Leanne Shapton

Praise for Guestbook

'Ghost' is a good word for all the nameless longing that doesn't get resolved in this lifetime. Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost withi ...

Miranda July

Leanne Shapton has a way of making books entirely new, surreal, and uncanny, always experimenting with the ways image and text can be mixed to tell new stories, in new ways. Guestbook is a delicious haunting ...

Sheila Heti

It looks like a book, about the strangeness and sadness of love, but is really a house, and the house is haunted, and is still haunting me.

John Jeremiah Sullivan, writer for the New York Times and editor for Harper's Magazine and the Paris Review

'Ghost' is a good word for all the nameless longing that doesn't get resolved in this lifetime. Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost withi ...

Miranda July

Leanne Shapton has a way of making books entirely new, surreal, and uncanny, always experimenting with the ways image and text can be mixed to tell new stories, in new ways. Guestbook is a delicious haunting ...

Sheila Heti

It looks like a book, about the strangeness and sadness of love, but is really a house, and the house is haunted, and is still haunting me.

John Jeremiah Sullivan, writer for the New York Times and editor for Harper's Magazine and the Paris Review

'Ghost' is a good word for all the nameless longing that doesn't get resolved in this lifetime. Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost withi ...

Miranda July

Leanne Shapton has a way of making books entirely new, surreal, and uncanny, always experimenting with the ways image and text can be mixed to tell new stories, in new ways. Guestbook is a delicious haunting ...

Sheila Heti

It looks like a book, about the strangeness and sadness of love, but is really a house, and the house is haunted, and is still haunting me.

John Jeremiah Sullivan, writer for the New York Times and editor for Harper's Magazine and the Paris Review