Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Susie Harries

Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen. When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 - 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks. 
 
Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his sometimes painful assimilation into his country of exile. His Heftchen - secret diaries he kept from the age of 14 for another sixty years - reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart).Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind.Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. 
 
He was born a Jew but converted to Lutheranism; trained in the rigour of German scholarship, he became an Everyman in his copious commissions, publications, broadcasts and lectures on art, architecture, design, education, town planning, social housing, conservation, Mannerism, the Bauhaus, the Victorians, Zeitgeist, Englishness and how a nation's character may, or must, be reflected in its art. His life - as an outsider yet an insider at the heart of English art history - illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.

Nikolaus Pevsner

The Life

Jane Ridley

The work of Edwin Lutyens (1869-1944) includes the Cenotaph in Whitehall, much of Imperial New Delhi and especially his masterpiece, Viceroy's House (now Rashtrapati Bhavan), Queen Mary's dolls' house and Hampstead Garden Suburb.  But his greatest heritage is the traditional Edwardian country house, an architectural style he made his own, using local materials and often working with Gertrude Jekyll who planted the gardens for his family homes. This is a full biography of a witty, complex personality, a man who had little formal education, who loved jokes and hated growing up.  It is also a portrait of an extraordinary marriage.  His wife, Emily, fell in love with Krishnamurti, 21 years her junior and believed to be the reincarnation of a god, and she thereafter spent her time and her husband's money promoting Theosophy, a Hindu-inspired cult.  Lutyens's failure to find a common language with Emily possibly drove him to achieve the remarkable communication through the language of architecture which characterises his best work.

Edwin Lutyens

His Life, His Wife, His Work

Adrian Tinniswood

Christopher Wren (1632-1723) was the greatest architect Britain has ever known. But he was more than that. A founder of the Royal Society, he mapped the moon and the stars, investigated the problem of longitude and the rings of Saturn, and carried out groundbreaking experiments into the circulation of the blood. His observations on comets, meteorology and muscular action made vital contributions to the developing ideas of Newton, Halley and Boyle. 
 
His Invention So Fertile presents the first complete picture of this towering genius: the Surveyor-General of the King's Works, running the nation's biggest architectural office and wrestling with corruption and interference; the pioneering anatomist; the mathematician, devising new navigational instruments and lecturing on planetary motion. 
 
It also shows us the man behind the legend. Wren was married and widowed twice, he fathered a mentally handicapped child, quarrelled with his colleagues and fell foul of his employers. He scrambled over building sites and went to the theatre and drank in coffee-houses. The book explores what it was like to be at Oxford during the Commonwealth, as a generation struggled to make sense of a society in chaos; it recreates the tensions which tore apart the court of James II; it brings to life the petty jealousies that formed an integral part of both the building world and scientific milieu of the Royal Society. 
 
Above all, His Invention So Fertile makes clear to the general reader and the art historian just why Wren remains a cultural icon - both a creation and a creator of the world he lived in.

His Invention So Fertile

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