Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Adrian Tinniswood

Behind the Throne is a history of family life. 
 
The families concerned were royal families. But they still had to get up in the morning. They ate and entertained their friends and worried about money. Henry VIII kept tripping over his dogs. George II threw his son out of the house. James I had to cut back on the drink bills. 
 
The great difference is that royal families had more help with their lives than most. Charles I maintained a household of 2,000 people. Victoria’s medical establishment alone consisted of thirty doctors, three dentists and a chiropodist. Even in today’s more democratic climate, Elizabeth II keeps a full-time staff of 1,200. A royal household was a community, a vast machine. Everyone, from James I’s Master of the Horse down to William IV’s Assistant Table Decker, was there to smooth the sovereign’s path through life while simultaneously confirming his or her status. 
 
Behind the Throne uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire; the practicalities of cooking dinner for thousands, or ensuring the king always won when he played a game of tennis. 
 
Behind the Throne is nothing less than a domestic history of the royal household, a reconstruction of life behind the throne. Readers go on progress with Elizabeth I as she takes her court and her majesty to her subjects. They dance the conga round the state rooms of Buckingham Palace with George VI. 
 
They find out what it was like to dine with queens, and walk with kings.

Behind the Throne

A Domestic History of the Royal Household

Alex Halberstadt

'Engrossing' Daniel Beer, Guardian 
 
'A beautiful book... incisive, radiant' Olivia Laing 
 
'Illuminating, dramatic... majestic writing' Spectator 
 
'Enthralling... a triumph' Andrew Solomon 
 
Alex Halberstadt returns to Russia, the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family, in this haunting work of memoir and history. 
 
In Ukraine, Halberstadt tracks down his paternal grandfather - most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother's home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers' wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. 
 
Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

Young Heroes of the Soviet Union

A Memoir and a Reckoning

Joe Sacco

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. 
 
Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. 
 
Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.

Safe Area Gorazde

The War in Eastern Bosnia 1992-95

Alison Weir

Triumph and tragedy, love and loss, murder and malice in the lives of five fifteenth-century queens, from 'the queen of history writing' (Sunday Express) 
 
The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. 
 
Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. 
 
They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination. 
 
Alison Weir uncovers their stories in this final volume of her ground-breaking series on the queens of medieval England. Queens at War is a stunning culmination of research by a historian at the full extent of her powers and gripping account of five women on the throne. 
 
* 
PRAISE FOR ALISON WEIR: 
 
‘A meticulous scholar’ New York Times 
‘She is an excellent storyteller: descriptions are vivid and her knowledge of the sources is extensive’ Spectator 
‘Weir’s hugely popular history books are as gripping as novels’ The Times 
‘[Weir] writes in a pacy, vivid style, engaging the heart as well as the mind’ Independent 
‘Alison Weir has the rare gift of being able to bring history vividly to life’ Choice

Queens at War

England's Medieval Queens

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Serena Katt

Serena Katt’s grandfather, whom she knew as Opa, was a ‘Sunday’s Child’, one of the lucky ones for whom everything always went right. Opa left a brief account of his childhood and teenage years, but it is opaque, a story of prizes won and boyish adventures. In Sunday’s Child, Serena Katt interrogates Opa’s version of his life. Was it really so innocent? Did he really not know what the Nazis were doing? He joined the Hitler Youth at the age of ten, swearing an oath of loyalty to the Fuhrer. From then on the games he played were actually military training, designed to produce a ‘new German youth … violent, domineering, unafraid, cruel … which the world will fear’. At seventeen, in the final desperate days of the war, he is called up but his luck holds. He is sent home and thus survives the war. 
 
Sunday’s Child marks the debut of a remarkable graphic novelist. Serena Katt’s book is powerful, eloquent and moving, and her drawing is superb.

Sunday's Child

Colin Grant

What do we leave behind when we move to a new place – and what do we carry with us, physically and emotionally, wherever we land? 
 
Here are the voices of people who have come to Britain to make a new life: a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, a Romanian police officer in Edinburgh. 
 
Colin Grant has travelled the country and listened to their stories – foundational tales of arriving in a new land, along with rarely spoken stories of love and loss. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain. 
 
Candid, profoundly human, sometimes funny and always moving, What We Leave We Carry is a chance to listen to Britain – in all its richness and complexity. 
 
PRAISE FOR HOMECOMING by COLIN GRANT: 
 
'Oral history at its finest' Daily Mail 
'Prickles with beautiful, comic and brutal details' Observer 
'An extraordinary and compelling book' Daily Telegraph 
'Utterly fascinating' New Statesman 
'A hopeful, angry, tear-jerking read' Grazia 
'Essential reading' Guardian

What We Leave We Carry: Voices of Migration to Britain

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