Reviews

  • "A cracking historical novel – with a twinge of the surreal – about passion and obsession, dreams and reality... The story is by turns intriguing, touching, funny, sad and heartwarming. It will make you laugh and it may make you cry. Mostly, though, the cast of endlessly engaging characters will keep you turning the pages until you get to the wholly satisfying ending... <i>The Mermaid and Mrs Hancock</i> is superb."

    The Times
  • "From the first page of this dazzling debut novel, you are pitched into a sumptuously detailed adventure set in the bustle and swagger of 18th century London… The result is a wonderfully written and richly descriptive novel, its brilliantly drawn characters driven by heady and dangerous desires.*****"

    Sunday Express
  • "Roll up, roll up, a true wonder is on display: a mermaid magicked out of words. The author of this debut set in Georgian London gulled me, by the zest of her writing and sustained authorial slight of hand, into forgetting for a second that they do not exist... Imogen Hermes Gowar delights in the feminine fakery of mermaids, but as a writer she is the real deal."

    Guardian
  • "Hotly anticipated... a bold, sumptuous doorstopper... Gowar has created a dazzlingly original novel, full of heady pleasures and shot through with the kind of irreverent humour you might expect to find in Georgian London. She’s succeeded in creating a fully-realised world that you want to get lost in. But what’s most refreshing is that she gives all the best lines to women."

    Evening Standard
  • "A marvellous, high-energy, inventive romp through Georgian society. Rich in delicious period detail and written with a wickedly observant eye, the path of this unlikely romance leads down some unexpected byways to give a fantastic and thoroughly enjoyable reading treat."

    Daily Mail
  • "Historical fiction at its finest… Early as it is in the year to be predicting Booker nominations, if debuts feature as prominently as they did on last year’s longlist, this will surely merit consideration."

    Irish Times
  • "The bustling, bawdy world of 18th-century London [is] expertly evoked in Imogen Hermes Gowar’s The Mermaid and Mrs Hancock. This is undoubtedly the start of a major career for this young writer."

    Vogue
  • "Like the recent historical-fiction hits Franics Spufford’s <i>Golden Hill</i>, Sarah Perry’s <i>The Essex Serpent </i>and Jessie Burton’s <i>The Miniaturist</i>, this is a novel pungent in historical detail"

    Sunday Times
  • "A brilliantly plotted story of mermaids, madams and intrigue in 1780s London and I wouldn’t be surprised to see it become the <i>Essex Serpent</i> of 2018."

    The Pool
  • "It’s now the fate of new historical novels to be hyped as ‘the next <i>Essex Serpent’</i> … The good news is that Imogen Hermes Gowar’s sparkling debut more than merits the comparison... Pure storytelling pleasure."

    Metro
  • "Gowar has crafted a dazzlingly original novel, full of heady pleasures and shot through with the kind of irreverent humour you might expect to find in Georgian London."

    Evening Standard
  • "This ambitious debut has many virtues: the writing is rich, opulent, at times witty, and Gowar captures the decadent, febrile atmosphere of late-18th-century London in impressive detail."

    Mail on Sunday
  • "2018’s most hyped literary debut… [Imogen Hermes Gowar is a] soon-to-be literary star."

    Sunday Times
  • "A story of curiosity and obsession, this is full of rich detail and is a book to get lost in"

    Stylist
  • "A gloriously assured debut, set in a beautifully drawn London… A story of obsession and destruction, hope and heart, which beguiles as much as the mermaid herself."

    Red Magazine, **Books of the Year**
  • "The most buzzed-about book of 2018 so far is also the most magical… the definition of ‘must-read’"

    Sunday Telegraph Stella Magazines
  • "It feels like 2018 has more than its share of debut novels to get excited about.<i> </i><i>The Mermaid and Mrs Hancock </i>by Imogen Hermes Gowar nails the 18th century as convincingly as Francis Spufford in<i> </i><i>Golden Hill</i>, but with supernatural elements that bring to mind Susannah Clarke and Sarah Perry.’"

    Observer Best Fiction 2018