Imprint: Penguin Classics
Published: 02/03/2017
ISBN: 9780241264119
Length: 304 Pages
Dimensions: 198mm x 17mm x 129mm
Weight: 224g
RRP: £9.99
Haunting stories from the Soviet-Afghan War from the winner of the Nobel Prize in Literature
- A new translation of Zinky Boys based on the revised text -
From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war.
Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.
Imprint: Penguin Classics
Published: 02/03/2017
ISBN: 9780241264119
Length: 304 Pages
Dimensions: 198mm x 17mm x 129mm
Weight: 224g
RRP: £9.99
Superbly translated... Alexievich's choice of truth as hero is the right one for the age of Putin and Trump
As shattering and addictive as Chernobyl Prayer, this is a polyphonic tour de force that shines a light on war, the plight of heroes, and why post-Soviet Russia is as it is
A masterpiece of reportage
Alexievich is like a doctor probing the scar tissue of a traumatised nation
What Alexievich is doing is giving voice to the voiceless, exposing not only stories we wouldn't otherwise hear but individuals as well
The least well-known wonderful writer I've ever come across
Alexievich serves no ideology, only an ideal: to listen closely enough to the ordinary voices of her time to orchestrate them into extraordinary books
Alexievich has become one of my heroes
The Belarusian writer has spent decades in listening mode. Alexievich put in thousands of hours with her tape recorder across the lands of the former Soviet Union, collecting and collating stories from ordinary people. She wove those tales into elegant books of such power and insight, that in 2015 she received the Nobel prize for literature
Alexievich's "documentary novels" are crafted and edited with a reporter's cool eye for detail and a poet's ear for the intricate rhythms of human speech. Reading them is like eavesdropping on a confessional. This is history at its rawest and most uncomfortably intimate