I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel. Poison kills the body but moral poison kills the soul
Many notable figures in the literary world were appalled that prior to a formal trial, a book could be censored in this way, especially resulting from an act of stunt journalism. E. M. Forster and Leonard Woolf (director of the Hogarth Press and husband to Virginia Woolf) drafted a letter of protest against the suppression of The Well. Support was offered by H. G. Wells, George Bernard Shaw, T. S. Eliot, Arnold Bennett, Vera Brittain and Ethel Smyth. However, the letter was never published, since Radclyffe Hall herself was unhappy with the wording. On 30 Aug 1928, Virginia Woolf described what happened in a letter to Vita Sackville-West:
"For many days I have been so disjected [sic] by society that writing has only been a dream—something another woman did once. What has caused this irruption I scarcely know—largely your friend Radclyffe Hall (she is now docked of her Miss owing to her proclivities) they banned her book; and so Leonard and Morgan Forster began to get up a protest, and soon we were telephoning and interviewing and collecting signatures—not yours for your proclivities are too well known. In the midst of this, Morgan goes to see Radclyffe in her tower in Kensington, with her Love [Lady Troubridge]: and Radclyffe scolds him like a fishwife, and says that she wont [sic] have any letter written about her book unless it mentions the fact that it is a work of artistic merit—even genius. And no one has read her book; or can read it: and now we have to explain this to all the great signed names—Arnold Bennett and so on. So our ardour in the cause of freedom of speech gradually cools, and instead of offering to reprint the masterpiece, we are already beginning to wish it unwritten."
Vita Sackville-West’s reply the following day expressed the mood among many liberals of the time:
"I feel very violently about The Well of Loneliness. Not on account of what you call my proclivities; not because I think it is a good book; but really on principle… Because, you see, even if the W. of L. had been a good book, – even if it had been a great book, a real masterpiece, – the result would have been the same. And that is intolerable. I really have no words to say how indignant I am. Is Leonard really going to get up a protest? or is it all fizzling out?"
In addition to doubts about the book’s artistic merit, The Well presented a complex problem to the Bloomsbury set. Radclyffe Hall’s very public declaration of her sexuality and her right to express herself artistically brought inconvenient publicity to the private world of Bloomsbury where homosexual ‘proclivities’ were embraced, as Woolf mentions in a letter to her nephew, Quentin Bell:
"At this moment our thoughts centre upon Sapphism—we have to uphold the morality of that Well of all that’s stagnant and lukewarm and neither one thing or the other; The Well of Loneliness. I’m just off to a tea party to discuss our evidence. Leonard and Nessa say I mustn’t go into the box, because I should cast a shadow over Bloomsbury. Forgetting where I was I should speak the truth. All London, they say is agog with this. Most of our friends are trying to evade the witness box; for reasons you may guess. But they generally put it down to the weak heart of a father, or a cousin who is about to have twins."
The trial took place on 16 November 1928. In the end, Woolf did not have to take the stand, as the literary merit of the book was deemed irrelevant to the judgement on its obscenity. Chief magistrate, Sir Charles Biron, ordered its destruction. Today The Well of Loneliness is widely regarded as an important, brave and ground-breaking work of lesbian fiction. Despite its controversial first publication and subsequent ban in Britain, it was not forgotten and has gone on to sell consistently in large quantities throughout the decades and around the world. It has been translated into 14 languages. In France and America, accusations of obscenity did not result in prosecutions and so the book enjoyed an English language readership abroad. Despite its unavailability in Britain, The Well’s lasting legacy to British culture was to make lesbianism more widely recognised as a cultural concept. As a result it remains a landmark work of lesbian literature.