Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Victoria Glendinning

Victoria Glendinning provides a woman's view of Anthony Trollope, placing emphasis on family, particularly on his relationship with his mother. But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field.

Trollope

William Graves

In 1944, at the age of five, William Graves was taken from England to the delightful mountain village of Deya in Majorca, where his father - the poet Robert Graves - had returned with his new family to the place he had lived with Laura Riding before the war. 
 
Young William grew up in the shadow of this great writer in the Englishness of the Graves household, while experiencing the ways of life of the Majorcans, which had hardly changed for hundreds of years. 
 
Wonderfully observant, and full of feeling for the locality, this book is also a fascinating portrait of Robert Graves himself, his 'Muses', and his entourage, and a revealing study of how the son of a famous father finds his own identity.

Wild Olives

Life in Majorca With Robert Graves

Hilaire Belloc

Here is the distinctly surreal world of Henry King, who perished through his 'chief defect' of chewing little bits of string; of dishonest Matilda whose dreadful lies led her to death by burning; and of Godolphin Horne who 'held the human race in scorn' and ended as the boy 'who blacks the boots at the Savoy'. 
 
Here too are the beautiful lyrics of longing and loss; the sonnets and epigrams; the hugely enjoyable Bad Child's Book of Beasts - not to mention More Beasts for Worse Children; and The Modern Traveller, one of the finest satirical poems in English. 
 
Complete Verse reveals all of Hilaire Belloc's dazzling range and makes plain why he is one of the most truly popular poets of modern times.

Complete Verse

James Wood

In a series of long essays, James Wood examines the connection between literature and religious belief, in a startlingly wide group of writers. Wood re-appraises the writing of such figures as Thomas More, Jane Austen, Herman Melville, Anton Chekhov, Thomas Mann, Nikolai Gogol, Gustave Flaubert and Virginia Woolf, vigorously reading them against the grain of received opinion, and illuminatingly relating them to questions of religious and phiosophical belief. 
 
Contemporary writers, such as Martin Amis, Thomas Pynchon and George Steiner, are also discussed, with the boldness and attention to language that have made Wood such an influential and controversial figure. Writing here about his own childhood struggle to believe, Wood says that 'the child of evangelism, if he does not believe, inherits nevertheless a suspicion of indifference'. Wood brings that suspicion to bear on literature itself. The result is a unique book of criticism.

The Broken Estate

Essays on Literature and Belief

Norman Sherry

Unquestionably one of the greatest novelists of his time, Graham Greene had always guarded his privacy, remaining aloof, mysterious and unpredictable.  Nonetheless, he took the surprising step of allowing Norman Sherry complete access to letter and diaries, and gave his consent to this full and frank biography in three volumes - the first of which takes Greene's life up to the beginning of the Second World War when he published some of his most remarkable work, including Journey Without Maps (1935), England Made Me (1935), A Gun for Sale (1936), Brighton Rock (1938) and The Confidential Agent (1939). At the heart of the story lies a remarkable series of letters Greene wrote to his wife, Vivien, for whose sake he became a Catholic.  They show us an unknown, younger Greene, impassioned and romantic.  Sherry also recounts in fascinating detail how Greene struggled to turn himself into a novelist and learn his craft, and follows his subject's pre-war footsteps to West Africa and Mexico, where he was able to penetrate far into the strange and alarming territory that Greene has made his own.  The book that emerges is without doubt one of the most revealing literary biographies of the decade.

The Life of Graham Greene Volume 1

1904-1939

Valerie Grove

Frank and funny, unorthodox, liberated and quintessentially English, Dodie Smith, playwright and novelist, was the author of those immortal classics, The Hundred and One Dalmations and I Capture the Castle. One of the most successful dramatists of her generation, she spent the war years in America, befriended Christopher Isherwood and, through Walt Disney's film, became a household name.

Dear Dodie

The Life of Dodie Smith

Vanessa Bell

Vanessa Bell, artist, sister of Virginia Woolf, wife of Clive Bell and lover of Duncan Grant, is one of the most fascinating and modern figures of the Bloomsbury set, but unlike most of them she rarely put pen to writing paper. When she did, she was witty and illuminating about their early lives. The eldest of the Stephen family, she grew up with Virginia in Victorian gloom at Hyde Park Gate and later blossomed in bohemian style in Bloomsbury. From the twenties to the forties she lived and painted at Charleston Farmhouse like a heroine of the sixties and seventies, at the centre of a colourful world of family, friends, artists and intellectuals. Sketches in Pen and Ink is a unique collection of largely unpublished memoirs - most of them written to be read at meetings of the Memoir club, in which Vanessa writes with wit and charm about herself, her childhood, her remarkable family and friends, her moving relationship with Roger Fry, and her art. Her daughter, Angelica Garnett, has written a vivid and personal introduction which adds considerably to our understanding of this extraordinary woman and artist.

Sketches In Pen And Ink

A Bloomsbury Notebook

Samuel Hynes

The Edwardian Turn of Mind brilliantly evokes the cultural temper of an age. The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. Samuel Hynes considers the principal areas of conflict - politics, science, the arts and the relations between men and women - and fills them with a wide-ranging cast of characters: Tories, Liberals and Socialists, artists and reformers, psychoanalysts and psychic researchers, sexologists, suffragettes and censors. His book is a portrait of a tumultuous time - out of which contemporary England was made.

Edwardian Turn Of Mind

Harry Ricketts

The stories of Rudyard Kipling are read all over the world, by people of all ages, yet no biography has fully explored the complex link between his fascinating life and his writing; untill this one. Harry Ricketts brings Kipling vividly and touchingly to life - his traumatic childhood, split between India and England (haunting the powerful Jungle Books); his youth as a reporter in India, troubled by love and politics; his entry into London literary life and his often hilarious travels in America. Ricketts explores Kiplings's imperialism and radicaism, and traces his increasing reclusiveness after his son's death in the First World War. The dramatic life is backed by subtle readings of the works , from the BARRACK-ROOM BALLADS to KIM and STALKY AND CO. With its strong narrative drive, this biography entrals and moves, while shining a strong new light on a great writer.

The Unforgiving Minute

A Life of Rudyard Kipling

Quentin Bell

As the nephew of Virginia Woolf, Quentin Bell enjoyed an initimacy with his subject granted to few biographers. Originally published in two volumes in 1972, his acclaimed biography describes Virginia Woolf's family and childhood; her earliest writings; the formation of the Bloomsbury Group; her marriage to Leonard Woolf; the mental breakdown of the years 1912-15; the origins and growth of the Hogarth Press; her friendships with T. S. Eliot, Katherine Mansfield and Vita Sackvill-West; her struggles to write The Waves and The Years; and the political and personal distresses of her last decade. 
 
Compelling, moving and entertaining, Quentin Bell's biography was awarded the James Tait Black Memorial Prize and the Duff Cooper Memorial Prize. It is a fitting tribute to a remarkable and complex woman, one of the greatest writers of the century.

Virginia Woolf

A Biography

Jeremy Lewis

`In one of tje funniest biographies I have ever read, Lewis assembles all the excellently entertaining anecdotes about this deeply loved, much mocked, sometimes reviled figure whose departure has robbed the litarary world of its social smartness and any worthwhile eccentricity . . . [An] excellent, wildly funny and informative biography. `Auberon Waugh, Literary Review. Precociously brilliant in his youth, Cyril Connolly was haunted for the rest of his life by a sense of failure and a romatic yearning to recover a lost Eden. His two great books, The Unquiet Grave and Enemies of Promise, are classics of English prose, combining wit, romanticism and merciless self-knowledge. As witty in person as he as in his prose, he was notoriously slothful and greedy; he was married three times, abd his dealings with women were bedevilled by a lifelong tendency to be in love with two or more people at once.

Cyril Connolly

A Life

Jon Stallworthy

Of all the poets of the First World War, Wilfred Owen most fires the imagination today – this is the comprehensive literary biography of the greatest WW1 poet 
 
Wilfred Owen tragically died in battle just a few days before the Armistice. Now, during the centenary year of his death, this biography honours Owen’s brief yet remarkable life, and the enduring legacy he left. Stallworthy covers his life from the childhood spent in the backstreets of Shrewsbury to the appalling final months in the trenches. More than a simple account of his life, it is also a poet's enquiry into the workings of a poet's mind. 
This revised edition contains the beautiful illustrations of the original edition, including the drawings by Owen and facsimile manuscripts of his greatest poems, as well as a new preface by the author. 
 
‘One of the finest biographies of our time.’ Graham Greene 
 
‘An outstanding book, a worthy memorial to its subject.’ Kingsley Amis 
 
‘As lovingly detailed as the records of Owen's short life permit, but it is always fascinatingly readable, in fact engrossing.’ Sunday Telegraph

Wilfred Owen

Stacy Schiff

A fascinating account of the life of one of the century's great eccentrics - the brilliant Antoine de Saint-Exupery. Born in 1900 of impoverished aristocracy, he swiftly developed a mania for aviation, despite his chaotic mind and total technological incompetence. He flew reconnaissance missions in the War and wrote some strange and wonderful books, including the classic children's story THE LITTLE PRINCE, between theatrically executed airplane crashed. He died in the air in 1944, and his brief life instantly acquired mythical status. 'Every facet of Saint-Exupery's short and dramatic life is covered in this fascinating biography. This is Stacy Schiff's first book, but she writes with all the skill, assurance and mastery of an old literary hand. If there was such a thing as a prize for a first biography, I would nominate this book. ' Frank McLynn, SUNDAY TELEGRAPH.

Saint-Exupery

When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. The common thread in Wood's latest collection of essays is what makes us laugh - and the book is an attempt to distinguish between the perhaps rather limited English comedy (as seen in Waugh, for example) and a 'continental' tragic-comedy, which he sees as real, universal and quixotic. 
 
A particularly acerbic, and very funny, essay - which has been widely celebrated - deals with Zadie Smith, Rushdie, Pynchon and DeLillo; its title, 'Hysterical Realism', has already entered the phrasebook of literary language. 
 
With its brilliant studies of Shakespeare, Dickens and Dostoevsky, Naipaul, Pritchett and Bellow, The Irresponsible Self offers more exhilarating despatches from one of our finest living critics.

The Irresponsible Self

On Laughter and the Novel

Hugh Brogan

For a man who longed for a quiet existence, Arthur Ransome led a remarkably adventurous life. His bohemian years as a writer in Chelsea before the First World War closed with the agony of his prosecution for Libel by Lord Alfred Douglas. His two marriages - first to an unstable fantasist and later to a formidable Russian who had been Trotsky's secretary - were, to say the least, stormy. As a journalist he had a ringside view of the Russian Revolution and travelled widely in the Middle East and China. It was not until he was 45 and settled in the Lake District that he embarked, in the Swallows and Amazons stories, on some of the best loved books ever written for children.

The Life Of Arthur Ransome

Henrietta Garnett

Anne Thackeray Ritchie, daughter of the author of Vanity Fair and step-aunt of Virginia Woolf, was also a fine writer. Based on new and original research, this enchanting and evocative memoir paints the world of Anny's intricate web of relations and friends: children's parties with the Dickens family, holidays with Julia Margaret Cameron and the Tennysons, intimate scenes with Browning in Rome and Ruskin on Lake Coniston. 
 
In addition we read about Anny's own inner life: her near-obsession with her father: William Makepeace Thackeray, her escape into writing, her startling marriage to her second cousin and her godson, and the story of her sister Minny's passionate marriage to Leslie Stephen. We also learn of Stephen's second wife, Julia Jackson, mother of Vanessa Bell and Virginia Woolf. 
 
Meticulously researched, this intimate story draws not only on a wealth of letters, journals, hitherto unpublished sketches and photographs, but also on family legends passed down to the author through four generations. Illuminating, comic and touching, Anny reads like a novel, presenting a unique portrait of the rich literary world that formed the bridge between the Victorians and Bloomsbury.

Anny

A Life of Anny Thackeray Ritchie

Robert Crawford

No writer is more charismatic than Robert Burns and no biographer has captured his energy, brilliance and radicalism as well as Robert Crawford does in The Bard. To his international admirers Burns was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was 'sprung...from raking of dung', and to his political enemies a 'traitor'. Drawing on a surprising variety of untapped sources - from rediscovered poetry by Burns to manuscript journals, correspondence, interviews and oratory by his contemporaries - this new biography presents the remarkable life, loves and struggles of the great poet. 
 
With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible élan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive, intelligent biography startlingly demonstrates why the life and work of Scotland's greatest poet still compels the attention of the world a quarter of a millennium after his birth.

The Bard

E M W Tillyard

The Elizabethans took from the Middle Ages the modified view of the universe which, Platonic and biblical in origin, radically differed from our own. For them all creation was ranged in an unalterable order from the angels down to man - for whom the world existed - and thence to the beasts and plants. In this short study Dr Tillyard not only elucidates such fairly familiar - though often mystifying - concepts as the four elements, the celestial harmony of 'nine enfolded Sphears', or macrocosm and microcosm; he also shows how this world picture was variously regarded as a chain of being, a network of correspondences, and a cosmic dance. Such concepts were commonplace to the Elizabethans. By expounding them the author has rendered plain, and not merely picturesque, the literature and thinking of an age.

The Elizabethan World Picture

Strange Meetings provides a highly original account of the War Poets of 1914-1918, written through a series of actual encounters, or near-encounters, from Siegfried Sassoon's first, blushing meeting with Rupert Brooke over kidneys and bacon at Eddie Marsh's breakfasts before the war, through famous moments like Sassoon's encouragement of Wilfred Owen when both were in hospital, on to the last, strange lunch and 'longish talk' of Sassoon and David Jones in 1964, half a century after the Great War began. 
 
Among the other poets and writers we encounter are Vera Brittain, Roland Leighton, Robert Graves, Isaac Rosenberg, Robert Nichols and Edmund Blunden. We follow their relationships, marking their responses to each other's work and showing how these affected their own poetry. 
 
We come to know each of the poets, their family and intellectual backgrounds and their very different personalities. We get a fresh sense of Georgian poetry, conveying all the excitement and frustration of poetic creation, and demonstrating how the whole notion of what poetry should be 'about' became fractured and changed for ever by the terrible experiences of the war.

Strange Meetings

The Lives of the Poets of the Great War

Norma Clarke

If Aphra Benn is widely regarded as the first important woman writer in English, who was the second? In literary history, the eighteenth century belongs to men: Pope and Swift, Richardson and Fielding. Asked to name a woman, even the specialist stumbles. Jane Austen? She didn't publish until 1811. Aphra Benn herself? She died in 1869. 
 
The Rise and Fall of the Woman of Letters tells the remarkable but little-known story of women writers in the eighteenth century - of poets, critics, dramatists and scholars celebrated in their own time but all but forgotten by the beginning of the new century. 
 
Eliza Haywood, Catherine Cockburn, Elizabeth Elstob, Delarivier Manley, Elizabeth Rowe, Jane Barker, Elizabeth Thomas, Anna Seward... In a book which ranges from country house to Grub Street, Norma Clarke recovers these and other writers, establishes the reasons for their eclipse and discovers that a room of one's own in the eighteenth century was as likely to be a prison cell as a boudoir.

The Rise and Fall of the Woman of Letters

Neil Powell

The poet George Crabbe (1754 - 1832), best known as the author of Peter Grimes and The Village, was also a surgeon, a clergyman, a botanist, and a novelist. An ambitious, resourceful, self-made professional man, he devoted his middle years to his children and his increasingly ill wife, after whose death he embarked, at 60, on an astonishing second life. 
 
This new biography charts, for the first time, Crabbe's progress from an impoverished, provincial childhood in coastal Suffolk to late eighteenth-century London, where he witnessed the Gordon Riots and acquired Edmund Burke as patron; through his eventful career as a ducal chaplain and county parson whose addictions included natural history, theatre-going, and opium; and so on to his final years when, as a rector in Wiltshire, he travelled widely, met major literary figures such as Scott and Wordsworth, and fell in love with some remarkable young women. 
 
Neil Powell provides a compelling portrait of a uniquely gifted poet - a man of low-key and unsentimental vision who lived a quintessentially English life.

George Crabbe

An English Life

Michael Holroyd

Lytton Strachey, genius, wit, iconoclast, biographer, pacifist, and homosexual campaigner, was at the nexus of the literary and artistic life of Bloomsbury. In the 1960s he was seen as a progenitor of the hippy cult. Now he appears as a far more subversive and challenging figure. He revolutionised the writing of biography and smuggled deviant sexual behaviour into our history in his reassessment of Elizabethan and Victorian times. For this re-telling of his story Holroyd has had access to published and unpublished material unavailable in the 1960s when his biography of Strachey first appeared. In many of Bloomsbury's three-cornered relationships, he had only two sides of the triangle. Now he has all three, and in a new social and political climate can tell the full story of this extraordinary world with candour, sympathy and sexual explicitness. He has cut 100, 000 words, revised much of the text and added a wealth of new material, about Strachey himself, about Maynard Keynes, Duncan Grant, Rupert Brooke and most vividly about the tragic life of Strachey's companion Dora Carrington.

Lytton Strachey

The New Biography

This is a study of a literary generation writing in a period of expanding fears and ever more urgent political and social crises. The pace of the time itself, the sense of time passing and an end approaching gave a special quality to the Thirties. The public world pressed insistently on the private world. For those who came of literary age - Auden, Day Lewis, MacNeice, Spender, Graham Greene, Isherwood and Orwell among them - writing became a form of action. In the process a generation discovered itself and found its own expression.

The Auden Generation

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