Books

Hame

Annalena McAfee

Hame, n. Scottish form of ‘home’: a valued place regarded as a refuge or place of origin

In the wake of the breakdown of her relationship, Mhairi McPhail dismantles her life in New York and moves with her 9-year-old daughter, Agnes, to the remote Scottish island of Fascaray. Mhairi has been commissioned to write a biography of the late Bard of Fascaray, Grigor McWatt, a cantankerous poet with an international reputation.

But who was Grigor McWatt? Details of his past – his tough childhood and his war years as a commando – are elusive, and there is evidence of a mysterious love affair which Mhairi is determined to investigate. As she struggles to adapt to her new life, and put her own troubled past behind her, Mhairi begins to unearth the astonishing secret history of the poet regarded by many as the custodian of Fascaray’s – and Scotland’s – soul.

A dazzling, kaleidoscope of a novel, Hame layers extracts from Mhairi’s journal, Grigor’s letters and poems and his evocative writing about the island into a compelling narrative that explores identity, love and the universal quest for home.

The Spoiler

Annalena McAfee

Tamara Sim, a ruthlessly ambitious young journalist, is thrilled when she is sent to interview veteran war correspondent Honor Tait. Finally - a chance for Tamara to prove that there's more to her than forged expenses claims and the 'what's in/what's out' column she churns out for her tabloid. But Honor isn't an easy subject; cold and evasive to the point of rudeness, it's almost as if she has something to hide. And when Tamara starts to do some digging (not all of it strictly legal) she makes a discovery which has devastating consequences for them both...

In The Spoiler, the former literary editor of the Financial Times and the Guardian offers a first hand glimpse into the world of British journalism.

(c) Ollive Grove PR

Biography

Annalena McAfee worked in newspapers for more than three decades. She was Arts and Literary Editor of the Financial Times and founded the Guardian Review, which she edited for six years.