ADAM HAMDY is a bestselling author and screenwriter. His most recent novel, The Other Side of Night, was an NPR best book of 2022 and a New York Times best thriller of the year, and has been described as ingenious and deeply moving. He is the author of the Scott Pearce series of modern spy thrillers, Black 13, Red Wolves and White Fire, and the Pendulum trilogy. Keep up to date with his latest books and news at www.adamhamdy.com.

Adam Hamdy

Adam Hart-Davis

Adam Haslett is the author of the story collection You Are Not a Stranger Here and the novels Imagine Me Gone and Union Atlantic. He has twice been a finalist for the Pulitzer Prize and the National Book Award and his books have been translated into over thirty languages. His journalism on culture and politics has appeared in The Financial Times, Esquire, The New Yorker, The Guardian, Der Spiegel, The Nation, and The Atlantic, among others. He lives in New York City.

Adam Haslett

Adam Henson presents Countryfile, often from his 650-hectare farm in the Cotswolds. Having studied Agriculture at college, Adam took over Bemborough Farm from his father, Joe. The farm now grows wheat, spring barley and oilseed rape, runs a flock of 400 commercial ewes and has the UK's leading collection of rare breeds, many of which are in demand for film sets and advertisements. Cotswold Farm Park (www.cotswoldfarmpark.co.uk) offers a total countryside experience for all the family, welcoming more than 100,000 visitors each year. 
 
Adam presented Lambing Live with Kate Humble, writes for Countryfile magazine and has appeared on Radio 4's On Your Farm and Farming Today. He is the author of three previous books, Adam’s Farm: My Life on the Land, the Sunday Times bestseller, Like Farmer, Like Son and A Farmer and His Dog.

Adam Henson

Adam Henson is perhaps the best-known farmer in the UK, presenting on BBC's Countryfile to millions of viewers each Sunday evening. He's also appeared on Lambing Live, Secret Britain, Coast and Inside Out. Adam also runs the award-winning Cotswold Farm Park in Gloucestershire, which welcomes family visitors all year round and is home to many rare breeds. He has a monthly column in Countryfile magazine, as well as the Cotswold Life magazine. He has written several books including the Sunday Times bestseller Like Farmer, Like Son. This is his first children's book and it is the perfect introduction to the farm.

Adam Higginbotham has written for magazines including The New Yorker, the New York Times Magazine, Wired and Smithsonian. He is also the author of Challenger: A True Story of Heroism and Disaster on the Edge of Space, which was awarded the Kirkus Prize for Nonfiction and the National Book Critics Circle Award for Nonfiction. He lives in New York City.

Adam Higginbotham

Adam Hills is an internationally recognised comedian and host of award-winning Channel 4 show The Last Leg. His collection of stories from a life in comedy, Best Foot Forward, was a Times bestseller.

Adam Hills

Adam Howling

Adam J. Kurtz

Adam Jacot de Boinod

ADAM JOHNSON won the Pulitzer Prize for Fiction in 2013 for his second novel, the New York Times bestseller The Orphan Master’s Son (‘Excavates the very meaning of life’ New York Times). His short story 'Nirvana' won the prestigious Sunday Times/EFG Short Story Award. He is the author of acclaimed story collections, Fortune Smiles and Emporium and the novel Parasites Like Us. He teaches creative writing at Stanford University and lives with his family in San Francisco.

Adam Johnson

Adam Kay is a former doctor who has written five million books and sold seven copies. No, hang on – he’s written seven books and sold five million copies. His debut book, This is Going to Hurt, is a literary sensation: a Sunday Times number one bestseller for over a year, winning a record-breaking four National Book Awards and selling over 3 million copies. Kay adapted This is Going to Hurt as a BAFTA-winning comedy-drama series for the BBC. Adam Kay’s children’s books have been translated into 32 languages and sold over 1 million copies, making him one of the UK’s bestselling children’s authors. Kay’s Anatomy became the fastest-selling children’s general non-fiction hardback of the decade. His first picture book, Amy Gets Eaten, was published in 2023, and his first children’s novel, Dexter Procter the Ten-Year-Old Doctor, was published in September 2024.

Adam Kay

Adam studied illustration and animation, and received a BA followed by an MA from the Edinburgh College of Art. As a student he won a competition to create a short film for MOMI and Channel 4, and once his career producing animated commercials was under way, he became an illustrator as well. He has regular columns in the UK and the US.

Adam Larkum

Adam Lashinsky

Adam Macqueen

Adam Mars-Jones

Adam O'Riordan was born in Manchester in 1982, where he currently lives. In 2008 he became the youngest Poet-in-Residence at The Wordsworth Trust, the Centre for British Romanticism. His first collection In the Flesh (2010) win a Somerset Maugham Award. He is the Academic Director of the Writing School at Manchester Metropolitan University.

Adam O'Riordan

Adam Phillips, formerly Principal Child Psychotherapist at Charing Cross Hospital, London, is a practising psychoanalyst and a visiting professor in the English department at the University of York. He is the author of numerous works of psychoanalysis and literary criticism, including most recently On Giving Up, On Wanting to Change, Attention Seeking, In Writing, Unforbidden Pleasures and Missing Out. He is General Editor of the Penguin Modern Classics Freud translations, and a Fellow of The Royal Society of Literature.

Adam Phillips

Adam Rackley

Adam Richardson is the UK's top trending health and fitness coach with a rapidly growing audience across both TikTok and Instagram. Adam is passionate about removing barriers to exercise and movement, a philosophy that is key to his work as a Personal Trainer in which he strives to help his clients feel more confident, as well as more fit and healthy.

Adam Richardson

Adam Roberts is the author of The Amateur Gourmet and Secrets of the Best Chefs, and coauthor of Give My Swiss Chards to Broadway. He started his food blog, The Amateur Gourmet, in 2004 and currently writes The Amateur Gourmet Newsletter on Substack. Roberts has also written for The Washington Post and the Los Angeles Times, and for film and television. He lives in Brooklyn with his husband and their dog, Winston. Food Person is his first novel.

Adam Roberts

Adam Roberts is acknowledged as the senior scholar of international relations in the UK. He was Montague Burton Professor of International Relations at Oxford University 1986-2007, and President of the British Academy 2009-13 - the head of humanities in Britain. He was on the Council of the International Institute for Strategic Studies, London (2002-08), a member of the UK Defence Academy Advisory Board (2003-15) and is now on the Board of Advisers of the Lieber Institute for Law and Land Warfare at the United States Military Academy, West Point.

Adam Robinson is based in the Middle East and is a regular contributor to newspapers in the Arab world and also to the British media. He is the author of numerous books on the region, including Bin Laden: Behind the Mask of the Terrorist.

Adam Robinson

Adam Ross

Adam Rutherford is an award-winning writer, broadcaster, and geneticist at University College London. His books include A Brief History of Everyone Who Ever Lived, The Book of Humans, and the Sunday Times bestseller How to Argue with a Racist. He has written and presented numerous documentaries for BBC radio and television, including Inside Science and The Cell. Adam has also worked as a science advisor on many films, including the Oscar-winning Ex Machina (2015) and Annihilation (2018).

Adam Rutherford

Adam Smith

Adam Smyth runs the 39 Step Press, an experiment in printing, from a cold barn in Oxfordshire. He is also Professor of English Literature and the History of the Book at Balliol College, University of Oxford.

Adam Smyth

Adam Sweeting

Adam Tandy

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Joe Sacco

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. 
 
Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. 
 
Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.

Safe Area Gorazde

The War in Eastern Bosnia 1992-95

John Burnside

To the Shakers, a good song was a gift; indeed the test of a song's goodness was how much of a gift it was. In their call to 'labour to make the way of God your own', Shaker artists expressed an aesthetic that had much in common with the old Japanese notion, attributed to Hokusai, that to paint bamboo, one had first to become bamboo. 
 
In his tenth collection, John Burnside begins with an interrogation of the gift song, treating matters of faith and connection, the community of living creatures and the idea of a free church - where faith is placed, not in dogma or a possible credo, but in the indefinable - and moves on through explorations of time and place, towards a tentative and idiosyncratic re-ligere, the beginnings of a renewal of the connection to, and faith in, an ordered world. 
 
The book closes with a series of meditations on place, entitled 'Four Quartets', intended both as a spiritual response to the string quartets of Bartók and Britten (as Eliot's were to Beethoven's late quartets), and as an experiment in the poetic form that the finest of poets, the true miglior fabbro, chose as a medium for his own declaration of faith. The poems in this collection are true gifts: thrillingly beautiful, charged with power and mystery, each imbued with the generous skills of a master of his craft.

Gift Songs

Marjane Satrapi

In November 1955, Nasser Ali Khan, one of Iran's most celebrated tar players, is in search of a new instrument. His beloved tar has been broken. But no matter what tar he tries, none of them sound right. Brokenhearted, Nasser Ali Khan decides that life is no longer worth living. He takes to his bed, renouncing the world and all of its pleasures. This is the story of the eight days he spends preparing to surrender his soul. 
 
As the days pass and Nasser Ali Khan grows weaker, those who love him - his wife, his children, his siblings - gather round, incredulous, to try to comfort him. Every visitor stirs up a memory, and in the course of this week Nasser Ali Khan revisits his entire life, a life defined by three relationships in particular. He remembers his late mother, who sacrificed everything for his revolutionary brother, but who also, in the last week of her life, found solace only in smoking and listening to him play his tar; his angry wife, who can't forgive him his melancholy and irresponsibility; and Irane, his first love, whose father forbade her to marry a poor musician and inflicted the wound that fuelled his music. The pieces of Nasser Ali Khan's story slowly fall into place, and as they do, we begin to understand him. By the time the eighth day dawns, having witnessed Nasser Ali Khan communing with Sufi mystics, Sophia Loren, the spirit of his late mother, his own demons and, bravely, with Azrael, the angel of death - we feel privileged to have known him. 
 
Brilliantly weaving together the past, present and future to explore the successes and joys, failures and disappointments of Nasser Ali Khan's life and through his story, the meaning of any of our lives - Marjane Satrapi has also once again presented us with a complex and deeply human portrait of the men and women of her country, and of pre-revolution Iran itself. She delivers this tremendous story about life and death, and the fear and courage both require, with her trademark humour and insight. Chicken With Plums is Marjane Satrapi's finest achievement to date.

Chicken With Plums

Lucian Freud

Sebastian Smee

David Dawson

Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires. 
 
Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before.

Freud At Work

Lucian Freud in conversation with Sebastian Smee. Photographs by David Dawson and Bruce Bernard

Guy Delisle

Famously referred to as part of the 'Axis-of-Evil', North Korea remains one of the most secretive and mysterious nations in the world today. A series of manmade and natural catastrophes have also left it one of the poorest. When the fortress-like country recently opened the door a crack to foreign investment, cartoonist Guy Delisle found himself in its capital Pyongyang on a work visa for a French film animation company, becoming one of the few Westerners to witness current conditions in the surreal showcase city. 
 
Armed with a smuggled radio and a copy of 1984, Delisle could only explore Pyongyang and its countryside while chaperoned by his translator and a guide. But among the statues, portraits and propaganda of leaders Kim Il-Sung and his son Kim Jong-Il - the world's only Communist dynasty - Delisle was able to observe more than was intended of the culture and lives of the few North Koreans he encountered. 
 
His astute and wry musings on life in the austere and grim regime form the basis of this remarkable graphic novel. Pyongyang is an informative, personal and accessible look at an enigmatic country.

Pyongyang

A Journey in North Korea

Anne Carson

In her first collection in five years, Anne Carson contemplates 'decreation' - an activity described by Simone Weil as 'undoing the creature in us' - an undoing of self. But how can we undo self without moving through self, to the very inside of its definition? Where else can we start? 
 
Anne Carson's Decreation starts with form - the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, list, montage. The undoing is tender, but tenderness can change everything, or so the author appears to believe. 
 
By turns exhilarating and bewildering, lucid and hermetic, Anne Carson is a maverick with a thrilling range of skills. As Charles Simic says, 'Carson takes risks, subverts literary conventions, and plays havoc with our expectations. She is a wonder: an unconventional, often difficult poet who has a huge following among today's readers of poetry and whose work has been honoured with our most prestigious literary awards.'

Decreation

Peter Redgrove

Peter Redgrove, who died in June 2003, was a friend and contemporary of Ted Hughes and Sylvia Plath and became one of the most celebrated and prolific post-war poets - regarded by many as a true visionary. 
 
The Harper, which gathers together his last poems, is a collection still charged with characteristic energy, eroticism and transforming imagination. Redgrove's language thrills with thunder, rain and electricity, the air heavy with perfumes and balsams, wasps and spiders - and reading these poems is uncannily like re-entering a dream. Peter Redgrove made us look at our world with fresh eyes, and he changed our perception forever.

The Harper

Vicki Feaver

Split between dark and light, this book records the dichotomy of human experience with unflinching force and clarity. It deals with break-up, depression, illness and death. But it also reveals an intense involvement with nature and a capacity for healing and love. There are intimate personal poems reflecting on relationships with people and creatures; poems which enter the lives of real and imaginary characters, Keats and Medea and Blodeuwedd, for example; and also poems which engage with paintings and political events. 
 
Set in a territory which connects child with adult, myth with reality, the personal with the universal, the book shows a poet fully open to the richness and possibilities of the world but also aware of its violence and pain, not as a remote observer but as someone who is a part of it.

The Book of Blood

David B

The most acclaimed European graphic novel of the last ten years, Epileptic is David B.'s story of his brother's battle with epilepsy - but it turns into a penetrating and sometimes lacerating self-examination on the author's part, as he delves into his own complex emotions and his family's troubled history, as well as his own youthful fantasy life. Particularly pointed is his description of the family journey from one attempted cure to another, including acupuncture, spiritualism and macrobiotics. 
 
David B.'s drawing is utterly extraordinary, balancing literal representation and expressionist psychological distortion.

Epileptic

Over seventeen years and nine collections, John Burnside built - in the words of Bernard O'Donoghue - 'a poetic corpus of the first significance', a poetry of luminous, limpid grace. 
 
In this Selected Poems, his territory is the no-man's-land of threshold and margin, the charmed half-light of the liminal, a domestic world threaded through with mystery, myth and longing. 
 
We can see themes emerge and develop within the growing confidence of Burnside's sinuous lyric poise: the place of the individual in the world, the idea of dwelling, of home, within that community, and the lure of absence and escape set against the possibilities of renewal and continuity. 
 
This is consummate, immaculate work born out of a lean and agile craftsmanship, profound philosophical thought and a haunted, haunting imagination; the result is a poetry that makes intimate, resonant, exquisite music.

Selected Poems

Sharon Olds

Michael Ondaatje has called Sharon Olds's poetry 'pure fire in the hands' and cheered the 'roughness and humour and brag and tenderness and completion in her work as she carries the reader through rooms of passion and loss'. This rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal. Subjects are revisited - the pain of childhood, adolescent sexual stirrings, the fulfilment of marriage, the wonder of children - but each re-casting penetrates ever more deeply, enriched by new perceptions and conceits. 
 
A powerful distillation of the best work from one of America's most gifted and widely read poets, drawn from her seven published volumes, this is a testament to a remarkable writer's depth, range and continuing development.

Helen Farish

Provocative and tender, passionate yet wary, the highly charged poems in Helen Farish's first collection testify to the complex nature of relationships with lovers, with family and with the self. The love poems explore moments of intense exposure, and within the erotic relation seek to carve out a voice adequate to the expression of female sexuality and desire. Within this framework, the body itself becomes a rich and compelling site of inquiry. 
 
Posted throughout the collection like sentinels, poems on the death of the father draw the poet back home where grief mingles with surprising moments of grace or redemption. But whether the encounter concerns sudden loss or sudden blessing, constant throughout is a warm and boldly embodied lyric 'I' voice generously inviting the reader in. 
 
Poised at life's mid-point, these haunting, haunted poems negotiate their emotional freight in carefully crafted forms which mediate between exposure and guardedness. Expertly charting the geographies of sex and love, the histories of childhood and grief, Intimates introduces a new poet of originality, honesty and singular power.

Intimates

Matthew Sweeney

In this, Matthew Sweeney's eighth full-length collection, the disarming fabulist and mythmaker steps out on his own into fresh territory. These are poems from a mapless journey through the backwaters of Europe and the New World - imbued, as always, with the strange, unerring logic of dream, but carrying now a new, fugitive, lyrical note. The sanctuary of the title is fragile and hard-won, and the complexities of the emotional life are written into the architecture of the physical, making for a poetry that is both vulnerable and disturbing. 
 
Celebrated for his ability to blend the simple terror of folklore with the more sophisticated anxieties of Kafka and the contemporary, Sweeney moves through this book like a revenant - past monkeys dressed as doormen, through ice-hotels and showers of human hair, towards a scaffold or a lover. Obliquely sinister and wryly engaging, full of fright and grim hilarity, these are rootless poems - unsettled and unsettling, and very far from home. 
 
A Poetry Book Society Recommendation.

Sanctuary

Here is the fascinating and equally unforgettable sequel to Persepolis, Marjane Satrapi's memoir-in-comic strips of growing up in Iran during the Islamic Revolution. Persepolis ended on a cliffhanger in 1984, just as fourteen-year-old Marjane was leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West. 
 
Here we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - here compounded by being an outsider both abroad and at home, and by living in a state where you have no right to show your hair, wear make-up, run in public, date, or question authority - it's raw, honest, and incredibly illuminating.

Persepolis 2

In The Fixer Joe Sacco returns to Bosnia, the setting for his first masterpiece, Safe Area Gorazde. In 2001 he went back to Sarajevo to meet up with his old 'fixer', an army veteran called Neven who, for the right price, could arrange anything for the visiting journalist. Sacco gradually realized that Neven's own story - a microcosm of the Balkan conflict itself - might be the most compelling of all. Through Neven, Sacco tells the story of the warlords and gangsters who ran the country during the war, but all the time he - and the reader - never know whether Neven is telling the truth.

The Fixer

Michael Longley

The poems collected in Snow Water find their gravity and centre in Michael Longley's adopted home in west Mayo, but range widely in their attention - from ancient Greece to Paris and Pisa, from Central Park to the trenches of the Somme. Meditations on nature and mortality, there is a depth and delicacy to these poems, a state of lucid wonder, that allows for the easy companionship of love poem and elegy, hymns to marriage and friendship and lyric explorations of loss. 
 
Though the embodiment of these themes is often found in the wildlife of Carrigskeewaun and Allaran Point - the plovers and oystercatchers, whooper swans and snow geese, the hares and otters, the marsh marigolds and yellow flags - Snow Water is emphatically a celebration of humanity. These are all, in a way, poems of love and kinship - even the magnificent sequence that links the horrors of the Great War with those of the Trojan War, and with all the wars between. 
 
What Longley says of Edward Thomas might easily be said of him: 'The nature poet turned into a war poet as if/ He could cure death with the rub of a dock leaf'. Full of intensity and grace, tenderness and wisdom, these are poems of deceptive simplicity from a craftsman of international stature.

Snow Water

Adam Thorpe

Adam Thorpe's fourth collection continues his engagement with history: the living continuum that connects us with our near and distant past, nourishing and illuminating our present. Here are traces left of presence: Indian scratchings on rock, the nail-marks of destroyed frescoes, spoken fragments of war memories - petroglyphs that function as both memorials and re-awakenings, traceable with the finger of the imagination. And here, too, are images of the stilled, the stopped life: a snowed-up village, the paralysed victim of motor-neurone disease, a soft drink fermented in an old village cafe. 
 
From this rueful equilibrium of mid-life, Thorpe circles his own personal history, allowing regret and anticipation their Janus-like say. These are erudite, generous poems, formally versatile yet rich in startlingly original observation and a natural lyric grace. Performing his unique archaeology on lives lived, Adam Thorpe once again displays the range of his imagination and the depth of his humanity.

Nine Lessons From The Dark

Sacco paved the way for Palestine with his powerful triptych on modern war and its innocent victims, originally published in his comic Yahoo and collected here: 'When Good Bombs Happen to Bad People' chronicles the effect of aerial warfare on civilians, from Germany and Japan in World War II to Libya in 1986; 'More Women, More Children, More Quickly' is written from a victim's perspective, as Sacco illustrates his mother's harrowing experiences during Italian and German WWII raids on Malta; and 'How I Loved the War', Defeatist's centrepiece, is Sacco's impassioned but sardonic reflection on the Gulf War, and the surrounding propaganda and media circus. Published during the reign of Bush I, it has since acquired an even sharper relevance. 
 
Defeatist also features Sacco's first (relatively) long-form piece, 'In the Company of Long Hair', a hilarious roadie's-eye view of an American punk band's eventful European tour from Amsterdam to Madrid, as well as 'Cartoon Genius', 'Voyage to the End of the Library', 'A Disgusting Experience', and 'On My Day Off', a cycle of funny and rueful autobiographic comics that display Sacco's graphic verve to its fullest extent. 
 
Defeatist is rounded off with a large section of Sacco's earliest, pointedly satirical strips (none of which has been collected in book form before) and new introductions and notes by the author. 
 
A combination of youthful indiscretions and mature masterworks, Notes from a Defeatist spotlights the work of a brilliant young artist as he defines the capabilities and potential of his chosen medium.

Notes From A Defeatist

Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution. 
 
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. 
 
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. 
 
'The magic of Marjane Satrapi's work is that it can condense a whole country's tragedy into one poignant, funny scene after another' Independent on Sunday 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

Persepolis

The Story of an Iranian Childhood

The Unswept Room is a dazzling collection of poems that project a fresh spirit, a startling energy of language and rhythm, and a moving, elegiac tone shot through with humour. From poems that erupt out of history and childhood to those that embody the nurturing of a new generation of children and the transformative power of marital love, Sharon Olds takes risks, writing boldly of physical and emotional sensations seldom confronted in poetry. 
 
These are poems that strike for the heart, as Sharon Olds captures our imaginations with unexpected word play, sprung rhythms and the disquieting revelations of ordinary life. Writing at the peak of her powers, this greatly admired poet gives us her finest collection.

The Unswept Room

A landmark of graphic journalism, capturing the heart of day-to-day life in occupied Palestine. 
 
Palestine remains one of the most influential works of visual reportage ever created - a ground-breaking fusion of comic art and investigative journalism. 
 
Based on months of on-the-ground reporting in the early 1990s, Joe Sacco powerfully documents his own experiences and the daily lives of Palestinians during the First Intifada in the West Bank and Gaza Strip with remarkable insight and clarity. 
 
Through drawings, reportage and storytelling, Sacco captures the moments of grief, resilience and absurdity that conventional journalism can miss. Palestine is a modern classic that continues to inspire artists, journalists and readers who seek an unflinching and nuanced account of the conflict. 
 
‘The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine’ Guy Delisle 
 
‘Palestine is utterly compelling, and as affecting as the work of any war photographer or poet’ Varsity 
 
For readers interested in Middle Eastern history, human rights and documentary storytelling.

Palestine

Neil Rollinson

Continuing where he left off with A Spillage of Mercury, Neil Rollinson's eagerly awaited new collection delves again into the dark, moist, unexpected bag of human experience. Taking the themes of love, sex, and life's unpredictable mysteries and excitements, he scrapes away at the veneer of normality to reveal a world that is instantly stranger and more compelling than before. 
 
Rollinson revisits the erotic with his usual wit and bravado, in poems that are sometimes playful and sensitive, sometimes visceral and shocking. He explores scientific subjects through bedroom eyes, introducing the idea of entropy to the lovers' lexicon; he makes sport a backdrop for loneliness - his characters playing golf on the moon, taking the final penalty in the shoot-out, or wandering aimlessly and forever through the high grass of the village-cricket boundary. 
 
Diverse and provocative, vibrant and accessible, Spanish Fly is an unusually happy combination: a successful stimulant and a wholly satisfying performance.

Spanish Fly

Since Glass and God, which was her first full-length collection published in Britain and which was nominated for the 1998 Forward Prize, Anne Carson has published a book a year to extraordinary critical acclaim. Her last two volumes, Autobiography of Red and Men in the Off Hours were both shortlisted for the T.S. Eliot Prize, and she has received numerous North American awards, including the prestigious MacArthur Fellowship. 
 
In her brilliant new book, she tells a single story. A long-time love, now a crumbling marriage, unfolds in 29 'tangos' of narrative verse, informed by the romanticism of Keats, the wisdom of the classical world and, most importatnly, by Carson's own unique sensibility. 
 
The unnamed narrator - sometimes 'I', sometimes 'the wife' - speaks of the man she calls only 'the husband', illuminating moments that are by turn sensual, erotic, painful and heartbreaking. The Beauty of the Husband is a work that explores these oldest of lyrical subjects - beauty, desire, love, betrayal - with freshness and devastating power. 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

The Beauty Of The Husband

The poems in A Smell of Fish connect and radiate like the spokes of a wheel: haiku, sestinas, poems beginning with a line by somebody else or sparked off by foreign travel, a version of Dante, a sea sequence set on the Suffolk coast, and - long overdue - Matthew Sweeney's own version of the old Irish poem where his namesake is turned into a bird. 
 
In this, his seventh collection, we are back in a world where all explanations are withheld. 'If Beckett and Kafka come to mind', as Sean O'Brien wrote in his essay on Sweeney in The Deregulated Muse, 'they are not simply influences but kindred imaginations'. So we encounter a valley mysteriously filling with the smell of fish, second-world-war planes reappearing over London, a secret attic mural of a naked ex-lover, a cosmonaut abandoned on the moon, and a subterranean tunnel that runs the length of Ireland. 
 
Whatever the subject, we are in the confident hands of one of the most imaginatively gifted poets now writing.

A Smell Of Fish

In the space of two collections, Gorse Fires (1991) and The Ghost Orchid (1995), Michael Longley broke a long poetic slience and re-drew the map of poetry at the end of the millenium. The Weather in Japan consolidates and expands the vision of those volumes, leading the reader through the various hells we have made this century. 
 
Preferring to see the horrors of political violence through the filter of the domestic, pointing up the fragility of the order we create, he takes us from the fields of Flanders, through Terezin and Auschwitz to the troubled north of Ireland. And, in images drawn from the west of Ireland, Italy, America and Japan, he explores the fundamentals of 'home' and 'civilisation'. 
 
Longley's grave humanity, Zen-like connective imagination and ecological eye give the most delicate compelx, beautiful things - a spring gentian, a lapwing or a snowflake - the nutritious light that allows them to grow greater than the crass brutality that surrounds them.

The Weather In Japan

Celebrated for his lyrical intensity, his metaphysical wit, his thematic and formal range, Michael Longley is widely regarded as one of the finest poets in these islands. His life in Northern Ireland has contributed to the complexity of a poetic universe in which love, friendship and aesthetics contend with war, death and violance. There are no hard boundaries between Longley's love poetry, his nature poetry, his war poetry and his elegies. Longley looks to the poets of Greece and Rome, particularly Homer and Ovid, and to the poets of the two world wars. His great ability, perhaps, has been to distil the large and difficult themes into highly concentrated forms. 
 
This is Michael Longley's own selection from thirty years of writing; it reveals the strength and coherence of an extraordinary body of work.

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

James Lasdun

Concerned with transformations and dislocations - both physical and emotional - the poems in James Lasdun's second collection speak exquisitely of desire and loss. 
 
Jetlagged, estranged, out of synch or out of kilter, the figures in these poems sometimes just miss each other, sometimes connect explosively. And under their feet - whether it's a Roman pavement, a hill-path in Mexico, a Surrey lawn or a New York street - there is always something primitive, turbulent, ready to reveal itself. Intellectually rigorous, musical and deftly formal these apparently classical poems blend a dark, erotic animus with an exhilarating wit.

The Revenant

Thomas Lynch

The poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity. In each poem, Lynch is looking for this equilibrium between equal and opposing forces: the gravities of sex and death, love and grief - all the things that make us breathless and horizontal, mortal and memorable. 
 
By means of a wry, mordant wit, telling observation and glorious poise, we are shown the strong tensions that make us human: the forces in our nature that create, replicate, restore, renew us; and those that kill us, constrict our lives, silence us. From spirited invective to meditations on morality, from lyrics of love and desire to a corrosive flyting to his ex-wife, these poems explore an extraordinary emotional range and technical facility but, more importantly, they reveal a compassionate, wise, and genial humanity.

Grimalkin And Other Poems

Leonard Cohen

Leonard Cohen's legacy is that of one of the most literate, daring, and affecting poet-songwriters in the world. Stranger Music presents a magnificent cross-section of Cohen's work - including the legendary songs 'Suzanne', 'Joan of Arc' and 'The Chelsea Hotel', and elections from such books as Flowers for Hitler, Beautiful Losers, and Death of a Lady's Man, and eleven previously unpublished poems. 
 
Stranger Music brings together Cohen's song lyrics and a generous selection of his poetry and is a celebration of the legendary musician's extraordinary gift for language that speaks with rare clarity, passion and timelessness. 
 
'A massive record of the poet's imaginative journey, through beauty, through horror, through the extremes of love and despair, from the deepest abyss of self-abnegation to the rare and necessary moments of ecstasy. The language ranges from the exquisitely beautiful to the darkly obscene, from the romantically inspired to the ironically banal... A poetic record like no other' Toronto Star

Stranger Music

Selected Poems and Songs

Black Heart Blue

Black Lace Book Of Women Sexual Fantasies

Black Star Series

Blacklist

Set inside Blandings Castle, this comedy series follows Lord Emsworth and his pig Empress as they meet with his dysfunctional family and friends, and the havoc that follows.

Blandings

Blandings Castle

Blood City Rollers

Bloodlines

Blossom Street

Blue Ant

Bluey

Bodyguard

Bodyguard Series

Bollocks to Alton Towers

Book of Dust Series

Borderlands

Born Wicked

Boudica: the last defender of the Celtic culture; the only woman openly to have led her warriors into battle; the only British warrior to have stood against the might of Imperial Rome - and triumphed. 
 
This is her story.

Boudica

Boy Soldier

Brain Chemicals

Brave Bunnies

Bridge

Bridget Jones's Diary

Brief Encounters

Bright Young Things

Brotherband

Arthur Bryant and John May are Golden Age detectives living in the modern world. Together they head up the Peculiar Crimes Unit, ready to solve any of the weird and wonderful crimes that fall across their desks.

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