Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Colm Tóibín

Penguin Specials are designed to fill a gap. Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is Colm Tóibín's touching memoir. 
 
A Guest at the Feast moves from the small town of Enniscorthy to Dublin, from memories of a mother who always had a book on the go to the author's early adulthood, from a love of literature to the influences of place and family. Tóibín's captivating memoir is the story of a writer coming of age and his connections between home, work and love. It is a perfect gem of a book.

A Guest at the Feast

A Memoir

William Morris

Visionary English Socialist and pioneer of the Arts and Crafts movement, William Morris argued that all work should be a source of pride and satisfaction, and that everyone should be entitled to beautiful surroundings &ndash; no matter what their class. 
 
Throughout history, some books have changed the world. They have transformed the way we see ourselves &ndash; and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives &ndash; and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Useful Work v. Useless Toil

Martin Gayford

Love not landscape was the making of Constable . . . 
 
John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria's family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely. 
 
But it was during this period of longing that Constable developed as a painter. And by the time they'd overcome all obstacles to their marriage, he was on the verge of being recognised as a genius. 
 
Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable's formative years, as well as this love affair's tragic conclusion which haunted the artist's final paintings.

Constable In Love

Love, Landscape, Money and the Making of a Great Painter

James Fox

The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each chapter offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

The World According to Colour

A Cultural History

Hans Ulrich Obrist

Kostas Stasinopoulos

Artists are uniquely situated to present new ideas about how we are living, the materials that make up our lives and how we can begin to work together to tackle the most urgent crisis of our time. 
 
Featuring Ed Ruscha's memorial plaques to trees that didn't make it, Judy Chicago's urge to make a mark and express a feeling, Jacob V Joyce and Rudy Loewe's activism flowchart, James Bridle's instructions to help plants along with their global velocity, Vivienne Westwood's plea for lockdown not to be lost, Olafur Eliasson's poetic wisdom to 'look up, look down', Marina Abramovic's performance art for the climate, and Rose Wylie's recipe for cooking for the environment, alongside many more.

140 Artists' Ideas for Planet Earth

Hilary Spurling

&quot;Hilary Spurling's THE UNKNOWN MATISSE is a truly wonderful biography. Her prose is muscular, rhythmical, carrying a lot of information, yet swift, enthralling. She has done for Matisse what George Painter famously did for Proust in the 1950s. Besides being a first-rate scholar, she is an artist in narrative who has unearthed a fascinating story and told it brilliantly. I rate this first volume with the first volume of Richard Holmes's COLERIDGE . Both books mark a climax in what has been called a golden age of modern biography which began with Richard Ellman's JAMES JOYCE. It is a terrific achievement.&quot; Michael Holroyd

The Unknown Matisse

Man of the North: 1869-1908

Two artistic giants. One small house. 
 
From October to December 1888 a pair of largely unknown artists lived under one roof in the French provincial town of Arles. Paul Gauguin and Vincent Van Gogh ate, drank, talked, argued, slept and painted in one of the most intense and astonishing creative outpourings in history. Yet as the weeks passed Van Gogh buckled under the strain, fought with his companion and committed an act of violence on himself that prompted Gauguin to flee without saying goodbye to his friend. 
 
The Yellow House is an intimate portrait of their time together as well as a subtle exploration of a fragile friendship, art, madness, genius and the shocking act of self-mutilation that the world has sought to explain ever since.

The Yellow House

Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles

Charles Nicholl

Leonardo da Vinci is the most mysterious of all the great artists, continuing to inspire and intrigue centuries after his death. Who lies behind the legend of the 'Renaissance genius'? What is the real story behind his elusive masterpieces and tantalizing notebooks? Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. This compelling, lyrical biography explores Leonardo's life as never before, brilliantly illuminating the man behind the enigma.

Leonardo Da Vinci

The Flights of the Mind

Orlando Figes

The Europeans is a richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their ambitious lives and complex loves were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous European cultural landscape that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, as they travelled across the whole continent from the British Isles to Imperial Russia. 
 
The Europeans is Orlando Figes' masterpiece. It describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premieres and bestsellers came into existence.

The Europeans

Three Lives and the Making of a Cosmopolitan Culture

Hisham Matar

Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others. 
 
This month in Siena would be an extraordinary period in the life of this writer: an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.

A Month in Siena

Neil MacGregor

Following the award-winning BBC Radio 4 series, a panoramic exploration of peoples, objects and beliefs from the celebrated author of A History of the World in 100 Objects and Germany 
 
'Riveting, extraordinary ... tells the sweeping story of religious belief in all its inventive variety. The emphasis is not on our differences, but on shared spiritual yearnings' Rachel Campbell-Johnston, The Times, Books of the Year 
 
One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious. 
 
Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are. 
 
For in deciding how we live with our gods, we also decide how to live with each other. 
 
'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times

Living with the Gods

On Beliefs and Peoples

Vic Gatrell

The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell 
 
SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 
 
In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the eighteenth century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.

The First Bohemians

Life and Art in London's Golden Age

Benjamin Moser

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. 
 
As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? 
 
The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

The Upside-Down World

Meetings with the Dutch Masters

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