Penguin Modern Classics

'Thomas was born in the village of Gine at that time of year when a ripe apple thumps to the ground during an afternoon lull.' So a boy's life begins in a winding river valley on the Polish-Russian border where time is measured by seasonal rhythms and ancient songs. For Thomas, the ghosts in the forest are as real as the magical water-snakes that live in the Issa; in the village he is entranced by the women with their cinched waists and the men in their long boots. But when he is shown a map, he discovers a kingdom all his own and starts to dream of leaving the valley behind.

My dear Judge, I would like one man, just one, to understand me. And I really hope that man can be you.

In a small town in western France, Dr Charles Alavoine seems to lead the perfect life: his own medical practice, two beautiful children, a new wife and a doting mother. Yet as each quiet day of bourgeois conformity passes, Alavoine begins to feel a sharp sense of futility and solitude. Then, one rainy day in December, he meets a mysterious young woman on a station platform. Fascinated by her innocence and the scars of her past, Alavoine’s passion soon gives way to obsession, as he is drawn deeper into a web of desire and deceit, ending in a terrible act that will forever change the course of his life.

First published in 1947, Letter to My Judge is a masterful exploration of the darkest corners of the human soul, and a harrowing exorcism of Simenon’s phantoms.

Musashino, 1959. A young Japanese flight attendant is found strangled on the icy banks of the river. The police suspect foul play – but the deeper they dig, the more they collide with a wall of silence.

At the centre of it all stands a foreign priest and the Guglielmo Church, a charitable Christian mission. The dead woman’s connection to the church is undeniable. But what begins as a routine investigation quickly turns into something far more treacherous, entangling together narcotics, post-war relief schemes and the delicate web of international diplomacy.

As the story moves from back alleys to diplomatic sanctuaries, following the twists and turns of Detective Fujisawa's investigation, Seicho Matsumoto masterfully constructs a slow-burning procedural where truth is clear but justice is not permitted.

Translated from Japanese by Jesse Kirkwood.

‘I am Black because I come from the earth’s inside
now take my word for jewel in the open light.’

Impassioned and profound, the poems in Coal showcase Audre Lorde in all her dazzling elegance and multiplicity. Mournful, celebratory, politically conscious, this early collection faithfully captures the complex interiority of the self. With insight and great feeling, these poems explore racial and sexual politics, liberation and love; they are strongly autobiographical (including poems about Lorde’s children, her sister and her parents, as well as an elegy for a dear childhood friend). These timeless poems resonate down the years.

Elisa – orphaned as a child, raised by a ‘fallen woman’, fed by fairy tales – has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family’s tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself.

First published in 1948, Elsa Morante’s debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante.

Translated by Jenny McPhee

'A love that cannot be throttled by the rubber tube of an enema bulb is immortal.'

Bookish and idealistic Vladimir is tormented with love for Olga; he brings her flowers when other men bring her flour and millet. Olga eventually agrees to marry him, as her building’s central heating will be out of service all winter and at least with two in the bed they’ll be warmer. When she decides she’d like to serve the revolution, he introduces her to his brother Sergei, a Bolshevik who manages the waterways. Thus begins an excruciating love triangle, measured in ration coupons and black market goods.

Described by the poet Joseph Brodsky as 'one of the most innovative novels in Russian literature', Marienhof’s Cynics is a pitch-black comedy set during the wild and savage years of War Communism and the New Economic Policy. Cinematic in its style and collagist in its aesthetic, it establishes Marienhof as a true formal radical. It is a bawdy, savage, lavishly emotional portrayal of working for the revolution (and trying to ignore it).

Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newly-wed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . .

In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.

Close, close beneath the land I had once rooted myself in and loved, lay a land filled with violence, injustice and hatred

On 22 April 1962 what remains of Göran Rosenberg’s family embark from his native Sweden to make Israel their new home. Transplanted into a nation born only a few months before him, he is first enchanted by its vitality, imprinted by its ideals. It marks the beginning of a lifetime’s journey across the promised land and into its past, a reckoning with the utopian visions and desperate fears that went into Zionism as well as the violence and dispossession of its realization. This landmark book tells the story of that journey – through buried stories and erased villages, dreams and disillusionments, and the histories still unfurling today.

A writer is seized by apocalyptic visions, a trio of beatniks dance to modern jazz in the ruins of an abandoned church, and a séance brings forth the reproachful spirits of the military dead.

In Voices of the Fallen Heroes, stark autobiography contrasts with pure horror, and the tenderness of first love cedes to obsession, heartbreak and deathly beauty. In one tale, Mishima recounts the true story of the time a deranged fan broke into his home at dawn. Elsewhere, a beautiful youth achieves eternal life through violent murder, and an ill-matched couple seal their fate with a pack of cards, tangled in the web of time and unfulfilled desire.

Available in English for the first time, and carefully selected by expert translators, these captivating stories are the perfect introduction to Mishima's work, on the 100th anniversary of his birth.

David, a young American in 1950s Paris, is waiting for his fiancée to return from vacation in Spain. But when he meets Giovanni, a handsome Italian barman, the two men are drawn into an intense affair. After three months David's fiancée returns and, denying his sexuality, he rejects Giovanni for a 'safe' future as a married man — a decision that will bring tragedy, longing and regret.

Vienna, 1939. Count Wallmoden, an officer and veteran of the First World War, is preparing to take part in a mysterious ‘military exercise’. One evening, while off duty, he meets the austere and beautiful Baroness Pistohlkors, whose secretive nature and elusive circle of acquaintances suggest that things – including the ‘military exercise’ – are not quite what they seem. Forced to leave the Baroness, Wallmoden promises to return for a tryst once his tour of duty is over, only to discover his unit has been mobilised for war. He finds himself over the border, marching across Europe – and, more seductively, stumbling to and fro over the border that separates the living from the dead. One constant remains: in this world or the next, he must keep his tryst with Baroness Pistohlkors.

Simultaneously a ghost story drawing on the phantasms of the unconscious mind, a thriller where the erotic and the supernatural converge, and a shockingly realist account of the German Wehrmacht’s invasion of Poland, the novel Mars in Aries was refused a publishing permit by the Nazis, hinting as it did at the existence of an Austrian resistance. The book’s entire print run was put into storage and subsequently destroyed by an Allied air raid. Reprinted from the author’s proofs after the war, Mars in Aries is one of Alexander Lernet-Holenia’s finest and most celebrated novels.

Kathrin – five years into a disenchanting marriage – struggles to work the farm with her sister-in-law while her husband Heinrich is away fighting for the Third Reich. To help them with the harvest, Heinrich arranges for Alexei, a Russian prisoner of war, to labour in the fields. Though initially suspicious of this watchful stranger, Kathrin is soon drawn to Alexei, with ruinous consequences.

First published in 1956, Woman in the Pillory is a formative novella by one of East Germany’s most significant writers, showcasing Brigitte Reimann’s vivid ideological engagement with the legacy of Nazi Germany and the Communist drive to create ‘a new kind of person’ following the devastation of the war.

In the oppressive silence of the sitting room, the woman finally smoothed out the paper and, without putting on her glasses, read the two words her husband had written:

The cat.

Amidst the din of their Parisian neighbourhood, Émile and Marguerite live in total silence. After a hasty marriage in their sixties, their uneasy peace was shattered when Émile’s beloved cat mysteriously disappeared and was later found dead. Branding his wife the culprit, Émile’s retaliation against Marguerite’s cherished parrot sparked a silent battle of wills. Now they live parallel lives, communicating only through spiteful notes, mocking glances and mute accusations. As their suspicion and resentment mount, this bitter game of psychological warfare becomes a twisted necessity, binding them together in a relentless cycle of torment from which there can only be one escape.

First published in 1967, The Cat is a masterful exploration of marital discord, loneliness and the absurdity of human relationships, painting a vivid portrait of two souls trapped in quiet desperation.

This colourful, perceptive portrayal of English country life reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into farming, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.

hear your voice
a wild sea pausing in the wind

Few poets in history have possessed the irrepressible humanity and abundant positivity that characterize Sonia Sanchez’s astonishing body of work.

Energetic, infectious and rich with sonic exuberance, Sanchez’s poems have radically transformed the direction of American poetry over the past six decades and have been an inspiration to readers around the world, including Toni Morrison and Chinua Achebe. Whether it’s her iconic haiku, rhythmic ballads or devastating elegies, Sanchez’s luminous verse thrums with a profound generosity and an international consciousness, rendering all of life’s agony and ecstasy.

This volume draws on Sanchez’s diverse repertoire to showcase the multiplicities of the poet’s voice – the profound and personal, the firebrand and socially conscious, the playful and formally dextrous, and the musical – to celebrate her as one of the world’s most skilled and versatile poets of the past half century.