God’s Own Country by Ross Raisin

Brilliant on the contrast between those who have grown up on the Yorkshire moors, ‘real living farting Nature,’ and the incomers, whether ramblers (‘daft sods’) or the new family living in the nearby farm. The voice of the protagonist, Sam Marsdyke is singular, twisted and dangerously funny.

The Secret Garden by Frances Hodgson Burnett

Colin and Mary, both victims of upper-class neglect, heal themselves through the power of the secret garden. Beyond the walls of the house lies something wilder, even more powerful, the moors themselves. This book captivated me as a child, and the copy I read had wonderful illustrations, I can still see the plate in which the garden is revealed in its full, glorious bloom.

Wuthering Heights by Emily Brontë

Coming to it as a young adult, I was expecting to be transported by glorious romance, but here instead was a vicious world I found it hard to gain a purchase on. Whose story was it? Who was I supposed to sympathise with? There are no lightening conductors in this storm and this is precisely its brilliance. It remains a deeply unsettling, uneasy read, in which the natural world represents equal parts death and liberation.

Jane Eyre by Charlotte Brontë

Not perhaps as wild or specific as Wuthering Heights, but still infused with the power of the Yorkshire landscape, culminating in Jane’s wandering on the moors in which she experiences nature as her ‘benign mother,’ a realisation which leads to the recovery of her soul.

Common Ground by Rob Cowen

A bit of a cheat here as I haven’t read it yet, but it looks wonderful, a writer exploring the ‘edgeland’ of Harrogate, a place between town and moor. I love the idea of these liminal edgelands, and the way wildness can enter our lives when we least expect it to.

  • The Ballroom

  • The unputdownable historical novel by the acclaimed and bestselling author of WAKE and EXPECTATION: a devastating story of love and madness at the brink of the Great War.

    'Absolutely heart-breaking. One of the best books I’ve ever read' DINAH JEFFERIES, author of The Tea-Planter's Wife

    'Compelling, elegant, insightful' OBSERVER

    1911: Inside an asylum at the edge of the Yorkshire moors, where men and women are kept apart by high walls and barred windows, there is a ballroom vast and beautiful. For one bright evening every week they come together and dance. When John and Ella meet it is a dance that will change two lives forever.

    Set over the heatwave summer of 1911, the end of the Edwardian era, THE BALLROOM tells a rivetting tale of dangerous obsession, of madness and sanity, and of who gets to decide which is which. It is a love story like no other.


    Praise for Anna Hope's The Ballroom:

    'Beautifully wrought, tender, heartbreaking' Sunday Express 5/5

    'Moving, fascinating' Times

    'A tender and absorbing love story' Daily Mail

    'Unsentimental and affecting' Sunday Times

    'Exquisitely good' Metro

    'Absolutely fantastic . . . I'm in real awe of her writing' ELIZABETH MACNEAL, author of The Doll Factory

  • Buy the book

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