Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Pocket clothbound volumes from the world's greatest poets, and with a stunning range of anthologies. Each volume has an elegant jacket, full cloth sewn binding, silk ribbon marker and headbands, with gold stamping on front and spine and decorative endpapers. In size, price and presentation they make ideal gifts and are a joy to read and collect. More than eighty titles in print.

Rivers were the arteries of our first civilizations - the Tigris and Euphrates of Mesopotamia, India's Ganges, Egypt's Nile, the Yellow River of China - and have nourished modern cities from London to New York, so it is natural that poets have for centuries drawn essential meanings and metaphors from their endless currents. 
 
 English poets from Shakespeare and Dryden, Wordsworth and Byron to Ted Hughes, John Betjeman and Alice Oswald; Irish poets - Eavan Boland, Seamus Heaney, Paul Muldoon, to name but a few; Scottish and Welsh poets from Henry Vaughan and Robert Louis Stevenson to Robin Robertson and Gillian Clarke. A whole raft of American poets from Whitman, Emerson and Emily Dickinson to Langston Hughes, Mary Oliver, Natasha Trethewey and Grace Paley. Folk songs. African-American spirituals. Poems from ancient Egypt and Rome. From medieval China and Japan. And a truly international selection of modern poets from Europe (France, Italy, Russia, Serbia), India, Africa, Australia and South and Central America, all combining in celebration of the rivers of the world. From the Mississippi to the Limpopo. From the Dart to the Danube. 
 
 Plunge in.

River Poems

Hesiod (Work and Days) and Virgil’s Georgics set the scene in the early pages with their poetry about farming, while nymphs and shepherds cavort through the Arcadian landscapes of Theocritus, ushering in the pastoral genre. Appropriately the book ends with Alice Oswald, whose much admired nature poetry reflects the influence of classical poets. 
 
From Chaucer onwards English poetry is full of the countryside. Here are plenty of fine examples from major poets, including Shakespeare, Spenser and Sidney; Jonson and Milton; Pope, Gray and Blake; Tennyson, Hopkins and Housman; Robert Frost, Edward Thomas, Ivor Gurney and Dylan Thomas. Alongside them, editor Paul Quarrie has placed some delightful gems from poets less well-known – Ambrose Philips’s ‘Description of Winter’, Margaret Cavendish’s ‘A Landscape’, James Henry’s ‘The Pleasure of Pigeons’ and poems by Felicia Hemans, Charlotte Mew, John Davidson and Kim Taplin, to name but a few. A lively choice of folk songs and anonymous poems about farming life adds to the mix, as do telling extracts from longer poems penned in the 18th century - the peak period for rural poetry.

Poems of the Countryside

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