How Churchill's words shed light in his Darkest Hour 

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How Churchill’s words shed light in his Darkest Hour

Abridged Edition

Penguin Readers Level 6: Darkest Hour (ELT Graded Reader)

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It is May 1940. Western countries are falling into Nazi hands. Britain must prepare to be invaded any day. The future of the world lies on the shoulders of one man. This is the story of how British Prime Minister Winston Churchill changed history over twenty-five difficult days during World War II.

Anthony McCarten (Author) Anthony McCarten is a BAFTA-winning writer who divides his time between London, Los Angeles and Munich. His screenplay for The Theory of Everything which he wrote and produced won a BAFTA and was nominated for an Oscar. He wrote the screenplay for the Oscar-nominated Bohemian Rhapsody and his previous book, Darkest Hour, was a Sunday Times Number One bestseller. Ladybird (Author) We make growing up the best story ever! Here at Ladybird, we publish playful books for little hands. From touch-and-feel books to bedtime stories and non-fiction, we help 0-7s to learn, play and grow - sparking plenty of smiles along the way. The home of Ten Minutes to Bed, Baby Touch, Peppa Pig and Hey Duggee, we know just how to capture curious little imaginations and guide them from one story to the next.

With carefully adapted text, new illustrations, language practise activities and additional online resources, the Penguin Readers series introduces language learners to bestselling authors and compelling content. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction. 
 
Darkest Hour, a Level 6 Reader, is B1+ in the CEFR framework. The longer text is made up of sentences with up to four clauses, introducing future continuous, reported questions, third conditional, was going to and ellipsis. A small number of illustrations support the text. 
 
It is May 1940. Western countries are falling into Nazi hands. Britain must prepare to be invaded any day. The future of the world lies on the shoulders of one man. This is the story of how British Prime Minister Winston Churchill changed history over twenty-five difficult days during World War II.

How Churchill Brought us Back from the Brink

Darkest Hour

Official Tie-In for the Oscar-Winning Film Starring Gary Oldman

THE SUNDAY TIMES NUMBER ONE BESTSELLER AND OFFICIAL TIE-IN TO THE AWARD-WINNING MOTION PICTURE STARRING GARY OLDMAN, WHO TOOK HOME BEST ACTOR AT THE OSCARS FOR HIS SUBLIME TURN AS WINSTON CHURCHILL. 
 
From the prize-winning screenwriter of The Theory of Everything, this is a cinematic, behind-the-scenes account of a crucial moment which takes us inside the mind of one of the world's greatest leaders - and provides a revisionist, more rounded portrait of his leadership. 
 
May, 1940. Britain is at war, European democracies are falling rapidly and the public are unaware of this dangerous new world. Just days after his unlikely succession to Prime Minister, Winston Churchill, faces this horror - and a sceptical King and a party plotting against him. He wonders how he can capture the public mood and does so, magnificently, before leading the country to victory. 
 
It is this fascinating period that Anthony McCarten captures in this deeply researched, gripping day-by-day (and often hour-by-hour) narrative. In doing so he revises the familiar view of Churchill - he made himself into the iconic figure we remember and changed the course of history, but through those turbulent and dangerous weeks he was plagued by doubt, and even explored a peace treaty with Nazi Germany. It's a scarier, and more human story, than has ever been told.

I learned things from the script I didn't know. I just thought, "Can that be right? Were we that perilously close?" And so it just grabbed me.

This is history written with the verve of a novel. Compelling and provocative

Piers Brendon, former Director, The Churchill Archives

Pacy, refreshing, intimate and clear-eyed

Impeccably researched, provocative and absolutely thrilling. I couldn't put it down.

Henry Hemming, author of Churchill's Iceman

Engrossing... a bold and hugely readable story about doubts, decision and the power of words that vividly conveys the man and the moment.

Clare Mulley, author of The Woman Who Saved the Children

Darkest Hour has the panache, pace, wit and authenticity of its place and time...a concise and convincing distillation of the events of May 1940.

It is quite simply brilliantly well done. Gary Oldman's performance is nothing short of a masterpiece and Kristin Scott Thomas is remarkable. At one moment in the film I closed my eyes and I thought it was my grandmother speaking. It is also extremely moving - what my mother used to call a "two-handkerchief film"

Anthony McCarten is a BAFTA-winning writer who divides his time between London, Los Angeles and Munich. His screenplay for The Theory of Everything which he wrote and produced won a BAFTA and was nominated for an Oscar. He wrote the screenplay for the Oscar-nominated Bohemian Rhapsody and his previous book, Darkest Hour, was a Sunday Times Number One bestseller.

From the prize-winning screenwriter of The Theory of Everything, this is a cinematic, behind-the-scenes account of a crucial moment which takes us inside the mind of one of the world's greatest leaders - and provides a revisionist, more rounded portrait of his leadership. 
 
May, 1940. Britain is at war, European democracies are falling rapidly and the public are unaware of this dangerous new world. Just days after his unlikely succession to Prime Minister, Winston Churchill, faces this horror - and a sceptical King and a party plotting against him. He wonders how he can capture the public mood and does so, magnificently, before leading the country to victory. 
 
It is this fascinating period that Anthony McCarten captures in this deeply researched, gripping day-by-day (and often hour-by-hour) narrative. In doing so he revises the familiar view of Churchill - he made himself into the iconic figure we remember and changed the course of history, but through those turbulent and dangerous weeks he was plagued by doubt, and even explored a peace treaty with Nazi Germany. It's a scarier, and more human story, than has ever been told.

Anthony McCarten

A cracking read . . . With due respect to those talented thesps, they will have to go some to convey all the nuances and contradictions, ambiguities and embarrassments, dark secrets and outright skulduggeries that McCarten crams into his 200-odd pages . . . engrossing

Provides a compelling look at life and politics in the Vatican today

Vanity Fair, This Winter’s Best Nonfiction Reads

Anthony McCarten has an astonishing knack of transforming a familiar story into a new tale, and one that is revealing and sometimes challenging. Now he has done so once again with The Pope, a beguiling tale of ecclesiastical plotting and intrigue that resembles a sort of bloodless Borgias. It may be a book about how two men reached the holiest pinnacle of the Roman Catholic Church, but when the clouds of incense clear we are left with an awful lot of sinning. The papacy is supposed to be infallible, but thanks to McCarten's deft lifting of the Vatican's scarlet curtains what we see is the breeding ground for one of the greatest scandals of our times in which conspiracy and vanity are on display to a terrifying extent

[On the play version] Why did he do it? Why did Pope Benedict XVI, that most traditional of pontiffs, break with tradition and resign in 2013, ceding the way to his reformist rival, Cardinal Bergoglio? That's the problem at the heart of this compelling new problem play by Anthony McCarten - and, sensibly, the playwright leaves it more or less unsolved. He presents us with two contrasting and eternal characters, both at breaking point: the wavering conservative and the reluctant liberal. The playwright's own sympathies seem to be with Bergoglio, yet, despite the relatable ordinariness Nicholas Woodeson brings to that role, it is Anton Lesser's shy, candyfloss-haired Benedict who, against the odds, emerges as the more fascinating presence: the one who can play Mozart, however imperfectly, the one who attempts little jokes, far less polished than his rival's hail-fellow shtick, yet more amusing for their faults. McCarten, who wrote the screenplay for Darkest Hour, has a gift for creating intimate dramas from public biographical property. Here the theatre becomes a confessional, with the audience asked to grant absolution to two flawed but pious priests.

[On the film screenplay] Jonathan Pryce and Anthony Hopkins deliver a sit-back-and-marvel double-act masterclass that will be spoken of in the same breath as De Niro and Pacino in Heat . . . the triple-whammy impact of McCarten's script, Meirelles's direction and, mostly, the two lead performances creates a completely credible reality, at times indecently moving . . . there are big ideas in here too

[On the film] Essentially a papal buddy movie, a mesmerising two-hander, and one of the finest films of either performer's career

[On the film screenplay] If I like the script, that's the reason I'm doing it

Anthony McCarten . . . after The Theory of Everything, Darkest Hour and Bohemian Rhapsody, has rather cornered the market in glossy biographical dramas

This engrossing double biography of the chalk-and-cheese pontiffs Francis (the "slum bishop") and Benedict ("God's rottweiler") is full of drama, dark secrets and Vatican skulduggery.

[On the film] Oh my word. I just loved #thetwopopes. Such a mesmerising film. And so delighted they didn't traduce Benedict. The chemistry between him and Francis was so moving. It's on Netflix now. And it is definitely worth watching

Official Tie-in to Major New Film Starring Sir Anthony Hopkins

From the prize-winning screenwriter of The Theory of Everything and Darkest Hour, The Two Popes is a fascinating, revealing and gripping tale of two very different men whose destinies converge with each other - they both live in the Vatican - and the wider world. 
 
On 28 February 2013, a 600-year-old tradition was shattered: the conservative Pope Benedict XVI made a startling announcement. He would resign. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate football fan and a man with the common touch. 
 
How did these two men become two of the most powerful people on Earth? 
What's it like to be the Pope? 
What does the future hold for the Catholic Church and its 1 billion followers? 
 
The Two Popes is a dual biography that masterfully combines these two popes' lives into one gripping narrative. From Benedict and Francis' experiences of war in their homelands - when they were still Joseph and Jorge - and the sexual abuse scandal that continues to rock the Church to its foundations, to the intrigue and the occasional comedy of life in the Vatican, The Pope glitters with the darker and the lighter details of life inside one of the world's most opaque but significant institutions.

The Two Popes

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Praise for The Two Popes

A cracking read . . . With due respect to those talented thesps, they will have to go some to convey all the nuances and contradictions, ambiguities and embarrassments, dark secrets and outright skulduggeries that M ...

I learned things from the script I didn't know. I just thought, "Can that be right? Were we that perilously close?" And so it just grabbed me.

Provides a compelling look at life and politics in the Vatican today

A cracking read . . . With due respect to those talented thesps, they will have to go some to convey all the nuances and contradictions, ambiguities and embarrassments, dark secrets and outright skulduggeries that M ...

I learned things from the script I didn't know. I just thought, "Can that be right? Were we that perilously close?" And so it just grabbed me.

Provides a compelling look at life and politics in the Vatican today

A cracking read . . . With due respect to those talented thesps, they will have to go some to convey all the nuances and contradictions, ambiguities and embarrassments, dark secrets and outright skulduggeries that M ...

I learned things from the script I didn't know. I just thought, "Can that be right? Were we that perilously close?" And so it just grabbed me.

Provides a compelling look at life and politics in the Vatican today

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How Churchill’s words shed light in his Darkest Hour

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