The Beast Within

New translation by Roger Whitehouse for this tale of murder, passion, and possession

His haunting, impressionistic study of a man's slow corruption by jealousy, Emile Zola's The Beast Within (La Bete Humaine) is translated from the French with an introduction and notes by Roger Whitehouse in Penguin Classics. 
 
Roubaud is consumed by a jealous rage when he discovers a sordid secret about his young wife's past. The only way he can rest is by forcing her to help him murder the man involved, but there is a witness - Jacques Lantier, a fellow railway employee. Jacques, meanwhile, must contend with his own terrible impulses, for every time he sees a woman he feels the overwhelming desire to kill. In the company of Roubaud's wife, Severine, he finds peace briefly, yet his feelings for her soon bring disasterous consequences. A key work in the Rougon-Macquart cycle, The Beast Within is one of Zola's most dark and violent works - a tense thriller of political corruption and a graphic exploration of the criminal mind. 
 
Roger Whitehouse's vivid translation is accompanied by an introduction discussing Zola's depiction of the railways, politics and the legal system and the influence of the studies of criminology and the Jack the Ripper murders on his novel. This edition also includes a chronology, suggestions for further reading and notes. 
 
Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). 
 
If you enjoyed The Beast Within, you might like Zola's The Drinking Den, also available in Penguin Classics.

Emile Zola (1840-1902) was a French novelist and critic, the founder of the Naturalist movement in literature. Among Zola's most important works is his famous Rougon-Macquart cycle (1871-1893), which included such novels as L'Assomoir (1877), about the suffering of the Parisian working-class, Nana (1880), dealing with prostitution, and Germinal (1885). 
 
 
Roger Whitehouse has taught at the Sorbonne and at Bolton Institute, where he is a research fellow.

La Bete humaine (1890), the seventeenth novel in the Rougon-Macquart series, is one of Zola's most violent and explicit works. On one level a tale of murder, passion, and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his 'most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within.

Au Bonheur des Dames (The Ladies' Delight)

Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumer capitalism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel. 
 
The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle. 
 
This edition also contains a bibliography, introduction, chronology and explanatory notes. 
 
Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). 
 
'A complete page-turner about the consumer society, greed, fashion and instant gratification' 
India Knight 
 
'A fine translation' 
The Times Literary Supplement

Émile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years. 
Robin Buss is a translator and journalist. He has translated a number of works for Penguin Classics, including works by Dumas and Sartre, and most recently, Zola's L'Assommoir (The Dram-Shop). 
 
 
Robin Buss is a translator and journalist. He has translated a number of works for Penguin Classics, including works by Dumas and Sartre, and most recently, Zola's L'Assommoir (The Dram-Shop).

Au Bonheur des Dames is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a na&iuml;ve provincial girl, becomes an assistant at the store, and Mouret discovers that he in turn can be charmed. 
 
With its vivid portrayal of greedy customers and gossiping staff, its lavish descriptions and sense of theatre, Au Bonheur des Dames is a rich and exciting novel. The eleventh in Zola's great cycle Les Rougon-Macquart, it is a timeless commentary on modern consumer society.

The Earth

Part of the vast Rougon-Macquart cycle of novels, The Earth was regarded by Émile Zola's as his greatest novel. This Penguin Classics edition is translated with an introduction by Douglas Parmée. 
 
When Jean Macquart arrives in the peasant community of Beauce, where farmers have worked the same land for generations, he quickly finds himself involved in the corrupt affairs of the local Fouan family. Aging and Lear-like, Old Man Fouan has decided to divide his land between his three children: his penny-pinching daughter Fanny, his eldest son - a far from holy figure known as 'Jesus Christ' - and the lecherous Buteau, Macquart's friend. But in a community where land is everything, sibling rivalry quickly turns to brutal hatred, as Buteau declares himself unsatisfied with his lot. A fascinating portrayal of a struggling but decadent community, The Earth offers a compelling exploration of the destructive nature of human ignorance and greed. 
 
Douglas Parmée's translation vividly conveys the naturalistic tone of the original in clear, contemporary English. This edition also includes an introduction, exploring Zola's motivation in writing The Earth and considering its influence on his contemporaries. 
 
Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). 
 
If you enjoyed The Earth, you might like Zola's Germinal, also available in Penguin Classics.

Emile Zola (1840-1902) was a French novelist and critic, the founder of the Naturalist movement in literature. Among Zola's most important works is his famous Rougon-Macquart cycle (1871-1893), which included such novels as L'Assomoir (1877), about the suffering of the Parisian working-class, Nana (1880), dealing with prostitution, and Germinal (1885). 
 
 
Translated with an introduction by Douglas Parmée

When Jean Macquart arrives in the peasant community of Beauce, where farmers have worked the same land for generations, he quickly finds himself involved in the corrupt affairs of the local Fouan family. Aging and Lear-like, Old Man Fouan has decided to divide his land between his three children: his penny-pinching daughter Fanny, his eldest son - a far from holy figure known as 'Jesus Christ' - and the lecherous Buteau, Macquart's friend. But in a community where land is everything, sibling rivalry quickly turns to brutal hatred, as Buteau declares himself unsatisfied with his lot. Part of the vast Rougon-Macquart cycle, The Earth was regarded by Zola as his greatest novel. A fascinating portrayal of a struggling but decadent community, it offers a compelling exploration of the destructive nature of human ignorance and greed

The Debacle

Robin Buss's acclaimed translation vividly brings Zola's descriptions to life in clear, contemporary English.

Emile Zola (1840-1902) was a French novelist and critic, the founder of the Naturalist movement in literature. Among Zola's most important works is his famous Rougon-Macquart cycle (1871-1893), which included such novels as L'Assomoir (1877), about the suffering of the Parisian working-class, Nana (1880), dealing with prostitution, and Germinal (1885).

Conservative and working-class, Jean Macquart is an experienced, middle-aged soldier in the French army, who has endured deep personal loss. When he first meets the wealthy and mercurial Maurice Levasseur, who never seems to have suffered, his hatred  is immediate. But after they are thrown together during the disastrous Franco-Prussian war of 1870-71, the pair are compelled to understand one other. Forging a profound friendship, they must struggle together to endure a disorganised and brutal war, the savage destruction of France's Second Empire and the fall of Napoleon III. One of the greatest of all war novels, The Debacle is the nineteenth novel in Zola's great Rougon-Macquart cycle. A forceful and deeply moving tale of close friendship, it is also a fascinating chronicle of the events that were to lead, in the words of Zola himself, to 'the murder of a nation'.

Thérèse Raquin

A story of adultery, murder and madness that was denounced by Le Figero as "putrid" when it was first published and earned its 27 year old author an enduring notoriety

Perhaps his most famous work, Émile Zola's Thérèse Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss. 
 
In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Thérèse Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever. Thérèse Raquin caused a scandal when it appeared in 1867 and borught its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola's novel is not only an uninhibited portrayal of adultery, madness and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence. 
 
Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style. In his introduction, he discusses Zola's life and literary career, and the influence of art, literature and science on his writing. This edition also includes the preface to the second edition of 1868, a chronology, further reading and notes. 
 
Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). 
 
If you enjoyed Thérèse Raquin, you might like Zola's Germinal, also available in Penguin Classics.

Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years. 
 
 
Robin Buss is a journalist and translator. His most recent translations for Penguin include The Plague by Camus and The Black Tulip by Dumas. He lives in London.

Set in the claustrophobic atmosphere of a dingy haberdasher's shop in the passage du Pont-Neuf in Paris, this powerful novel tells how the heroine and her lover, Laurent, kill her husband, Camille, but are subsequently haunted by visions of the dead man and prevented from enjoying the fruits of their crime.  Published in 1867, this is Zola's most important work before the Rougon-Macquart series and introduces many of the themes that can be traced through the later novel cycle.

The Drinking Den

One of the great works of 19th century Realism, and one of Zola's best-known novels

Previously published as L'assommoir (The Dram Shop), Emile Zola's The Drinking Den is an unflinching study of a desperate young woman struggling against the ravages of vice. This Penguin Classics edition is translated from the French with an introduction by Robin Buss. 
 
Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband's drinking and the unexpected appearance of a figure from her past, Gervaise's plans begin to unravel tragically. The Drinking Den caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola's great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise's struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature. 
 
Robin Buss's translation renders Zola's street argot into clear, contemporary English. This edition also includes an introduction discussing Zola's Naturalistic method, with maps of Paris, Zola's preface responding to his critics, notes, a chronology and further reading. 
 
Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). 
 
If you enjoyed The Drinking Den, you might like Zola's The Beast Within, also available in Penguin Classics.

Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years. Robin Buss is a translator and journalist. He has translated a number of works for Penguin Classics, including works by Dumas and Sartre.

Set in the taverns of Paris, this is perhaps the first classical tragedy of working-class people living in the slums of a city. The Drinking Den (1877) is part of the Rougon-Macquart series, a naturalistic history of two branches of a family traced through several generations. Zola's work was influenced by contemporary theories of heredity and experimental science, and the behaviour of the two families is shown to be conditioned by environment and inherited characteristics, chiefly drunkenness and mental instability.

Emile Zola

Adam Thorpe

Adam Thorpe's version deserves to become the standard English text

Anyone who thinks the British contingent brought lurid literature effing and blinding its way to life in the 1990s should be force-fed Emile Zola's 1867 novel Thérèse Raquin, which, in Adam Thorpe's stark new translation, is revealed in all its queasy glory as a shockingly effective literary mash-up of pulp fiction, melodrama and grimly unflinching social realism

The translator of this new edition in English, Adam Thorpe...brings an unusual freshness and zip to the task... This handsome Vintage Classics edition contains some useful editorial matter, but not Zola’s own preface to the second edition. In that sense, then, it comes close to returning us to the baldness (and boldness) of the original Naturalist document

[Adam Thorpe] brings an unusual freshness and zip to the task, which goes some way towards returning us to that sense of unnerving immediacy which the young Zola's novel would have given its readers in 1867

I love this because it's the story of how you can't escape the inevitabilities of love and it's just a fantastic piece of writing

By merging elements of the gothic and tragic with a study of petit-bourgeois banality, Zola created a work of enduring fascination

It was attacked by critics of the day as stinking filth and a foul sewer. Little wonder, then, that it became an instant bestseller and I'll admit I was completely riveted by its melodramatics from start to finish

Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out… the law can look as deep as it likes, but when the crime itself goes unsuspected… oh yes, there's many a murderer basking in the sun... 
 
When Thérèse Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband’s friend, Laurent, and Thérèse throws herself headlong into an affair. There seems only one obstacle to their happiness; Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them… 
 
First published in 1867, Thérèse Raquin has lost none of its power to enthral. Adam Thorpe’s unflinching translation brings Zola’s dark and shocking masterwork to life. 
 
 
A NEW TRANSLATION BY ADAM THORPE 
 
‘Adam Thorpe's version deserves to become the standard English text’ Daily Telegraph

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Émile Zola

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Praise for Thérèse Raquin

Adam Thorpe's version deserves to become the standard English text

Anyone who thinks the British contingent brought lurid literature effing and blinding its way to life in the 1990s should be force-fed Emile Zola's 1867 novel Thérèse Raquin, which, in Adam Thorpe's stark new transl ...

The translator of this new edition in English, Adam Thorpe...brings an unusual freshness and zip to the task... This handsome Vintage Classics edition contains some useful editorial matter, but not Zola’s own prefac ...

Adam Thorpe's version deserves to become the standard English text

Anyone who thinks the British contingent brought lurid literature effing and blinding its way to life in the 1990s should be force-fed Emile Zola's 1867 novel Thérèse Raquin, which, in Adam Thorpe's stark new transl ...

The translator of this new edition in English, Adam Thorpe...brings an unusual freshness and zip to the task... This handsome Vintage Classics edition contains some useful editorial matter, but not Zola’s own prefac ...

Adam Thorpe's version deserves to become the standard English text

Anyone who thinks the British contingent brought lurid literature effing and blinding its way to life in the 1990s should be force-fed Emile Zola's 1867 novel Thérèse Raquin, which, in Adam Thorpe's stark new transl ...

The translator of this new edition in English, Adam Thorpe...brings an unusual freshness and zip to the task... This handsome Vintage Classics edition contains some useful editorial matter, but not Zola’s own prefac ...

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