Virginia Woolf was one of the most influential writers of the twentieth century. With her husband, Leonard Woolf, she started the Hogarth Press in 1917: the list ranged widely in fiction, poetry, politics and psychoanalysis, and published all Virginia Woolf’s own work.
Its first publication appeared in 2017: Two Stories, bound in bright Japanese paper, contained a short story from both Virginia and Leonard. Typeset and bound by Virginia, with illustrations by Dora Carrington, 134 copies were printed by Leonard using a small handpress installed in the dining room at Hogarth House, Richmond.
To celebrate the 100th anniversary of ‘Publication No. 1’ this new edition of Two Stories takes the original text of Virginia’s story, ‘The Mark on the Wall’ (with illustrations by Dora Carrington), and pairs it with a new story, ‘St Brides Bay’, by Mark Haddon, a lifelong reader of Virginia Woolf.
TWO STORIES also includes a portrait of Virginia Woolf by Mark Haddon, and a short introduction from the publisher about the founding of the Press.
Why should one half be free to live, while the other is doomed to watch silently from the sidelines? In this visionary collection, Virginia Woolf leads us on a transformative journey through the liberating powers of the mind. From an exploration of why women were barred from writing and under what conditions they might break free, to the solace derived from haunting London's streets, these essays and stories present Woolf at her most impassioned, rendering the pursuit of liberty one of life's most poetic adventures.
Selected from the books A Room of One's Own, The Waves and Street Haunting and Other Essays by Virginia Woolf
VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.
A series of short books by the world’s greatest writers on the experiences that make us human
Also in the Vintage Minis series:
Love by Jeanette Winterson
Home by Salman Rushdie
Language by Xiaolu Guo
Race by Toni Morrison
WITH AN INTRODUCTION BY SUSAN HILL
The Years follows the lives of the Pargiters, a large middle-class London family, from an uncertain spring in 1880 to a party on a summer evening in the 1930s. We see them each endure and remember heart-break, loss, radical change and stifling conformity, marriage and regret. Written in 1937, this was the most popular of Virginia Woolf's novels during her lifetime, and is a powerful indictment of 'Victorianism' and its values.
WITH AN INTRODUCTION BY HELEN DUNMORE
As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, 36-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.
Mr and Mrs Ramsay and their eight children have always holidayed at their summer house in Skye, surrounded by family friends. The novel's opening section teems with the noise, complications, bruised emotions, joys and quiet tragedies of everyday family life that might go on forever. But time passes, bringing with it war and death, and the summer home stands empty until one day, many years later, when the family return to make the long-postponed visit to the lighthouse.
One of the great literary achievements of the twentieth century, To the Lighthouse is at once an intensely autobiographical and universally moving masterpiece.
'Sally stopped; picked a flower; kissed her on the lips.'
On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax in Woolf's great novel of time, memory, war and the city.
A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.
'Things are not simple but complex. If he bit Mr. Browning he bit her too. Hatred is not hatred; hatred is also love.'
Virginia Woolf's delightful biography of the poet Elizabeth Barrett Browning's spaniel, which asks what it means to be human - and to be dog.
One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
In Mrs Dalloway, Virginia Woolf explores the events of one day, impression by impression, minute by minute, as Clarissa Dalloway's and Septimus Smith's worlds look set to collide - this classic novel is beautifully repackaged as part of the Penguin Essentials range.
'She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.'
On a June morning in 1923, Clarissa Dalloway, the glittering wife of a Member of Parliament, is preparing for a party she is giving that evening. As she walks through London, buying flowers, observing life, her thoughts are of the past and she remembers the time when she was as young as her own daughter Elizabeth, her romance with Peter Walsh, now recently returned from India; and the friends of her youth. Elsewhere in London Septimus Smith is being driven mad by shell shock. As the day draws to its end, his world and Clarissa's collide in unexpected ways.
In Mrs Dalloway Virginia Woolf explored the events of one day, impression by impression, minute by minute, and recorded the feel of life itself.
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham
'Woolf is Modern. She feels close to us.' Jeanette Winterson
Born in 1882, Virginia Woolf was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917. Her first novel, The Voyage Out, appeared in 1915, and her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), and Between the Acts (1941). Woolf lived an energetic life, reviewing and writing and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.
To mark the publication of Stop What You're Doing and Read This!, a collection of essays celebrating reading, Vintage Classics are releasing 12 limited edition themed ebook 'bundles', to tempt readers to discover and rediscover great books.
Dorothea is bright, beautiful and rebellious and has married the wrong man. Lydgate is the ambitious new doctor in town and has married the wrong woman. Both of them long to make a positive difference in the world. But their stories do not proceed as expected and both they, and the other inhabitants of Middlemarch, must struggle to reconcile themselves to their fates and find their places in the world.
Middlemarch contains all of life: the rich and the poor, the conventional and the radical, literature and science, politics and romance. Eliot's novel is a stunningly compelling insight into the human struggle to find contentment.
TO THE LIGHTHOUSE
The serene and maternal Mrs Ramsay, the tragic yet absurd Mr Ramsay, together with their children and assorted guests, are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles.
The Penguin Collection offers the perfect introduction to the world of Penguin Books. Ever since the first Penguin paperbacks were published in 1935 by Allen Lane, who claimed 'good design costs no more than bad', their distinctive cover look has become a style icon. Now the original design is loved by a whole new generation, and Penguin is still committed to making the best books in every genre available to readers all over the world.
The Common Reader is a compilation of twenty-five witty, charming essays on such diverse subjects as Geoffrey Chaucer, Jane Austen, George Eliot, Joseph Conrad and the Classical Greek dramatists. In her first collected writings, Virginia Woolf guides the 'common reader' through the joys and power of the written word through the ages, with wisdom, humour and understanding.
With this sixth volume The Hogarth Press completes a major literary undertaking - the publication of the complete essays of Virginia Woolf. In this, the last decade of her life, Woolf wrote distinguished literary essays on Turgenev, Goldsmith, Congreve, Gibbon and Horace Walpole. In addition, there are a number of more political essays, such as 'Why Art To-Day Follows Politics', 'Women Must Weep' (a cut-down version of Three Guineas and never before reprinted), 'Royalty' (rejected by Picture Post in 1939 as 'an attack on the Royal family, and on the institution of kingship in this country'), 'Thoughts on Peace in an Air Raid', and even 'America, which I Have Never Seen...' ('['Americans are] the most interesting people in the world - they face the future, not the past'). In 'The Leaning Tower' (1940), Virginia Woolf faced the future and looked forward to a more democratic post-war age: 'will there be no more towers and no more classes and shall we stand, without hedges between us, on the common ground?' Woolf stimulates her readers to think for themselves, so she 'never forges manifestos, issues guidelines, or gives instructions that must be followed to the letter' (Maria DiBattista).
In providing an authoritative text, introduction and annotations to Virginia Woolf's essays, Stuart N. Clarke has prepared a common ground - for students, common readers and scholars alike - so that all can come to Woolf without specialised knowledge.
'People should not leave looking-glasses hanging in their rooms any more than they should leave open cheque books or letters confessing some hideous crime.'
'If she concealed so much and knew so much one must prize her open with the first tool that came to hand - the imagination.'
Virginia Woolf's writing tested the boundaries of modern fiction, exploring the depths of human consciousness and creating a new language of sensation and thought. Sometimes impressionistic, sometimes experimental, sometimes brutally cruel, sometimes surprisingly warm and funny, these five stories describe love lost, friendships formed and lives questioned.
This book includes The Lady in the Looking Glass, A Society, The Mark on the Wall, Solid Objects and Lappin and Lapinova.
'The Germans were over this house last night and the night before that. Here they are again. It is a queer experience, lying in the dark and listening to the zoom of a hornet, which may at any moment sting you to death. It is a sound that interrupts cool and consecutive thinking about peace. Yet it is a sound - far more than prayers and anthems - that should compel one to think about peace. Unless we can think peace into existence we - not this one body in this one bed but millions of bodies yet to be born - will lie in the same darkness and hear the same death rattle overhead.'
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
Fiction was the core of Virginia Woolf's work. But she took her essay writing very seriously, spending a great deal of time on each essay and finding they provided a refreshing diversion from fiction. Her essays informed her fiction, and vice versa; this volume shows her thinking about the possibility of poeticising the novel (The Waves was the result) and in some of these pieces ('Women and Fiction', 'Women and Leisure') she considers the relationship between women, writing and society - the preoccupation that would become such a large part of her legacy.
The Common Reader: Second Series comprises a significant part of this volume - it was first published in 1932 to excellent reviews. ('They are wholly delightful. They are sensitive, acute, picturesque, humorous, and yet severe.' Vita Sackville-West; 'Is there anybody writing anywhere in the world at this moment who could surpass the essay...so beautifully moulded into a form appropriate to its content that what is an authentic critical masterpiece seems as light on the mind as a song?' Rebecca West) This collection shows Woolf's genius as a critic and essayist: as well as displaying her perceptive understanding of writers and their work, it also offers us an important insight into her creative mind.
Continuing the work of former editor Andrew McNeillie, Stuart N. Clarke brings fresh light to Woolf's essays and enriches them with variations. This penultimate volume forms part of an indispensable, unique collection from one of our greatest writers.
Virginia Woolf, born in 1882, was a major modernist novelist and the centre of the inter-war Bloomsbury Group. Between 1925 and 1931 she produced her finest masterpieces, from Mrs Dalloway to the poetic and highly experimental novel The Waves. She also maintained an astonishing output of literary criticism, journalism and biography, including A Room of One's Own (1929), a passionate feminist essay. Suffering from depression, she drowned herself in the River Ouse in 1941.