*Shortlisted for the Costa Poetry Award 2019*
*Shortlisted for the T.S. Eliot Prize 2019*
*Shortlisted for the Forward Prize for Best First Collection 2019*
*Shortlisted for the Dylan Thomas Prize 2020*
*Shortlisted for the RSL Ondaatje Prize 2020*
*Shortlisted for the John Pollard Foundation International Poetry Prize 2020*
*Longlisted for the Jhalak Prize 2020*
*Winner of the Ted Hughes Award for New Work in Poetry*
Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.
Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.
Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.
A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.
‘Reading Jay Bernard’s Surge is like tapping into an energy source that reveals, in a blasting combination of excavation and incantation, a surfacing understanding that connects the landscapes of the New Cross fire and the Grenfell Tower fire…and delivers these revelations with a strength and a gravity and a communal force of voice that shakes every inhumane system’ Ali Smith, Newstatesman
‘Politically and lyrically compelling’ Raymond Antrobus, Observer
'A range of poetic forms bring energy to this reappraisal of race, nation and embodiement' Sandeep Parmar, Guardian
