Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Mark Twain

The finest editions available of the world's greatest classics from Homer to Achebe, Tolstoy to Ishiguro, Proust to Pullman, printed on a fine acid-free, cream-wove paper that will not discolour with age, with sewn, full cloth bindings and silk ribbon markers, and at remarkably low prices. All books include substantial introductions by major scholars and contemporary writers, and comparative chronologies of literary and historical context.

Twain's playful exuberance and remarkable storytelling gifts are on full display as he regales readers with his real-life adventures, some of them so outrageous they cannot be true - or can they? 
 
As Richard Russo says in his fascinating introduction, Twain was an 'inspired, indeed, unparalleled, bullshitter' who himself cheerfully relates how as a cub reporter out West he had elevated a routine Indian attack on a wagon full of immigrants to a battle that 'to this day has no parallel in history' - once he knew he could get away with it. 
 
There is drama as well as comedy in his account of life on the Mississippi, and great sadness too when his younger brother Henry is killed in a steamboat explosion - all the more poignant for the restraint with which he describes it. In The Innocents Abroad Twain the gleeful iconoclast is a passenger on a cruise ship to Europe and the Holy Land, poking fun at European snobbery and pretension and refusing to be overawed by all that History - but fully prepared to aim his satirical barbs at his fellow-tourists and indeed, squarely at himself. 
 
He also proves to be a deeply compassionate writer, as fierce in his condemnation of injustice as he is skilful in mining the humour of human folly. He brought to literature a new, distinctly American voice - and he harboured as rich and fertile a blend of contradictions as the dynamic nation he came to embody and define.

Collected Nonfiction Volume 2

Selections from the Memoirs and Travel Writings

Babur

A lost inheritance, a rags-to-riches journey from vagabondage in the mountains of central Asia to an imperial throne in India, warrior-poet Babur's life was one of adventure and endurance against the odds. Descended from both Genghis Khan and Timur, Babur came to the throne of a small principality at the age of eleven; ten years of warfare later, he would lose it for ever to Uzbek invaders. A lucky break led to the capture of Kabul, from which he carved out a new state for himself in Afghanistan. Just over twenty years later, he was ready for the biggest throw of all - no less than an invasion of India. He recorded his own story pretty much as it happened with startling immediacy and a winning frankness: it was the crowning achievement of a rich tradition of Islamic autobiography. 
There is history and politics here aplenty, but what is most striking about Babur's memoirs is the man they reveal - ambitious but modest and self-critical, deeply attached to friends and family, homesick amongst the treasures of India, sensitive to the beauties of nature and extremely fond of a party. He paints a fascinating portrait of a sophisticated and cultured Persian-Turkic society. As violent for political ends as many a European Renaissance ruler, Babur could order a massacre and return home to write a ghazal. Everywhere he went he created beautiful gardens. There are insights into the role of women in such a society; of Babur's several wives, but particularly the older women of his family, who commanded respect and exercised considerable influence. Four years after his Indian conquest, Babur swore to give his own life if his eldest son recovered from a dangerous illness. Humayun pulled through, and in a few months Babur was dead. But he had laid the foundations of the greatest, wealthiest and most populous of the world's Muslim-ruled empires.

The Babur Nama

Joan Didion

This hardcover omnibus edition of Didion's collected nonfiction contains her final four books: Blue Nights, South and West, Let Me Tell You What I Mean, and her bestselling and most famous work, The Year of Magical Thinking In her essay “Why I Write” (included in this volume), Joan Didion explained what lies behind her iconic nonfiction writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” Across her long and prolific career, readers have been blessed time and again by her brilliance as a prose stylist and a social commentator. Form her unforgettable reckonings with grief (for her husband in The Year of Magical Thinking and for her daughter in Blue Nights), to her exploration of two iconic regions of America in South and West, through the indelible pieces of reporting collected from across her career in Let Me Tell You What I Mean, the books collected here show Didion at her best: bearing witness to our history, illuminating our culture, and shedding light on the human condition.

I Write to Find Out What I am Thinking

Collected Non Fiction

Nadezhda Mandelstam

A harrowing yet uplifting account of Stalin's persecution of the Russian intelligentsia in the 1930s, and of one man - Osip Mandelstam (1891-1938), whose poetry, in spite of the unfolding tragedy of his life, preserved its unique creative gaiety. Nadezhda and Osip Mandelstam married in 1922. Nadezhda's memoir covers their last four years together. She begins in Moscow in May 1934 with the knock on the door at one o'clock in the morning, and her husband's arrest by the secret police for composing a satire of Stalin. She tells of his imprisonment, interrogation and exile to the Urals, where she accompanied him, and where he wrote his last great poems; his release and return to Moscow, only to be entrapped, rearrested and sentenced to hard labour in Siberia; of her own efforts to secure his release and to save his manuscripts (and to memorize all his poems in case she could not); of her discovery of the truth about his death in a transit camp near Vladivostock. For all its grim subject matter, it is a story of courage in adversity, and even humour finds a place. 
 Nadezhda means 'hope' in Russian, and Hope against Hope is one of the greatest testaments to the value of literature and imaginative freedom ever written. It is also a love story that relates the daily struggle to keep both love and art alive in the most desperate circumstances. After years of circulating secretly in the Soviet Union it was published in the West in 1970, and has since achieved the status of a classic.

Hope Against Hope

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