Shelf Life: Sophie Kinsella

The author of Christmas Shopaholic on the books that have changed her, from Roald Dahl to Joanna Trollope to a guide to Finnish wisdom. 

Alison Flood
Sophie Kinsella on the books that changed her

I discovered Charlie and the Chocolate Factory by Roald Dahl (1964) in my Christmas stocking. I was young, six or seven, and I woke up very early and rummaged around, it was all just delightful thing after delightful thing. Then I came across Charlie and the Chocolate Factory, put on the bedside light and started reading. I didn’t stop. I just kept reading it all Christmas day. I don’t think I really engaged with anyone at all until I’d read it. It just blew me away.

Not only is it just the most perfect book in terms of magic and chocolate and hope and overcoming great deprivation to glory, and the really quite severe comeuppances, but it’s just such a page turner too. I had obviously read books before, but it’s the first one I overwhelmingly remember the power of, that I would prefer to read this, even at Christmas with new toys, than anything else. If you genuinely had Wonka’s factory to explore, that would basically trump anything, and that’s how it felt. I wasn’t going to step away.

I read The Rector’s Wife by Joanna Trollope (1991) when I was a commuting financial journalist of around 23. It’s one of the books I remember reading and thinking: ‘I want to do this’. I always knew I liked words, but I never knew quite what sort of book I might want to write. I knew I wasn’t going to write a very heavy literary book, but I felt that nor was I going to write a big thumping blockbuster in which people jet off to Acapulco and run multi-million-pound companies. What I loved about this book was it was just very recognisable. Joanna Trollope has this ability to describe things minutely, in a way that makes you think ‘yes I know that, that feeling, I know that pair of misted-up spectacles, that teacup on the kitchen counter.’

It was the book that made me think ‘I want to do this’

There’s such a difference between having some ideas for characters, having the idea for a setting, and then actually structuring it into a story. It’s a big old ask and that’s why I couldn’t believe my joy to hear someone talking about what I did for my job, for the first time in my life. It was as if I’d been doing a job for several years and then suddenly the team came in and said this is your job description. It was a big moment for me. I would say I mentally refer to it most days I write, in some shape or form.

I discovered A Field Guide to Lies and Statistics by Daniel Levitin (2017) because my husband read it on a plane ride to a family holiday. He kept quoting things from it, and I was intrigued. It tells you all the ways in which data and information is manipulated, and how gullible we can all be. It has changed the way I perceive things. If I see a graph on Twitter, I’m now less likely to say, ‘oh my god have you seen this?’ I might just pause. Or if it says, 65% of people think X, I might think ok – which people, how many people was that? 

It’s great because it’s so anecdotal, there are so many real-life examples of misinformation, and it leaves you feeling slightly more determined to check sources. One of the slightly depressing messages is how hard it is to verify the truth, but we’ve got to keep trying. So my husband read it and then I grabbed it and read it and then I became the really boring one going around saying ‘no way, look at this graph, do you see how this is completely misleading?’ 

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