Adam is internationally renowned, holding roles with the World Health Organisation (WHO), the International Federation of Gyneacology and Obstetrics (FIGO) and the Royal College of Obstetricians and Gyneacologists (RCOG). He runs both NHS and private fertility clinics so he understands the issues that arise from both sides and he works closely with fertility patient support organisations across the UK. Adam regularly features in the media on all aspects of reproductive health and lectures widely throughout the world.

Adam Balen

Adam Baron

Adam Bornstein

Adam Brookes grew up in the UK and was a journalist with BBC News for many years. As a foreign correspondent he was based in Indonesia, China and the United States. Along the way he reported from many other countries, including Iraq, Afghanistan and North Korea. He lives in Washington DC.

Adam Brookes

Adam Buxton

Adam Byatt

Adam Christopher is the New York Times bestselling author of Star Wars: Shadow of the Sith and Stranger Things: Darkness on the Edge of Town. He has also written official tie-in novels for the hit CBS television show Elementary and the award-winning Dishonored video game franchise. Co-creator of the twenty-first-century incarnation of Archie Comics superhero The Shield, Adam has also written for the universes of Doctor Who and World of Warcraft, and is a contributor to the internationally bestselling Star Wars: From a Certain Point of View anniversary anthology series and the all-ages Star Wars Adventures comic. Adam’s original novels include Made to Kill and The Burning Dark, among many others, and his debut novel Empire State was both a SciFi Now and Financial Times book of the year.

Adam Christopher

Adam Foulds's most recent books are In the Wolf’s Mouth, The Quickening Maze, which was shortlisted for the Man Booker Prize and won the Encore Award and the European Union Prize for Literature, and The Broken Word, which won the Costa Poetry Award and the Somerset Maugham Award. He has recently been awarded the E.M. Forster Award by the American Academy of Arts and Letters and named as one of Granta’s ‘Best of Young British Novelists’.

Adam Foulds

Dr Adam Fox is a highly qualified and respected allergy specialist and consultant paediatric allergist and clinical lead for Allergy at Guy's &amp; St Thomas' Hospitals. The Times recently named him as one of Britain's top 100 children’s doctors. 
 
www.allergyfreebabyandtoddler.com

Adam Fox

Adam Frost

Adam Galinsky is currently the Morris and Alice Kaplan Professor of Ethics and Decision in Management at the Kellogg School of Management at Northwestern University. He received his PhD from Princeton University in Social Psychology and his B.A. from Harvard University.

Adam Galinsky

Adam Glasser

Adam Goodfellow

Adam Goodwin

Adam Grant is an organizational psychologist at The Wharton School, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, his TED talks have been viewed more than thirty-five million times, and he hosts the hit podcast Re:Thinking. His pioneering research has challenged widespread assumptions about motivation, success, character, and change, and his viral piece on languishing was the most-read New York Times article of 2021 and the most-saved article across platforms. He has been recognized as the world’s number-two most influential management thinker and one of Fortune’s 40 Under 40, and he has received distinguished scientific achievement awards from the American Psychological Association and the National Science Foundation. Grant received his B.A. from Harvard University and his Ph.D. from the University of Michigan, and he is a former Junior Olympic springboard diver and magician. He lives in Philadelphia with his wife, Allison Sweet Grant, a novelist and poet; their two cats (who don’t get along); and their three children (who mostly do).

Adam Grant

Adam and Charlotte met in Zanzibar while working with Voluntary Services Overseas. Upon their return to the UK, Charlotte completed an MA at Oxford Brookes and started her career in publishing. Adam in the meantime became writer-in-residence at the Roald Dahl Museum and Story Centre before co-founding Storytelling Schools, an international organisation dedicated to training teachers in oracy, literacy and creativity. Adam and Charlotte's first book together was the best-selling and award-winning Spaghetti with the Yeti. Since then, Adam and Charlotte have continued to follow their passion for creating engaging books that inspire interaction and creativity in young readers.

Adam Guillain

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Emma Chichester Clark

A gift that will bring cries of delighted recognition from anyone who has ever owned a dog and, dare one say it, charm the pants off even those who strongly prefer cats. 
 
Hello. My name is Plum and I’m a whoosell – that’s whippet mixed with Jack Russell and poodle. I especially like swimming, leaping, catching, and croissants, and my favourite fragrance is fox poo. I live with Emma, an illustrator, and Rupert. My sister, Liffey, lives nearby. 
 
Over the last year I’ve been keeping a diary. Emma has helped with the pictures, but the words are all mine. 
 
Since 2012 Emma Chichester Clark, one of Britain’s best-loved authors and illustrators, has been delighting thousands of followers with her blog Plumdog, which records the day to day life of Plum, her dog, in Plum’s own words and Emma’s drawings.

Plumdog

Nick Hayes

Forged in the Dustbowl of the 1930s, in an America crippled by the Great World Recession, this humble man found solace in song, and soon those songs became the voice of the People – men and women who had seen their lives deracinated and destroyed by the vicissitudes of global economic forces beyond their control. 
 
Guthrie’s influence lives on, a touchstone for Bob Dylan, The Clash and the protest singers of the Occupy movement today. With a delighted eye, and an ear for a tune, Nick Hayes’s follow-up to the critically acclaimed Rime of the Modern Mariner brings a legend to life with a generous spirit and crackling moral force its subject would have been proud of.

Woody Guthrie

And the Dust Bowl Ballads

Imperial War Museum

As we mark the centenary of the end of World War One, this astonishing book collects over five hundred remarkable photographs and rarely seen material of the war from the Imperial War Museum archives 
 
The Great War was the first conflict to be documented in photographs. In The Great War: A Photographic Narrative, we follow the events of the war through extraordinary photographs, from the opening photograph of the gun that fired the first shot of the war to the final photograph of an audio recording showing the arrival of silence on 11th November 1918. 
 
Imperial War Museum houses one of the greatest photographic archives of conflict in the world. This unique book is divided into five sections, each prefaced with a detailed chronology of events and a historical summary, together with detailed captions for every picture. 
 
NOTE: Few pages are intentionally left blank. 
 
‘I have never seen or read anything that brings the First World War quite so vividly alive.’ Guardian

The Great War

A Photographic Narrative

Alison Bechdel

An expansive, moving and captivating graphic memoir from the author of Fun Home. 
 
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven. 
 
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. 
 
'As absorbing as it is graced with a deceptive lightness of touch, it is clever, brilliantly pieced together, and utterly unusual. Sunday Times 
 
'It's a beautiful (and beautifully illustrated) look at the complexity and dysfunctionality of family through a unique lens - and frames things in such a way that you can't help but re-examine your own relationships, too.' Stylist

Are You My Mother?

Guy Delisle

Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger-in-a-strange-land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. 
 
When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.

Jerusalem

Chronicles from the Holy City

Adam Thorpe

From an abandoned rowing boat in Estonia full of wild flowers to a swimming pool in the Congo full of drowned insects, Adam Thorpe's new collection takes us on a wide-ranging journey through states of gain and loss, alienation and belonging. In the title poem, the poet disturbs a flock of geese by his mere presence, and one goose takes the wrong direction, away from the flock, as a 'voluntary exile'. A bid for freedom, or a mistake? 
 
These poems explore our chances, record our traces - in the marks on skin, home movies, stone walls, the pressure of our blood, or the clearing of a dying father's study: 'foraging backwards' until something is revealed, however tentative. As always in Thorpe's work, history's violence lurks in the margins: in the silent oppression of Roman roads, a polluting pipeline in Africa or the bombing of the Alcala train, he takes the gauge of our wider compulsions, of all that decides things for us. Against this he sets what, through the other meaning of 'voluntary', suggests chance's extempore music: the gleeful play of a sea-otter, the extraordinary gift of a passing gull to his small daughter, or poetry itself. 
 
Adam Thorpe is now celebrated as a novelist, but he began as a poet. Voluntary, his sixth collection, is a timely reminder of the elegance, skill and remarkable range of this most gifted British poet.

Voluntary

Peter Redgrove

Peter Redgrove, who died in 2003, was one of the most prolific of post-war poets and, as this Collected Poems reveals, one of the finest. A friend and contemporary of Ted Hughes and Sylvia Plath in the early 1950s, Redgrove was regarded by many as their equal, and his work has been championed by a wide variety of writers - from Margaret Drabble to Colin Wilson, Douglas Dunn to Seamus Heaney. Ted Hughes once wrote warmly to Redgrove of 'how important you've been to me. You've no idea how much - right from the first time we met.' 
 
In this first Collected Poems, Neil Roberts has gathered together the best poems from twenty-six volumes of verse - from The Collector (1959) to the three books published posthumously. The result is an unearthed treasure trove - poems that find new and thrilling ways of celebrating the natural world and the human condition, poems that dazzle with their visual imagination, poems that show the huge range and depth of the poet's art. In Redgrove's poetry there is a unique melding of the erotic, the terrifying, the playful, the strange, and the strangely familiar; his originality and energy is unparalleled in our time and his work was the work of a true visionary.

Collected Poems

Michael Ondaatje

The poems in Handwriting are memories of Sri Lanka: the rituals and traditions, history and geography, the smells and tastes and colours of his first home. Here are sunless forests, cattle-bells, stilt-walkers 'with the movement of prehistoric birds'; a Buddha buried 'so roots/like fingers of a blind monk/spread for two hundred years over his face'; 'saffron and panic seed, lotus flowers, sandalwood; a lover, who lay her fearless heart/light as a barn owl/against him all night'. 
 
Handwriting is an elegy for lost childhood, for a culture and language lost to the turmoil of history, but it is also a glimpse of the source of the writer's delicate, erotic, mysterious imagination. By focussing on writing frankly about beautiful things, Ondaatje takes the poems beyond narrative to these simple, deeply sensual images - given to us in a language that is pared, cursive and exquisite.

Handwriting

John Burnside

John Burnside's remarkable book is full of strange, unnerving poems that hang in the memory like a myth or a song. 
 
These are poems of thwarted love and disappointment, of raw desire, of the stalking beast, 'eye-teeth/and muzzle/coated with blood'; poems that recognise 'we have too much to gain from the gods, and this is why/they fail to love us'; poems that tell of an obsessive lover coming to grief in a sequence that echoes the old murder ballads, or of a hunter losing himself in the woods while pursuing an unknown and possibly unknowable quarry. 
 
Drawing on sources as various as the paintings of Pieter Brueghel and the lyrics of Delta blues, Black Cat Bone examines varieties of love, faith, hope and illusion, to suggest an unusual possibility: that when the search for what we expected to find - in the forest or in our own hearts - ends in failure, we can now begin the hard and disciplined quest for what is actually there. 
 
‘The unmistakeable work of a master’ Times Literary Supplement

Black Cat Bone

Michael Longley

Michael Longley has remarkable powers of reinvention. Certain themes remain constant - the natural world, war, violence, love, friendship, art, death - but they also keep changing because the forms and genres of his poetry never stand still. In A Hundred Doors a sinuous short line complements his variations on pentameter and hexameter. And Longley's interlacing of individual lyrics, so that a diverse collection seems a single poem, intensifies in the shadow of mortality. 
 
A sequence about his grandchildren's births is counterpointed by elegies, including Longley's continuing elegy for the Great War dead. The Mayo townland, Carrigskeewaun, with its cast of leverets, otters, swans, wrens, lesser twayblade and bird's-foot trefoil, also takes on fresh guises. Longley is among Europe's foremost 'ecological' poets. Yet Carrigskeewaun is ultimately symbolic, a microcosm, a 'soul-arena'. 
 
A Hundred Doors roams in time and space. The title-poem evokes the oldest Byzantine church in Greece: Our Lady of a Hundred Doors on the island of Paros. The remains of a Greek temple 'ache' beneath its floor. Wild orchids, which crop up in Greece and the Italian Garfagnana as well as Ireland, are among the collection's multiple 'doors'. Others are music and paintings, 'cloudberry jam from Lapland', a Shetland pony. This is work of power, precision and delicacy: poems that 'bend and magnify the daylight', poems by a master craftsman.

A Hundred Doors

Antony Gormley

Over a period of 100 days from July to October 2009, 2,400 people stood on the fourth plinth in Trafalgar Square for one hour. They were free to do as they chose during this period in the spotlight. Nobody could predict what would happen or the scale of the response. Many thousands applied for the 2,400 slots and candidates were selected randomly. Millions watched the events as they were all filmed and available online. Hundreds of thousands continued to turn to the website long after the project itself was finished. The event was a phenomenon, which we are grappling to understand. The entire enterprise was the conceived by Antony Gormley, and can be seen as a further example of the artist's ability to tap into the public consciousness. 
 
The book will contain studio portraits of all the 'plinthers' prior to their appearance. Photographs will be drawn from innumerable sources. The whole event has been remarkably photographed by Clare Richardson and the final edit will be drawn from a selection of 600 of her pictures of 'plinthers and public by day and night. Lee Hall will be writing a text about the importance of the square itself as a location. Essays will be included from Hans Ulrich Obrist, the art historian, as well as by both an anthropologist and a psychoanalyst. All the 'plinthers' were subject to extensive interviews set up by an oral history expert and their voices will contribute to the creation of a book that is more than a document. The aim is to capture the emotional intensity and the personally transformative effect that was created by one of the most extraordinary works of public art in our time.

One and Other

Robert Bringhurst

For the past four decades, Robert Bringhurst has been writing some of the most powerful poetry in English. Distinguished by engaged and passionate curiosity, a wide-ranging intelligence and true originality, his poetry has sometimes been mistaken as austere and opaque. In fact, his work engages in ideas about the human condition, myth, the natural world, language and philosophy, and is unusual for having both a pared simplicity and profound wisdom. 
 
His watchword is clarity, and the elements he considers crucial to effective typography could just as easily be looked for - and found - in his poetry: 'invite the reader into the text; reveal the tenor and meaning of the text; clarify the structure and the order of the text; link the text with other existing elements; induce a state of energetic repose, which is the ideal condition for reading.' 
 
There is such relish for the tactile, physical nature of words, for spare, elemental imagery and for rhetorical weight - in the voice, and the sound of the voice - that each poem has a sense of gem-like purity. While Bringhurst's work may not be the most fashionable poetry being written today, it is certainly amongst the most compelling in its truth, power and beauty.

Selected Poems

Thomas Lynch

If life is pilgrimage, Walking Papers are the pages - the notes on the journey, news of the world, letters of introduction and dismissal - found in one's breast-pocket amongst one's effects. And Thomas Lynch, the celebrated poet-undertaker is our guide through a world that's painfully aware of its own mortality; as he says in the powerfully moving title poem: 'Listen - /something's going to get you in the end./The numbers are fairly convincing on this,/hovering, as they do, around a hundred/percent. We die. And more's the pity.' 
 
In this, his fourth collection of poems - his first in the new century - Lynch attends to the flora and fauna and fellow pilgrims: dead poets and living masters, a former president and his factotums, a sin-eater and inseminator. Faux-bardic and mock-epic, deft at lament and lampoon, accusation and dispensation, fete and feint, Lynch's poems are powerful medicines, tonics for the long haul and home-going.

Walking Papers

The poems in Adam Thorpe's latest collection are concerned with the continuum between two worlds: the lived present and the felt past. With the attentive care of an archaeologist he uncovers and examines fragments - from a personal history or the historic past - and rebuilds the narrative: a fossil in Hitler's stadium, a wedding photograph, marks on the wall where an eighteenth-century priest was shot. With formal dexterity and rhythmic assurance, these versatile, subtle poems investigate the vertiginous dynamic of history - where a shard of stone stands for civilisation, where a silver of memory becomes a life re-lived. After nine years, during which time he has emerged as one of Britain's most powerful and innovative novelists, Adam Thorpe now returns - triumphantly - to poetry.

From The Neanderthal

Sam Willetts

The poems in this remarkable first collection have been hard won: 'Fruits of much grief they are,' as Donne said, 'emblems of more.' Having lost ten years to heroin addiction and recovery, Sam Willetts emerges now - suddenly, and apparently from nowhere - as a fully-fledged and significant English poet. 
 
In a book deeply conscious of history, one series of poems tracks his mother's escape, as a young girl, from the Nazis, in a narrative that moves from a Stuka attack on the Smolensk Road to the Krakow ghetto, the destruction of Warsaw, to Nuremberg and Nagasaki and, finally, his mother's grave. Other poems address Englishness, secular Jewishness, and the childhood pleasures of Oxfordshire - an increasingly deceptive pastoral, stalked and eventually shattered by heroin, which brings a grim new existence among dealers and users. The redemption the poet finds, through detox and rehab, love and writing, is full of regret for the years and lives wasted, but also offers a lyrical rebirth of the senses: 'In a new light, a new moon/ that isn't made of scorched tinfoil/will turn your tide again'. 
 
Deft, economical and wonderfully original, this is work that celebrates the peaks and troughs of a lived life, the poems' vivid clarity feeling both fresh and fully earned. It is rare to find an unknown poet of such mature quality, and New Light for the Old Dark represents a brilliant dawning.

New Light for the Old Dark

Don McCullin

No other photographer in modern times has recorded war and its aftermath as widely and unsparingly as Don McCullin. After a childhood in London during the Blitz, and after the hardships of evacuation, McCullin feels his life has indeed been shaped by war. 
 
From the building of the Berlin Wall at the height of the Cold War to El Salvador and Kurdistan, McCullin has covered the major conflicts of the last fifty years, with the notable exception of the Falklands, for which he was denied access. His pictures from the Citadel in Hue and in the ruins of Beirut are among the most unflinching records of modern war. The publication of many of his greatest stories in the Sunday Times magazine did much to raise the consciousness of a generation, even if he himself now fears that photographs cannot prevent history from repeating itself. The brutality of conflict returns over and over again. McCullin here voices his despair. 
 
McCullin recounts the course of his professional life in a series of devastating texts on war, the events and the power of photography. The conclusion of the book marks McCullin’s retreat to the Somerset landscape surrounding his home, where the dark skies over England remind him yet again of images of war. Despite the sense of belonging and even contentment, for him there is no final escape.

Shaped By War

Emerging, as it did, after over a decade of silence, Gorse Fires had an immediate and resounding impact - revealing a poetry that seemed renewed and re-energised - and winning the Whitbread Prize for Poetry in 1991. It is now regarded as the pivotal book in Michael Longley's distinguished career. 
 
If Ireland remains Longley's starting-point or implied focus, it is often sighted through disturbing perspectives that derive from foreign cultures, from Homer's Odyssey, from the Second World War, and from the Holocaust. Even his beautifully precise poems about the West of Ireland are shadowed by the many destructive forces ranged against the creative act. 
 
Longley's versions of Odysseus' return to Ithaca and 'Ghetto' (based on the Polish ghettoes) epitomise his concern with the meaning of home and family. He sees these archetypes of Western civilisation as vulnerable, problematic, violated by power. Odysseus' homecoming involves murder and vengeance as well as reunions - a connection with the ambiguities of life in Northern Ireland. 
 
Gorse Fires is an unusual artistic blend: darkly austere, yet abundant in images, catalogues and syntactical virtuosity. The formal links between poems gives the whole collection the air of a richly varied sequence; it is a work of the highest order. 
 
Winner of the Whitbread Prize for Poetry.

Gorse Fires

Michael Symmons Roberts

When Corpus won the Whitbread Poetry Award, the judges described it as 'an outstanding, perfectly weighted collection that inspires meditation on the nature of the soul...reading it feels like making an exciting discovery and coming back to an acknowledged classic all at once.' Michael Symmons Roberts' first book, Soft Keys, was the original and most exciting discovery of all. 
 
The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary - a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade... Richly inventive, and written in a wide diversity of poetic forms, Soft Keys looks for those places and moments where the curtain between earth and heaven is thinnest; it was a powerful, arresting debut and the beginning of a remarkable career. 
 
As Les Murray said at the time: 'Like Nijinsky, he can leap into the air and stay there. You can reach up and feel the thump of the stage finely persisting in an ankle bone. Roberts is a poet for the new, chastened, unenforcing age of faith that has just dawned.'

Soft Keys

Lucid, tender, and strangely troubling, the poems in The Asylum Dance - which won the Whitbread Prize for Poetry - are hymns to the tension between the sanctuary of home and the lure of escape. This is territory that Burnside has made his own: a domestic world threaded through with myth and longing, beyond which lies a no man's land - the 'somewhere in between' - of dusk or dawn, of mists or sudden light, where the epiphanies are. 
 
Using the framework of four long poems, 'Ports', 'Settlements', 'Fields' and 'Roads', the poet balances presence with absence; we are shown the homing instinct - felt in the blood and marrow - as a pull to refuge, simplicity, and a safe haven, while at the same time hearing the siren call from the world beyond: the thrilling expectancy of fairground or dancehall, the possibilities of the open road. With a confident open line and complete command of the language, John Burnside writes with grace, agility and profound philosophical purpose, confirming his position in the front rank of contemporary poetry.

The Asylum Dance

John Hartley Williams

Welcome to the Café des Artistes. Your host, the owner, bartender, master of ceremonies and only other guest: John Hartley Williams. Here you will be entertained and diverted - by bizarre stories of mapless roads and unreal cities, the Ostrich Palisades and the erotic stones of Bonehenge; by a spooked version of Rimbaud's 'La Bateau Ivre'; by encounters with Malcolm Lowry, the floating dead, the 'old men behind the waterfall' and the knitted poet; by poems about donkey jackets and dancing with donkeys, and a one-sided conversation with a decidedly un-Romantic polar bear two doors down from Dove Cottage. 
 
Long celebrated for his ranging, restless imagination, his baroque, elliptical narratives, his manic humour and maverick stance, Williams returns with another invitation to join him for a jug or two of wine in his out-of-kilter universe: a world that is both strange, and strangely familiar. Welcome to the Café des Artistes!

Café des Artistes

Sharon Olds

Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony. 
 
The opening poem, with its sequence of fearsome images of war, serves as a prelude to poems of home in which humour, anger, and compassion sing together with lyric energy - sometimes comic, sometimes filled with a kind of unblinking forgiveness. These songs of joy and danger - public and private - illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revision, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds's characteristic passion, imagination, and poetic power.

One Secret Thing

Mark Doty

In this, his eighth book of poetry, Mark Doty's subjects - our mortal situation, the evanescent beauty of the world, desire's transformative power and poetry's ability to give shape to human lives - echo and develop. The first poem, 'Pipistrelle', is a typically eloquent disquisition on the art of communication prompted by the flight of a bat - 'an inky signature too fast to trace' - and is followed by an extraordinary series of meditations and variations on this theme. 
 
The poet listens to cicadas, to Handel, to the calling of birds, to Juan the loquacious Mexican taxi driver; he steeps himself in the colour and incident of the streets and subways of New York City; he goes for a never-ending chi-gong massage and is visited by the shades of Berryman and Whitman. 
 
As the images accumulate and cohere, guided by Doty's unique style - both plainspoken and sophisticated, both wry and profound - we arrive at a new understanding of the way we live and the world we live in. He shows us what we love and its magnificent fragility - that 'the house of beauty is a house of flames' - and we see, once again, why he is regarded as one of America's most recognisable and most significant poets.

Theories and Apparitions

Marjane Satrapi

From the bestselling author of Persepolis comes this humorous and enlightening look at the sex lives of Iranian women. Embroideries gathers together Marjane's tough-talking grandmother, stoic mother, glamorous and eccentric aunt and their friends and neighbours for an afternoon of tea-drinking and talk. Naturally, the subject turns to loves, sex and vagaries of men...

Embroideries

The poems in Michael Symmons Roberts's fifth collection move in a world riven by violence and betrayal, between nations and individuals. As ever, this is a metaphysical poetry rooted in physical detail - but the bodies here are displaced, disguised, in need of rescue. A man in a fox suit prowls the woods afraid of meeting true foxes, while a vixen dressed as a man moves among the powerful at society soirées. God no longer 'walks in his garden in the cool of the day', but drives through a damaged city in the small hours. At the same time a couple celebrate armistice with an act of love in an anonymous hotel room. 
 
As the judges of the Whitbread Prize noted, Roberts' poetry 'inspires profound meditation on the nature of the soul, the body, the stars and the heart - and sparks revelation.' Roberts is a poet of unusual range and dexterity, fascinated by faith and science, by the physical and the transcendental, and with this new book he confirms his position as a truly original, and thrillingly gifted, lyric poet.

The Half Healed

Robert Crawford

Holding in balance the ecological and the technological, ancient and modern, Full Volume sings languages and cultures, people and habitats burgeoning on the brink of extinction. From revved-up battle-cry to nervous whisper, these lyrical poems praise intricate abundance. 
 
Assured in its rhymes and cadences, Full Volume is often attentive to poetry in other tongues, not least Gaelic. As their tones and forms shift from the spiritual to the wry, from haiku to brosnachadh, the poems' resonance and music build into a sustained sounding of what it means to live, love, and listen in a world where 'Nothing is ever single'.

Full Volume

Don McCullin's view of England is rooted in his wartime childhood and growing up around Finsbury Park in the fifties. His first published photograph was a picture of a gang from his neighbourhood, which appeared in a newspaper after a local murder; McCullin always balanced his anger at the unacceptable face of the nation with tenderness or compassion. 
 
In England combines some of his greatest work with an entirely new body of photographs. McCullin sees his home country with its perpetual social gulf between the affluent and the desperate in mind. He continues in the same black and white tradition as he did between foreign assignments for the Sunday Times in the sixties and seventies, when his view of a deprived Britain seemed as dark as the conflict zones from which he'd just escaped. 
 
This book marks his return to the cities and landscape he knew as a young photographer. At a time when we might believe the world has changed beyond our imagination, McCullin shows us a view of England where the line between the wealthy and the deprived is as defined as ever. This time he adds wry humour to his lyricism, as if the nation is as absurd as it is tragic.

In England

Jean Sprackland

Jean Sprackland's third collection describes a world in free-fall. Chaos and calamity are at our shoulder, in the shape of fire and flood, ice-storm and hurricane; trains stand still, zoos are abandoned, migrating birds lose their way - all surfaces are unreliable, all territories unmapped. 
 
These are poems that explore the ambivalence and dark unease of slippage and collapse, but they also carry a powerful sense of the miraculous made manifest amongst the ordinary: the mating of natterjack toads, ice on the beach ('dream stuff, with its own internal acoustic') or 'the fund of life' in a used contraceptive. Bracken may run wild across the planet 'waiting for the moment/to pounce on the accident/of the discarded match' but there are also the significant wonders of children and the natural beauty of the world they've inherited. Tilt is a collection of raw, distressed and beautiful poems, a hymn to the remarkable survival of things in the face of threat - for every degradation an epiphany, for every drowning a birth.

Tilt

Neil Rollinson

With the frank, subversive, and very funny poems in his first two books, Neil Rollinson established himself as a deft cartographer of the sensual world. While a rich and tactile eroticism still courses through Demolition, there is a new seriousness here, as mortality starts to throw its long shadow. 
 
These poems occupy a more rueful, reflective space - provisional, mercurial and fragile - a darker place where disintegration and loss are the only certainties, and memory is the only solid ground. Central to this is the death of the father - whether the poet's own, or the lost fathers of Borges or Vallejo - and the theme is broadened through a number of moving examinations of the erosion of time and youth. Against this gathering darkness, Rollinson sets a spirited defence, blending the lyric and vernacular voice in a muscular celebration of food, sex, sport and the natural world that is unusually refreshing, and sophisticated enough to allow both humour and profundity. 
 
The poems in Demolition never give up hope; they exhibit a tenacious optimism - or at least a steely pragmatism - that says: we have what we are given, there is no alternative, and we all must find what joy we can in life, and in its living.

Demolition

Matthew Sweeney

Negotiating the borders and hinterlands of Central and Eastern Europe - with occasional coracle trips or forays to Antarctica for a round of golf - the homesick flaneur surveys the surrounding devastation with the same mixture of fascination and alarm he feels when he discovers the sweat-mark on his T-shirt makes a perfect map of Ireland. All around, he sees natural and man-made catastrophe: the ruins and remnants of war peopled by kidnappers and assassins, feral dogs, death squads, the dispossessed and deracinated. 
 
These poems are parables of threat, parties for the end of the world; they speak eloquently of damage, displacement and the resulting swell of terror: 
 
'I looked back at the door 
heard the lock click, then beyond 
another lock, then another.'

Black Moon

Adam Thorpe's fifth collection finds purpose in the discarded, the secretive, the failed. Juxtaposing creation and destruction, hope and grief - a small boy deep down a lead mine; an unlit, nocturnal path set against the 'insomniac' motorway; industrialised apples against wrinkled windfalls - his poems argue for bewilderment and 'the slight bruise of doubt'. 
 
Whether walking an abandoned road or considering a friend's suicide, his poems remind us of our abdications, of our collapsed relationships with nature, with history, with ourselves. 
 
There are, however, all the vestiges of connective tissue - memories and mementoes, sudden, miraculous leaps of beauty. The book is full of such traces, delicate and fugitive: the poet's grandmother retrieved through her ninety-year-old bookmark of rose petals; the unvoiced suggestion of his mother's voice on an answerphone; the memory of a vanished native chief in a Canadian mountain's shadow...

Birds With A Broken Wing

Athenian

Atlantia

Avalon

BBC Children's Classics

BBC Classics

BBC Earth

BBC Radio’s The Lord of the Rings

BBC TV Soundtracks

BP Animation

Baby Touch

Ballroom Girls

Barnaby Grimes

Be More...

Bear Mountain Rescue Series

Beasts of Prey

The complete boxed collection of Beatrix Potter's beloved Peter Rabbit books

Beatrix Potter Originals

Beautiful Creatures

BeddyByes

Bel Dame Apocrypha

Bella Wallis Victorian Mysteries

Belle

Ben & Holly's Little Kingdom

Bergman Brothers

Big Ideas for Little Philosophers

Bill Clinton & James Patterson stand-alone thrillers

Bill Smith / Lydia Chin

Bim Blake

Bindi Babes

Tim and Biscuit, two unlikely friends, always seem to get themselves into difficult situations. From their first meeting in Cliffhanger, where bookish Tim is forced to endure an activities camp, to Buried Alive, where a quiet camping holiday turns out to be full of surprises, there is never a dull moment with these two around.Jaqueline Wilson’s hilarious duo of books catalogues their escapades, triumphs and failures, with a good helping of snacks along the way!

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