Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Philip Gourevitch

Philip Gourevitch's modern classic We Wish to Inform You That Tomorrow We Will Be Killed With Our Families opened our eyes to the 1994 genocide of Rwanda's Tutsi minority: close to a million people murdered by their neighbours in one hundred days. Now Gourevitch brings us an intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, vengefulness and forgiveness. 
 
 A powerful literary reckoning, You Hide That You Hate Me and I Hide That I Know is the culmination of twenty-five years of reporting. The book takes its title from a Rwandan adage that speaks to the uneasy trade-offs that reconciliation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken. 'Truth Heals' was the slogan. But truth also wounds. And truth is always contested. 
 
 As Gourevitch returns to the same families in one small hillside village, their accounts of killing and surviving inform and enlarge one another, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts. This moving book continuously invites us - as only great writing can - to think, and to think again.

You Hide That You Hate Me and I Hide That I Know

Neil Price

Almost everyone has heard of the Vikings: scouring the coasts of Europe in their longships, with plunder and pillage. Those raiders were real and deserved their reputation, but in fact they were only ever a small minority of the Scandinavians. ‘Viking’ comes from the Old Norse word for pirate, and while we may use that label for every Northerner of the eighth to eleventh centuries, in reality they followed many different callings. 
 
In his revelatory new book, archaeologist Neil Price takes us on a journey of individual encounters across the whole of the Norse world. From the beginning of the Viking Age to its end, the true diversity of their lives is brought out in vivid clarity from excavated evidence: we meet sea-kings and sorceresses; arctic hunters and shapeshifters; Sámi nomads and bears given burials; mercenaries and traders; the free and the enslaved; immigrants and diplomats; followers of many gods, and the worshippers of one; townsfolk and farmers; and yes, the real Vikings too. The time that bears their name will never seem so simple again.

The Sea-King and the Sorceress

Life and Death in the Viking Age

Edward White

For more than forty years, Diana, Princess of Wales, has been mythologized to the most extraordinary degree. Adored and lionized by some, ridiculed and traduced by others, Diana has always commanded a cultural presence unmatched by any other member of the royal family. 
 
In Dianaworld, Edward White offers both a portrait of the princess and a group portrait of those who existed in her orbit—from her royal in-laws, her servants, and the dilapidated ranks of the British aristocracy from which she rose, to drag performers, artists, Britain’s ethnic minorities, and the Gen Z superfans who maintain her status as a cultural icon. 
 
Drawing on a wide array of sources and perspectives, many never used in books about Diana or the royal family, White vividly recreates the world Diana lived in, explores the growth of her global reputation, and illuminates her lasting impact on the world she left behind.

Dianaworld

An Obsession

Nick Hayes

Early one September, Nick Hayes brought his houseboat up the Thames into rural Oxfordshire, mooring opposite a strange tree that towered over the surrounding meadowland. The tree, he would discover, was a hybrid of the eastern cottonwood, brought back from colonial Canada. The land was the Hardwick estate, whose apparently timeless tranquillity – like so much of the English countryside – masks a darker history. Yet Hardwick also tells another, quite different story. 
 
Over the following months, Hayes learns that its rolling hills and fertile valleys are on the front lines of a battle between ownership and belonging. Through a golden autumn, and the frosts and floods of winter and early spring, Hayes explores an estate that, acknowledging the colonial origins of its wealth, has become a haven for those who are both unable and unwilling to be part of a countryside geared towards profit at any cost. Living and working among this extraordinary community of farmers and craftspeople, Hayes contemplates what we have lost in England, as our sense of kinship with the land, and the deep knowledge that arose from it, was destroyed. 
 
Yet, Hayes suggests, if we can learn from the cultures we have exploited, and from the tentative roots being put down in this radical Oxfordshire estate, perhaps we can start to unpick – and even re-enchant – our relationship with the land. The Medicine Tree is a singular act of storytelling and recovery: of giants, gods, witches, trees, horror and hope, of entanglement, reparation and solidarity.

The Medicine Tree

Repairing the Rotten Roots of England

Frank Close

Henry Becquerel’s accidental discovery, in Paris in 1896, of a faint smudge on a photographic plate sparked a chain of discoveries which would unleash the atomic age. 
 
Destroyer of Worlds is the story of how pursuit of this hidden source of nuclear power, which began innocently and collaboratively, was overwhelmed by the politics of the 1930s, and following devastation of Hiroshima and Nagasaki opened the way to a still more terrible possibility: a thermonuclear bomb, the so-called “backyard weapon”, that could destroy all life on earth – from anywhere. 
 
The story spans decades and continents, moving from Becquerel to Ernest Rutherford, the Cambridge-based, New Zealand scientist who first split the atom, expands to include Enrico Fermi in Rome, Otto Hahn and Lise Meitner in Berlin and the Joliot-Curies in Paris, leading to the appearance of Robert Oppenheimer before climaxing with increasingly horrifying developments in the USA and USSR. The roles of three remarkable women – Lise Meitner, Ida Noddack and Irene Curie – are re-evaluated, and there are new insights into the work of Ettore Majorana, Fermi’s mercurial but brilliant assistant, who mysteriously disappeared in 1938, possibly after foreseeing the explosive power of nuclear energy. Above all, this is a story of how knowledge is often advanced by personal convictions and relationships, an indeed by chance, in a remarkable way.

Destroyer of Worlds

The Deep History of the Nuclear Age: 1895-1965

Jane Rogoyska

The Hotel Lutetia is a Paris institution, the only ‘grand’ hotel on the city’s bohemian Left Bank. Ever since it opened, it has served as a meeting place for artists, musicians and politicians. André Gide took his lunch here, James Joyce lived in one of its rooms, Picasso and Matisse were regular guests. It has a darker history, too. During one short period, it became a focus for some of the most dramatic and terrible events in recent history. 
 
In the 1930s the Hotel Lutetia attracted intellectuals and political activists, forced to flee their homes when Hitler came to power, who met here with the hope of forming an alternative government. But when war came, Paris was occupied, and the hotel became the headquarters of the German military intelligence service – and the centre of their operation to root out enemies of the Reich. In 1945, the Lutetia was requisitioned once more, this time transformed into a reception centre for deportees returning from concentration camps. 
 
Hotel Exile is about what happens on the edges of a war. At its heart are three groups of people connected to a place, to one another, and to the dark ideology which dictates the course of their lives. A masterpiece of empathy and concision, Jane Rogoyska’s extraordinary new book offers us a vision of individual human beings desperately trying to find a path through some of the twentieth century’s most devastating events.

Hotel Exile

Paris in the Shadow of War

Justin Marozzi

Slavery in the Islamic world has a long, complex and controversial history. Captives and Companions is a brilliant synthesis of history and contemporary reportage, which brings to life the voices of the enslaved in stories of eighth-century concubines and ninth-century revolts, thirteenth-century slave soldiers who established dynastic rule over Egypt, Syria and Iraq, eighteenth-century corsairs and twentieth century 
pearl divers in the Gulf. It also includes first-hand accounts of this legacy in the twenty-first century, including the depredations of Daesh and continuing hereditary slavery in Mali and Mauritania. 
 
Justin Marozzi traces the extraordinary variety of enslavement in the Islamic world, which ranged from agricultural labour and domestic toil to elite concubinage, guardianship of sacred spaces, political leadership and even military command. He shows how Africa bore the brunt of the demand for slave labour, fuelled throughout the nineteenth century by expanding global markets and commodity chains. Slavers plied African coasts, traders raided inland for human cargo, and millions were marched across the Sahara into captivity. Meanwhile, North African corsairs turned the Mediterranean into a slave-raiding ‘free-for-all’ between Muslims, Christians and Jews. 
 
Taking the reader on an extraordinary historical journey from Baghdad to Bamako, Tripoli to Timbuktu, Istanbul to the Black Sea, this is the riveting human drama of those caught up in one of history’s most remarkable overlooked stories.

Captives and Companions

A History of Slavery and the Slave Trade in the Islamic World

James McDougall

From its birth in seventh-century Arabia, Islam has been a faith on the move. In Worlds of Islam, James McDougall explores its origins and transformations from Late Antiquity to the digital age. 
 
Over the span of a thousand years, armies, missionaries, and merchants carried it to the edges of Europe, the coasts of Southeast Asia, and the remote interior of China. By the nineteenth century, Islam encompassed a world of great diversity, from Muslim-ruled empires to nations where Muslims lived out their faith among many others. In the twentieth century, while monarchs in the Gulf asserted dynastic privilege and fundamentalists in Egypt and Pakistan preached social morality, revolutionaries from Algeria to Indonesia fought for national self-determination, and activists in North America and Europe campaigned for civil liberties and social justice. 
 
As empires fell and new superpowers rose, Muslims proved to be as adaptable and dynamic as modernity itself. Sweeping and authoritative, Worlds of Islam narrates the epic story of how Muslims emerged as a community, built empires, traversed the globe, came to number in the billions, and became modern.

Worlds of Islam

A Global History

Thomas W. Laqueur

Long before the phrase ‘man’s best friend’ became common parlance, dogs were already standing beside us in art as in life. In The Dog’s Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. 
 
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence – as hunting partners, beloved friends and even conduits to the afterlife – reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist’s behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being. 
 
Richly illustrated and lovingly written, The Dog’s Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

The Dog's Gaze

A Visual History

Owen Jones

Almost everywhere we turn these days, there’s talk of a West in decline. Our jobs, our values, our past are all under attack, in the face of which we have become immersed in self-loathing, gone weak at the knees: the West needs to be Made Great Again. We know where this toxic narrative comes from: the nationalist, nativist Right. And now it’s gone mainstream. 
 
The thing is, the West is in decline, self-evidently so. But the truth is that it’s not migrants or Muslims or a woke mob which has brought the West to the edge of catastrophe. It’s good, old-fashioned hubris. 
 
In this blistering new book, Owen Jones explores how, amid the triumphalist sugar rush that came with the collapse of the Soviet Union, the West came to believe that its rule, its economic order, its moral values, would endure for ever – and how, over a quarter-century, this brittle self-mythologising narrative collapsed in on itself. From Afghanistan and Iraq, to the economic crash of 2008 and Gaza today, he takes us on a journey to show how the West went from scoring what it believed was its final victory, to being engulfed in an existential crisis of its own making. And how, along the way, it fashioned an ugly new story: that this was the fault of the most vulnerable groups in society, rather than a power-hungry, venal ruling class. 
 
Today, as the Atlantic alliance struggles to hold itself together, The Fall of the West exposes how a generation of Western elites bent on power and self-enrichment at any cost fatally overreached itself, and argues that, if we are to find the solutions to our age of crisis, we must first understand the real reasons for how the West lost it.

The Fall of the West

How They Really Lost It

Mark Mazower

For most of history, antisemitism has been understood as a menace from Europe’s political Right, the province of blood-and-soil ethno-nativists who built on Christendom’s long-standing suspicion of its Jewish population and infused it with racist pseudo-science. Such threats culminated in the nightmare of Nazi Germany and the Holocaust. 
 
The landscape is very different now, as Mark Mazower argues in this piercingly brilliant book. More than four-fifths of the world’s Jews now live in Israel and the United States, with the former’s military dominance of its region guaranteed by the latter while the loudest voices decrying antisemitism see it coming from the Left not the Right. 
 
Mazower clearly and carefully shows us how we got here, seeking to illuminate rather than blame. Very few words have the punch of ‘antisemitism’ and yet no term is more liable to be misunderstood in ways affecting free speech and foreign policy alike. On Antisemitism is a vitally important attempt to draw a line that must be drawn.

On Antisemitism

A Word in History

Christopher de Hamel

Christopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home. 
 
The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth. 
 
This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

The Migrants

A Memoir with Manuscripts

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