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Vintage Classics Shakespeare Series

King Lear, Retold

Edward St Aubyn was born in London. His internationally acclaimed Patrick Melrose novels are Never Mind, Bad News, Some Hope, Mother’s Milk (winner of the Prix Femina étranger and shortlisted for the Booker Prize) and At Last. The series was made into a BAFTA award-winning Sky Atlantic TV series starring Benedict Cumberbatch in the title role. St Aubyn is also the author of A Clue to the Exit, On the Edge (shortlisted for the Guardian Fiction Prize), Lost for Words (winner of the Bollinger Everyman Wodehouse Prize), Dunbar and Double Blind.

Dunbar

The Winter's Tale, Retold

Jeanette Winterson CBE was born in Manchester. She published her first novel, Oranges Are Not the Only Fruit, at twenty-five. Over two decades later she revisited that material in her internationally bestselling memoir Why Be Happy When You Could Be Normal?. Winterson has written thirteen novels for adults and two previous collections of short stories, as well as children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She lives in the Cotswolds in a wood and in Spitalfields, London.

The Gap of Time

The Tempest, Retold

Riotous, insanely readable and just the best fun... The novel builds to a fantastic climax of dark calamity... There is so much exuberance and heart and wonder in this novel that the only thing I want to happen next is for Atwood to rewrite the whole of Shakespeare. (No offence, Will.)

A triumph... The book illuminates the breadth and depth of the whole play. The troupe's workshops on it fizz with perception as Atwood transmits the pleasurable buzz of exploring a literary masterpiece. There won't be a more glowing tribute to Shakespeare in his 400th anniversary year

Atwood reinterprets the play as a heartbreaking novel, told in gorgeous yet economical prose

Surpassingly brilliant... without question the cleverest "neo-Shakespearean novel" I have ever read... the learning and the critical analysis are worn exceptionally lightly, always subordinated to wit, invention, characterisation and slick twists of plot... wonderfully ingenious

An absolute triumph... ravishing... I am not ashamed to say that I didn't just have a lump in my throat by the end of Hag-Seed, I had tears on the fringed curtains of mine eyes

At its heart Hag-Seed is a love letter to Shakespeare and a passionate treatise on the power of language, poetry and the arts. But it is also a study of loss and love and the power of forgiveness to heal when all seemed lost

Atwood never loses sight of the original… Hag-Seed is not only a fine example of the shape-shifting versatility of Shakespeare’s texts, but a successful novel in its own right… Hag-Seed displays Atwood’s inventiveness at its shining best, a novel that enchants on its own terms and returns you to the enchantments of the original

The novel shines a thrilling new light on The Tempest's themes of revenge and forgiveness... as well as making a strong case for art's ability to "set you free" by helping you understand yourself.

An unqualified success... an enlightening and exciting exploration of Shakespeare's themes... A wonderfully intelligent book

Margaret Atwood throws a handful of theatrical glittery confetti over Shakespeare's The Tempest ... A compelling tale of a bereaved father -- haunted by the memory of his lost daughter -- who learns to face up to "the plain, unvarnished grime of real life", transforming it into something buoyant, resonant and hopeful

A wonder... a work of genius... a sheer delight... In this shimmering tale that celebrates Shakespeare's tricky genius, his immortal reach, Atwood has given us something for everyone

A slyly inventive, intricately constructed homage with plenty of its own points to make

An inventive riff on Shakespeare's last solo play... done with gusto and extravaganza... gives the old play, yet again, new life

Hag-Seed is the fourth novel in Hogarth's Shakespeare series marking the 400th anniversary of the Bard's death, and by far the best. Everything in the play has a place in the novel -- and it's a ripping yarn too

Atwood's superlative retelling of The Tempest owes as much to Machiavelli as to Shakespeare. It is another outstanding contribution to the Hogarth Shakespeare series ... With a motley crew of inmates, a creative lexicon of Shakespearean-style oaths and the mischievous antics of a modern-day Ariel, this reimagining of The Tempest imbues the spirit of the original with an energetic and poetic transformation. A thoroughly engrossing take on a timeless classic

Funny and dark, Hag-Seed is as clever and full of layers as Shakespeare's original. The Bard would be proud

Hag-Seed, Margaret Atwood's exhilarating reworking of the play for the Hogarth Shakespeare series, mixes high drama, deep feeling and wild fun... in a story that is both realistic and otherworldly

[A] wry, clever romp… Atwood knows the play, is sharp as nails and sees the potential in theatre harnessing our Brave New World of computer technology.

An absolute triumph… Among the most intelligent and inspiring readings of The Tempest… I am sorry that the publishers didn’t ask Atwood to reimagine all 37 plays.

It's all great fun, full of wit and invention and incident… And Hag-Seed is very funny, very often. The scenes where Felix's hard-chaw prisoners insult each other strictly through Shakespearean language are especially enjoyable.

Hag-Seed is funny and poignant, and offers much to amuse and delight.

Great fun, full of wit and invention and incident

Genuinely moving ... The tender way in which Atwood handles [Felix's] story really gives Hag-Seed its power

Stella Loves: Taking on a re-write of Shakespeare's The Tempest is a tall order. But Margaret Atwood is well up to the task with her new novel Hag-Seed

Blows layers of dust off the play while asking clever questions about the relationship between power, delusion and creativity

A delight... not only an unputdownable tale of revenge, it is also a masterclass in how to teach Shakespeare to those who think they won't like it

Atwood’s canny remix offers multiple pleasures: seeing the inmates’ takes on their characters, watching Felix make use of the limited resources the prison affords (legal and less so), and marveling at the ways she changes, updates, and parallels the play’s magic, grief, vengeance, and showmanship

So inventive, heartfelt, and swiftly rendered... Highly recommended.

Fellow fans, I am thrilled to report: Atwood is just as brilliant as ever. I would suggest scheduling some cozy armchair time with her book in the weeks to come

The new novels promise an intriguing opportunity to revisit the tales we know so well and see them in a new light.

Atwood joins the roll call of literary stars retelling Shakespeare's plays... masterful... My favourite retelling so far

She merely understands that fiction can be a powerful weapon of 
persuasion… A woman with inexhaustible talents

[A] triumphant reworking of The Tempest.

Atwood’s take on The Tempest is intense and extravagant… Atwood beautifully reimagine Shakespeare’s The Tempest… She writes with gusto and brilliance.

Hag-Seed enchants, endears and empowers. Seeing The Tempest through the cast of characters Atwood creates and the author's own overarching narrative gives the original play new life.

Atwood beautifully reimagines Shakespeare's The Tempest as Felix's personal and professional stories so aptly mirror the plot of the mystical and magical play. She writes with gusto and brilliance, making her the dream author to be part of the Shakespeare series.

The most successful 'retelling' of Shakespeare yet in Hogarth's anniversary series [...] us a thrilling revenge drama ... [It] rattles along with Atwood nimbly reworking the classic

[Atwood's] unique take on vengeance, enchantment and second chances is sure to delight old and new fans alike

A fitting tribute to a play built on magic and illusion. It’s a celebration of theatre, yes, but just as much a celebration of learning and teaching. Atwood’s spellbinding adaptation is a testament to Shakespeare’s lasting relevance.

Atwood’s novel reflects the play’s multifaceted nature… A fun and imaginative novel.

Atwood unrolls a dazzling remake of The Tempest… Ebullient comedy and keen perceptiveness combine in a bravura fictional tribute to Shakespeare.

A passionately original, heady, often musical modern remix.

I’d love to wake up on Christmas morning with Margaret Atwood’s Hag-Seed nestled in my stocking.

[Hag-Seed is] particularly clever and witty, with layer upon layer of correspondences with the original text waiting to be teased out by readers.

What’s impressive here is not just 77-year-old Atwood’s undimmed brilliance but the sheer effort she puts into the project… An absorbing read but also an erudite examination and explanation of the play’s themes. Not to be missed.

[It] would make an amazing Christmas present.

Atwood brings forth a cast of characters that comfortably inhabit their own world but often burst out of the page in song and rhyme. It is a playful piece of writing, tempered by grief and revenge and the bitterness that can consume, but ultimately this is a book full of the joys of redemption and hope. Wonderful.

Cleverly done… Very complex, like a set of Russian dolls. But it works amazingly well.

Rich and inventive… The play-within-a-play tripe is audaciously Shakespearean, and so is Atwood’s free-ranging imagination and witty way with language.

She casts The Tempest adrift in a prison and makes a magisterial case for the timeless, classless relevance of Shakespeare’s plays.

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and shared the Booker Prize. Her most recent publications are the poetry collections Dearly and Paper Boat; Burning Questions, a selection of essays; and Old Babes in the Wood, a volume of short stories. 
 
Atwood is a member of the Order of the Companions of Honour, and has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Hag-Seed

Macbeth, Retold

Jo Nesbo is one of the world's bestselling crime writers. When commissioned to write a memoir about life on the road with his band, Di Derre, he instead came up with the plot for his first Harry Hole crime novel, The Bat. His books The Leopard, Phantom, Police, The Son, The Thirst, Macbeth and Knife have all since topped the Sunday Times charts. He's an international number one bestseller and his books are published in 51 languages, selling over 60 million copies around the world.

Macbeth

Othello, Retold

Tracy Chevalier is best known for her historical novels, including the international bestseller Girl with a Pearl Earring and, most recently, At the Edge of the Orchard. She is also editor of Reader I Married Him: Stories Inspired by Jane Eyre. She is a Fellow of the Royal Society of Literature, and has honorary doctorates from her alma maters Oberlin College and the University of East Anglia. She lives with her family in London.

New Boy

The Merchant of Venice, Retold

Howard Jacobson has written seventeen novels and six works of non-fiction. He won the Bollinger Everyman Wodehouse Award in 2000 for The Mighty Walzer and then again in 2013 for Zoo Time. In 2010 he won the Man Booker Prize for The Finkler Question; he was also shortlisted for the prize in 2014 for J.

Shylock is My Name

The Taming of the Shrew, Retold

Anne Tyler was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. Her bestselling novels include Breathing Lessons, The Accidental Tourist, Dinner at the Homesick Restaurant, Ladder of Years, Back When We Were Grown-ups, Digging to America, A Spool of Blue Thread, Clock Dance, Redhead by the Side of the Road and French Braid. 
 
In 1989 she won the Pulitzer Prize; in 1994 she was nominated by Roddy Doyle and Nick Hornby as 'the greatest novelist writing in English'; and in 2012 she received the Sunday Times Award for Literary Excellence. In 2015 A Spool of Blue Thread was shortlisted for the Baileys Women's Prize for Fiction and the Booker Prize; and in 2020 Redhead by the Side of the Road was longlisted for the Booker Prize.

Vintage Classics Shakespeare Series

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