A Full-Cast BBC Radio Dramatisation & more

Utopia

Michael Symmons Roberts’ full-cast dramatisation of Thomas More’s classic work, plus an accompanying documentary exploring its legacy 
 
Thomas More's classic work of speculative fiction, Utopia, was published over 500 years ago, yet has entered the culture so deeply that the name of his fictional island is still how we refer to our hopes and dreams of a better society. This immersive dramatisation is adapted by the award-winning poet and author Michael Symmons Roberts, and is paired with a documentary programme that further explores More’s iconic book. 
 
In Utopia, a full cast brings to life More's strange and enchanting island. More travels to Antwerp, to sort out a dispute in the commercial wool trade. While he is there, he meets an old man who is clearly widely travelled. When More complains about the petty politics of the trade dispute, the stranger says he has seen another way of living. He introduces himself as the adventurer Raphael Hythloday, and describes a thrilling journey exploring an unmapped part of the ocean, discovering an island society unlike any seen before. The island is called ‘Utopia’... Starring Raad Rawi as Raphael Hythloday, Nacho Aldeguer as the young Raphael, and Michael Peavoy as Thomas More. 
 
In the accompanying documentary, Utopias, Michael Symmons Roberts examines the book’s intellectual legacy. It generated an idea that has been hotly contested throughout the hundreds of years since its release; a slippery tale that blurs fact and fiction and which has left readers trying to fathom whether More was presenting the island of Utopia as a model society or as a salutary tale. He also eavesdrops on figures from the BBC archives describing what their personal Utopias might look like – including Tony Benn, Jeanette Winterson, Aldous Huxley, Nawal El Saadawi and Iain Banks. 
 
Michael Symmons Roberts is an award-winning poet, author and dramatist. His poetry book Corpus won the 2004 Whitbread Poetry Award and was shortlisted for the T.S. Eliot Prize, the Forward Prize and the Griffin Poetry Prize. In 2007 he received the Arts Council Writers Award. He was elected a Fellow of the English Association in 2012 and in 2014 was elected a Fellow of the Royal Society of Literature. He has worked with composer James MacMillan for the BBC Proms and won awards for his radio adaptations of His Fearful Symmetry and Soldiers in the Sun. 
 
Cast and credits 
 
Utopia 
Written by Thomas More 
Adapted by Michael Symmons Roberts 
Directed by Susan Roberts 
Raphael Hythloday - Raad Rawi 
Young Raphael - Nacho Aldeguer 
Thomas More / Achorian - Michael Peavoy 
Peter Giles - Cameron Blakeley 
Abraxa - Emily Pithon 
Barzanes - Jonathan Keeble 
Macaria - Fiona Clarke 
First Broadcast BBC Radio 4, 24 January 2016 
 
Utopias 
Presented by Michael Symmons Roberts 
Produced by Geoff Bird 
First Broadcast BBC Radio 4, 23 January 2016 
 
©2026 BBC Studios Distribution Ltd (P)2026 BBC Studios Distribution Ltd

Michael Symmons Roberts’ full-cast dramatisation of Thomas More’s classic work, plus an accompanying documentary exploring its legacy 
 
Thomas More's classic work of speculative fiction, Utopia, was published over 500 years ago, yet has entered the culture so deeply that the name of his fictional island is still how we refer to our hopes and dreams of a better society. This immersive dramatisation is adapted by the award-winning poet and author Michael Symmons Roberts, and is paired with a documentary programme that further explores More’s iconic book. 
 
In Utopia, a full cast brings to life More's strange and enchanting island. More travels to Antwerp, to sort out a dispute in the commercial wool trade. While he is there, he meets an old man who is clearly widely travelled. When More complains about the petty politics of the trade dispute, the stranger says he has seen another way of living. He introduces himself as the adventurer Raphael Hythloday, and describes a thrilling journey exploring an unmapped part of the ocean, discovering an island society unlike any seen before. The island is called ‘Utopia’... Starring Raad Rawi as Raphael Hythloday, Nacho Aldeguer as the young Raphael, and Michael Peavoy as Thomas More. 
 
In the accompanying documentary, Utopias, Michael Symmons Roberts examines the book’s intellectual legacy. It generated an idea that has been hotly contested throughout the hundreds of years since its release; a slippery tale that blurs fact and fiction and which has left readers trying to fathom whether More was presenting the island of Utopia as a model society or as a salutary tale. He also eavesdrops on figures from the BBC archives describing what their personal Utopias might look like – including Tony Benn, Jeanette Winterson, Aldous Huxley, Nawal El Saadawi and Iain Banks. 
 
Michael Symmons Roberts is an award-winning poet, author and dramatist. His poetry book Corpus won the 2004 Whitbread Poetry Award and was shortlisted for the T.S. Eliot Prize, the Forward Prize and the Griffin Poetry Prize. In 2007 he received the Arts Council Writers Award. He was elected a Fellow of the English Association in 2012 and in 2014 was elected a Fellow of the Royal Society of Literature. He has worked with composer James MacMillan for the BBC Proms and won awards for his radio adaptations of His Fearful Symmetry and Soldiers in the Sun. 
 
Cast and credits 
 
Utopia 
Written by Thomas More 
Adapted by Michael Symmons Roberts 
Directed by Susan Roberts 
Raphael Hythloday - Raad Rawi 
Young Raphael - Nacho Aldeguer 
Thomas More / Achorian - Michael Peavoy 
Peter Giles - Cameron Blakeley 
Abraxa - Emily Pithon 
Barzanes - Jonathan Keeble 
Macaria - Fiona Clarke 
First Broadcast BBC Radio 4, 24 January 2016 
 
Utopias 
Presented by Michael Symmons Roberts 
Produced by Geoff Bird 
First Broadcast BBC Radio 4, 23 January 2016 
 
©2026 BBC Studios Distribution Ltd (P)2026 BBC Studios Distribution Ltd

On Music, Grief and Birdsong

Quartet for the End of Time

This wonderful book should help to win the strange, bird-fixated composer new admirers.

In this remarkable book, Symmons Roberts explores his complex ongoing relationship with Messiaen's visionary work , alongside reflections on grief, faith and the creative process… Symmons Roberts writes with wit, beauty and piercing insight... In responding to Messiaen's radiant masterpiece, Symmons Roberts has created a masterpiece of his own

Symmons Roberts’ prose…is silky and emotive, with his success in weaving the personal strands with the musical partly owed to the deep connections wrought by his poems, each one seemingly chosen to heighten our understanding of what precedes it

Every sentence is beautifully assembled and polished... A properly engrossing exploration of music, place, religion and what it is to be human

I love Michael Symmons Roberts' poetry. He is a religious poet in a secular age. His work is about connection between the things of the spirit and the things of the world. And his work is about transcendence

He displays an amazing talent for intimacy on paper – sometimes, it almost takes your breath away

Symmons Roberts is no professional musician. It makes this book all the more valuable and, when combined with his considerable lyric gifts as a poet, makes him a superb guide to the music, which lingers. It is a lonely book, sometimes painful to read

Michael Symmons Roberts is a poet and librettist. His eight books of poetry have received accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. His words for music have been performed in concert halls and opera houses around the world. He is also an award-winning broadcaster and radio dramatist. Born in Preston, Lancashire, he is Professor of Poetry at Manchester Metropolitan University.

'This is a rich, lively, profound book' ROWAN WILLIAMS 
 
A personal reckoning with grief, doubt, faith and poetry set to one of the most celebrated musical works of the twentieth century, from the award-winning poet and librettist. 
 
The story goes like this: on a freezing winter night in 1941, a new piece of chamber music was performed to a crowd of prisoners of war on a three-stringed cello, clarinet, violin and pub piano with sticky keys. It was the premiere of Olivier Messiaen’s Quatuor pour la fin du Temps. 
 
Listeners since then have been captivated by the ecstatic music and mythology of Messiaen’s masterpiece. Michael Symmons Roberts’ own lifelong fascination with the Quartet– having chanced upon it in a record shop in his late teens and fallen in love with its title - leads him on a quest to understand its enigmatic power. His fascination – at times frustration – with Messiaen’s vision opens into an exploration of grief, of personal faith and doubt, of the end of time and what may lie beyond it. Interwoven with poetry and wit, this book is an expansive evocation of music, loss, hope and time, seen through the lens of the Quartet's technicolour, apocalyptic vision. 
 
Quartet for the End of Time is a moving, intimate and unforgettable book, attentive to ways of listening – in our noisy world – to birdsong, music, poems and radio silence, and to the call and response that we may find. 
 
'A properly engrossing exploration of music, place, religion and what it is to be human' SARAH TARLOW, author of The Archaeology of Loss

Ransom

One of the finest poets writing today... Ransom... moved me greatly.

Michael Symmons Roberts was born in Preston, Lancashire in 1963. He has published eight collections of poetry and received a number of accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. His Selected Poems was published in 2016. As a librettist, his work has been performed in concert halls and opera houses around the world, and he is an award-winning broadcaster and dramatist. He is Professor of Poetry at Manchester Metropolitan University. A Fellow of the Royal Society of Literature, his Quartet for the End of Time: On Music, Grief and Birdsong was published in 2025.

**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021** 
 
*A FINANCIAL TIMES 'BOOKS OF 2021' PICK* 
 
Ransom, the new collection from Michael Symmons Roberts, is an intense and vivid exploration of liberty and limit, of what it means to be alive, and searches for the possibility of hope in a fallen, wounded world. The poems in Ransom display all the lyrical beauty and metaphysical ambition for which his work is acclaimed, but with a new urgency, a ragged edge to what the Independent described as his 'dazzling elegance'. At the heart of this new book are three powerful sequences - one set in occupied Paris, one an elegy for his father, and one a meditation on gratitude - that work at the edges of belief and doubt, both mystical and philosophical. The idea of 'ransom' is turned and turned again, poem by poem, seen through the lenses of personal grief and loss, cinematic scenes of kidnap and release, narratives of incarnation and atonement. This is a profound and timely book from one of our finest poets.

Deaths of the Poets

An entertaining journey into how the deaths of great poets have shaped our culture's distorted sense of poetry

A rollicking mixture of literary biography, commentary, travelogue and anecdotage, much of it deeply amusing.

So much material of such innate interest is presented with just the right balance of panache, wit, insight and elegy… A good, clever, kindly and enjoyable book it is, like eavesdropping on two smarter friends when they are sparking off each other… Farley and Roberts are always entertaining and illuminating, gentle guides and quixotic questers.

Deaths of the Poets is packed with anecdotes and macabre frisons; its forays through some of poetry’s more sensational edge-lands make for a compelling read.

A terrifically entertaining book: thoughtful, funny, informative, with an eye for good quotes and anecdotes, and wide-ranging in both the distance it travels and the material on which it draws.

Deaths of the Poets is a gripping, witty read, but also asks serious questions about the way the post-Romantic myth of the doomed poet skews the way we interpret their work.

It is a thoughtful book, structured as a series of pilgrimages to the places where poets have died.

The authors are agreeable, well-informed and slyly humorous company.

Poets Paul Farley and Michael Symmons Roberts make a comic routine out of their own relative longevity… An absorbing, if melancholy trip.

On their pilgrimage, Michael and Paul honour their poetic heroes, but also investigate and interrogate the myth, sending themselves up in the process. The result is a book… that is enlightening and provocative, eye-wateringly funny and powerfully moving.

The book is a fascinating if slightly ghoulish examination of poets’ deathbeds, and sometimes their last words, such as Philip Larkin’s bleak remark, “I am going to the inevitable”… Deaths of the Poets is highly readable, informative and resonating with a literary hinterland.

It’s an undertaking that explores the often linked ideas of poetry and mortality, but with a questing humour.

A witty and erudite journey into the characters of doomed poets using location as a steer.

Michael Symmons Roberts (Author) Michael Symmons Roberts was born in Preston, Lancashire in 1963. He has published eight collections of poetry and received a number of accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. His Selected Poems was published in 2016. As a librettist, his work has been performed in concert halls and opera houses around the world, and he is an award-winning broadcaster and dramatist. He is Professor of Poetry at Manchester Metropolitan University. A Fellow of the Royal Society of Literature, his Quartet for the End of Time: On Music, Grief and Birdsong was published in 2025. Paul Farley (Author) Paul Farley is the author of four collections of poetry and has won the Forward Prize for Best First Collection, the Whitbread Poetry Award and the E.M. Forster Award. He broadcasts regularly on radio and presents The Echo Chamber on Radio 4. Edgelands, co-written with Michael Symmons Roberts, received the Royal Society of Literature’s Jerwood Award and the 2011 Foyles Best Book of Ideas Award and was serialised as Radio 4 Book of the Week.

From Dylan Thomas’s eighteen straight whiskies to Sylvia Plath’s desperate suicide in the gas oven of her Primrose Hill kitchen; from Chatterton’s Pre-Raphaelite demise to Keats’ death warrant in a smudge of arterial blood, the deaths of poets have often cast a backward shadow on their work. 
 
The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just an illusion , or is there some essential truth behind it? What is the price of poetry? 
 
In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.

Mancunia

'A collection that constantly defies expectation... superb, substantial and intricately varied.' Kate Kellaway, Observer 
 
Shortlisted for the 2017 T. S. Eliot Prize 
PBS Autumn Recommendation

Superb, substantial and intricately varied... One of the wonderful things about Symmons Roberts is his way of pushing poems – and himself with them – in a direction you were not expecting. He constantly reconstitutes the world... Symmons Roberts reminds us of how easy it is to see human extremity without seeing it – a moving feat in what is a first-rate collection.

There is pleasing variety here… Articulate and well-achieved… Symmons Roberts’s voice reverberates the most.

It is a book for our times, hopeful yet grounded, and not above its subject.

A powerful and nuanced portrait of one of England's most dynamic and fascinating cities...a must-read.

Shortlisted for the 2017 T. S. Eliot Prize 
Longlisted for the 2019 Portico Prize 
PBS Autumn Recommendation 
 
Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it resides and how it survives. Mancunia is – like More’s Utopia – both a no-place and an attempt at the good-place. It is occupied, liberated, abandoned and rebuilt. Capacious, disturbing and shape-shifting, these are poems for our changing times.

Selected Poems

The definitive introduction to a major poet

Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

This selection of the best poems from six remarkable collections reveals that all the strength and sensuality and strangeness is in there from the start. This is a metaphysical poetry for our age: rooted, steeped in the physical, but stretching for lyric completion, philosophical clarity, emotional truth. These poems achieve their seriousness not through hectoring argument but through their lightness of touch, their wit, their tenderness, their music. Roberts has always been a poet who, in the words of Lavinia Greenlaw, ‘inspires profound meditation on the nature of the soul, the body, the stars and the heart, and sparks revelation’. He is also formally and thematically diverse, restlessly exploring a wide range of subjects from Cold-War fear to love lyrics, genetics to elegies, always returning to the crucial, elemental themes – the mapping of experience and the search for meaning. 
 
After Drysalter, his double-prize-winning tour de force, we now have this opportunity to observe the whole arc to date: the consistency of grace and power, curiosity and risk, passion and intelligence that – together – make Michael Symmons Roberts such a thrilling and essential poet.

Drysalter

A new poetry collection from the award-winning writer of Corpus and Edgelands. 
 
Winner of the 2013 Forward Poetry Prize for Best Collection 
Winner of the 2013 Costa Poetry Award 
Shortlisted for the 2013 T. S. Eliot Poetry Prize 
Shortlisted for the 2015 Portico Prize

He displays an amazing talent for intimacy on paper – sometimes, it almost takes your breath away.

It's all implicit, subtle, hypnotic and often beautiful.

150 poems of 15 lines, combining dazzling elegance and a rare imaginative humility.

150 poems of fifteen lines, tackling multiple subjects from peeling an orange to the universe's "scattergram of long-dead suns". Not a dud among them.

Roberts’ most ambitious collection offers a potent and sensory multiplicity.

Winner of the 2013 Forward Poetry Prize for Best Collection 
Winner of the 2013 Costa Poetry Award 
Shortlisted for the 2013 T. S. Eliot Poetry Prize 
Shortlisted for the 2015 Portico Prize 
 
Michael Symmons Roberts’ sixth – and most ambitious collection to date – takes its name from the ancient trade in powders, chemicals, salts and dyes, paints and cures. These poems offer a similarly potent and sensory multiplicity, unified through the formal constraint of 150 poems of 15 lines. 
 
Like the medieval psalters echoed in its title, this collection contains both the sacred and profane. Here are hymns of praise and lamentation, songs of wonder and despair, journeying effortlessly through physical and metaphysical landscapes, from financial markets and urban sprawl to deserts and dark nights of the soul. 
 
From an encomium to a karaoke booth to a conjuration of an inverse Antarctica, this collection is a compelling, powerful search for meaning, truth and falsehood. But, as ever in Roberts’ work – notably the Whitbread Award-winning Corpus – this search is rooted in the tangible world, leavened by wit, contradiction, tenderness and sensuality. 
 
This is Roberts’ most expansive writing yet: mystical, philosophical, earthy and elegiac. Drysalter sings of the world’s unceasing ability to surprise, and the shock and dislocation of catching your own life unawares.

Edgelands

Shortlisted for the 2012 Royal Society of Literature Ondaatje Prize and winner of the Foyles Best Book of Ideas Prize - this is a book about the blank spaces on the A-Z: the lost and unloved 'edgelands' between cities and countryside

This book is a delight: witty and wryly contrarian

A masterpiece of its kind... Even more uplifting is the chapter on weather - truly one of the most extraordinary passages of prose I have read in some time... This is, quite simply, beautiful, but it is also typical of a beautifully conceived work of exploration, by two emissaries to the wilderness who do the wasteland proud

Marvellously quirky, fascinatingly detailed and beautifully written

The edgelands, where the veneer of civilisation peels away, are the most despised and ignored of landscapes. Ambition turns to dust in the sewage farm and landfill site. But Farley and Roberts's mischievous and elegant forays into these marginal wastes, show that dust turns back to life in them - into riotous ecologies, agitprop architecture and the wonderful business of playing. A provocative, left-field read

Haunting, often inspiring book...Edgelands covers an impressive range of politics, reminiscence, investigation and rumination

Edgelands delights with its sly, impish wit and observation

Eye-opening and hugely enjoyable book  ... overall this is an original, surprising and rather wonderful addition to our literature of place

A book that begs us to use our imaginations; to appreciate what we pass by every day but never really see

This is a delightful and important book.  By focusing on the fringes,  on the shabby reality of suburban life, these poets remind us that there are always new myths for old, that the 'edgelands' may even be our true centre

With chapters on paths, dens, wastelands, business parks and many other topics, this book has opened my eyes to all kinds of things I might not have noticed before

The year's most unusual travel book

[An] eye-opening and hugely enjoyable book

Written in a delectable prose that scatters flashes of poetry over a sardonic undertow of social comment, Edgelands is a lyrical triumph. On Britain’s grotty margins, the duo trace “desire paths” to find beauty and mystery in the rough darkness on the edge of town

The wilderness is much closer than you think. Passed through, negotiated, unnamed, unacknowledged: the edgelands - those familiar yet ignored spaces which are neither city nor countryside - have become the great wild places on our doorsteps. 
 
In the same way the Romantic writers taught us to look at hills, lakes and rivers, poets Paul Farley and Michael Symmons Roberts write about mobile masts and gravel pits, business parks and landfill sites, taking the reader on a journey to marvel at these richly mysterious, forgotten regions in our midst. 
 
Edgelands forms a critique of what we value as 'wild', and allows our allotments, railways, motorways, wasteland and water a presence in the world, and a strange beauty all of their own.

Burning Babylon

A very powerful sequence of poems about Greenham Common

In his first two collections - Soft Keys and Raising Sparks - Michael Symmons Roberts established himself as a lyric and dramatic poet with metaphysical concerns. In this new collection, those concerns are as strong as ever, but rooted in a specific place and time. 
 
These poems describe the personal and public rise and fall of Greenham Common. The public story, as one of the most contentious missile bases of the cold war, ended with fences removed, buildings demolished, the base returned to common land. The private history emerges from the poet's own experience, as an adolescent living a mile away from Greenham Common at the height of its powers. That third community of locals - not the USAF or the peace camps - is finally given a voice in Burning Babylon. 
 
This is war poetry, but from an undeclared war in which battle lines were unclear, secrecy was an obsession, and threat was the chief weapon. At the heart of it all was that real and mythic gated city - the base - which was both a key part of the poet's childhood landscape, and the prime nuclear target in Britain. This image of a huge, occult and lethal power latent behind wire in the middle of England has haunted the minds of a generation - just as the poems in this book will resonate long after it is laid aside.

Corpus

A book about bodies, dead and living, real and imagined, earthbound and resurrected

Michael Symmons Roberts is a religious poet, though not in the sense of brandishing doctrinal certainties; he reflects on the world in a way that is informed by a sense of grace, of transcendence, but the pieces are grounded in detail, beautifully expressed, subtly luminous.

Corpus - Michael Symmons Roberts' Whitbread-Prize winning fourth collection - centres around the body. Mystical, philosophical and erotic, the bodies in these poems move between different worlds - life and after-life, death and resurrection - encountering pathologists' blades, geneticists' maps and the wounds of love and war. 
 
Equally at ease with scripture (Jacob wrestling the Angel in 'Choreography') and science ('Mapping the Genome'), these poems are a thrilling blend of modern and ancient wisdom, a profound and lyrical exploration of the mysteries of the body:' So the martyrs took the lamb./ It tasted rich, steeped in essence/ Of anchovy. They picked it clean/ And found within, a goose, its pink/ Beak in the lamb's mouth like a tongue.' Ranging effortlessly between the physical extremes of death - from putrefaction to purification - and life - drought and flood, hunger and satiation - the poems in Corpus speak most movingly of 'living the half-life between two elements', of what it is to be unique and luminously alive.

Raising Sparks

First Cape outing for this important lyric poet

After his first collection - SOFT KEYS - Michael Symmons Roberts was hailed by Les Murray as 'a poet for the new, chastened, unenforcing age of faith that has just dawned'. The metaphysical concerns of that first book are central to this new collection, written in a language at once philosophical, sensuous and lyrical. From a doctor who washes lungs to the structure of genes, from mythical hounds born to fire to a cat's-eye souvenir from a smashed-up road, the scope of this collection is impressive. Whatever the subject, these poems are concerned with elemental themes, with the mapping of experience, and the search for sparks of life at its heart. At the heart of RAISING SPARKS are two sequences - 'Smithereens' and 'Quickenings' - which form part of a continuing collaboration with the composer James MacMillan; the former set as a song cycle and the latter as amajor choral piece. These sequences - alongside intamate lyrics and dramatic meditations on creation, redemption and the end of time - show a poet of enormous range and depth.

Soft Keys

'These are complex poems of darkness and radiance, miracle and desolation. And behind their answering energies, an awareness of the scintilla of grace' - Pauline Stainer

The poems are highly accomplished, constituting an intelligent, courageous attempt to write a contemporary religious poetry, one where God and videogames co-exist. This is very hard to do, but the voice of Soft Keys is genuinely contemporary; the best poems are lit with finely-nuanced details which the imagination can relish. A poem such as "The Telex" is sure, strange, beautifully judged

Michael Symmons Roberts' poems are intense and sensual explorations of the moment when the soul quickens to some ice-cracking life. The Christian faith gives Roberts' work an iconography, a deep well of symbolism, that links him with poets like David Jones or Geoffrey Hill. Like them, his work exists to errode whatever conceals that glinting mica of truth... through language at once precise and excitingly resonant

When Corpus won the Whitbread Poetry Award, the judges described it as 'an outstanding, perfectly weighted collection that inspires meditation on the nature of the soul...reading it feels like making an exciting discovery and coming back to an acknowledged classic all at once.' Michael Symmons Roberts' first book, Soft Keys, was the original and most exciting discovery of all. 
 
The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary - a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade... Richly inventive, and written in a wide diversity of poetic forms, Soft Keys looks for those places and moments where the curtain between earth and heaven is thinnest; it was a powerful, arresting debut and the beginning of a remarkable career. As Les Murray said at the time: 'Like Nijinsky, he can leap into the air and stay there. You can reach up and feel the thump of the stage finely persisting in an ankle bone. Roberts is a poet for the new, chastened, unenforcing age of faith that has just dawned.'

When Corpus won the Whitbread Poetry Award, the judges described it as 'an outstanding, perfectly weighted collection that inspires meditation on the nature of the soul...reading it feels like making an exciting discovery and coming back to an acknowledged classic all at once.' Michael Symmons Roberts' first book, Soft Keys, was the original and most exciting discovery of all. 
 
The poems in Soft Keys engage in a search for meaning and order in the everyday and in the extraordinary - a locust officer tracking swarms in an African desert, a hobbyist building a replica of the world out of matchsticks, a chance encounter with the French mystic Simone Weil playing video games in a Torquay arcade... Richly inventive, and written in a wide diversity of poetic forms, Soft Keys looks for those places and moments where the curtain between earth and heaven is thinnest; it was a powerful, arresting debut and the beginning of a remarkable career. 
 
As Les Murray said at the time: 'Like Nijinsky, he can leap into the air and stay there. You can reach up and feel the thump of the stage finely persisting in an ankle bone. Roberts is a poet for the new, chastened, unenforcing age of faith that has just dawned.'

Breath

A powerful novel from the Whitbread-winning author of Patrick's Alphabet.

A bleakly powerful ending with a moving, finely contrived element of hope

Beautifully spare, poetic prose...A haunting book

A thoughtful reminder of the wounds of conflict, and the depths of its scars... a clever, innovative, unusual book which is both timeless and timely

A well-paced narrative with carefully crafted twists...intensely visual descriptions... Inventive in its form and often profound in its poetry, Symmons Roberts' gripping story is a meditation on the difficulty of forgiveness in wartime

Symmons Roberts is already a poet of note, and this...is discernibly a poet's book. Short and introspective, it stays in the mind and echoes

Magically spun out. An entrancing yet disturbing book

In a country recovering from a brutal and divisive civil war, a young boy, Jamie, is knocked off his bike and dies in a city street. His father agrees to allow one of Jamie's lungs to be removed and flown over the border for a transplant. 
 
As the night unfolds and the plane travels across the war-ravaged country, we see the drama from three different perspectives: the father, grieving for the son he perhaps never knew well enough; the lung's recipient, an old man fighting for breath; and in the turbulent sky between them, the young pilot who is closest to Jamie - or at least to his breath, his spirit, his voice.

The Half Healed

His first collection since the Whitbread-winning Corpus.

I love Michael Symmons Roberts's poetry. He is a religious poet in a secular age. His work is about the connection between the things of the spirit and the things of the world. And his work is about transcendence

An individual in contemporary verse, Michael Symmons Roberts writes a numinous poetry that listens 'for the footfalls of God in the Garden'

A luminous collection based on the body that has seen [Roberts] likened to Donne

Exploring new outlooks and new worlds, Michael Symmons Roberts' religious poems... seem designed for an age of doubt and DNA

The poems in Michael Symmons Roberts's fifth collection move in a world riven by violence and betrayal, between nations and individuals. As ever, this is a metaphysical poetry rooted in physical detail - but the bodies here are displaced, disguised, in need of rescue. A man in a fox suit prowls the woods afraid of meeting true foxes, while a vixen dressed as a man moves among the powerful at society soirées. God no longer 'walks in his garden in the cool of the day', but drives through a damaged city in the small hours. At the same time a couple celebrate armistice with an act of love in an anonymous hotel room. 
 
As the judges of the Whitbread Prize noted, Roberts' poetry 'inspires profound meditation on the nature of the soul, the body, the stars and the heart - and sparks revelation.' Roberts is a poet of unusual range and dexterity, fascinated by faith and science, by the physical and the transcendental, and with this new book he confirms his position as a truly original, and thrillingly gifted, lyric poet.

Patrick's Alphabet

'By no means a conventional thriller, it is an intense and disturbing piece of fiction' - Observer

His corpse-strewn first novel derives its title from St Patrick's habit of inscribing letters on new territory to transform it...the atmosphere of creeping menace kept this heathen reading, simultaneously irked and intrigued

The narrative voice turns it from a dark whodunit into something more intriguing. But Roberts never forgets that his principal responsibility is to keep us hooked - and that he does with aplomb

Suitably disturbing and unsettling, and lingers long in the mind

A cold, existential tale... One of the terrific things the novel offers is his rendering of a town in the grip of a nameless fear

An intriguing, gripping and highly unconventional crime novel

When a teenage couple are found murdered in their car, a boy called Adam Sligo is the only suspect. The letter A is found blazoned on the wall at the murder scene and is soon followed, around town, by the other letters of the alphabet, each immaculately painted in red. What do the letters mean? Is Sligo playing games with the police? Or putting a spell on the town? 
 
Perry Scholes is mixed up in all this from the start: a man haunted by cars and death - and photographic images of both. He trawls the motorways and edgelands listening to police radio, getting to the car-crash or the crime scene before them. He makes a living selling these shots to the papers. He is the one who spots the painted letters, and begins to document their appearances. 
 
As the town is paralysed by fear and paranoia, a vigilante cult emerges, arming itself for the battle against evil. Perry finds himself trapped in a nightmare. A killer is at large, and the alphabetical messages he leaves seem to be personal messages for him.

Michael Symmons Roberts

An inviting and poignant new collection exploring our increasingly turbulent relationship with nature, from award-winning poet Michael Symmons Roberts 
 
'I love Michael Symmons Roberts' poetry... His work is about connection between the things of the spirit and the things of the world' Jeanette Winterson 
 
'An outstanding writer' Sunday Times 
 
Dog Star is a book of linked poems rooted in encounters with real, imagined or mythical birds, trees, fish, flowers, bacteria, chimeras – ancient connections reshaped by technological and political change and critically endangered by species and habitat loss. 
 
In Roberts’ previous work, his poems are attentive to glimpses of grace and presence, but always embodied and grounded. In this new book, that attention is sharper and more urgent than ever, at a time when the essential spiritual relationship between humanity and other forms of life is broken or lost. In a line from his collection Drysalter – ‘there is no way to the soul but through the body’ – he sets out the bearings for these new poems as attempts to tap into what D.H. Lawrence called ‘heaven’s wolfish, wandering electricity.’ 
 
Some encounters in Dog Star are head-on, face-to-face, some are more slant, distant, missed connections. There’s an elegiac sequence for the poet’s mother with each step measured in animals, an extended riff on the world as an aquarium and our lives seen through water – creatures dead and living, met in the flesh or mediated via film or stories. This is a profound, remarkable book by one of our major poets.

Michael Symmons Roberts

Books by Michael Symmons Roberts

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