Penguin Modern Classics
Ellen is a single artist living alone on New York’s Upper West Side in the 1970s. She is beset by old boyfriends, paint pigment choices, and, occasionally, by 'radiances' - episodes of joyous, reckless unreality. Under the influence of 'radiances' she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda, and by the freedom that it gives her.
The Princess of 72nd Street is Elaine Kraf's witty, dizzyingly inventive take on female liberation and mental health, a work of immense literary power and unbridled energy. Provocative at the time of its publication in 1979 and thoroughly iconoclastic, it is a remarkable portrait of an unforgettable woman.
In this playful, mournful, witty collection, little girls stand tip-toe inside adult bodies, achievements in literature and lethargy are unflinchingly listed, and lovers come and go like the seasons. Gorgeously translated by Jennifer Russell and Sophia Hersi Smith, with an introduction by Olga Ravn, There Lives a Young Girl in Me Who Will Not Die cements Ditlevsen as one of the twentieth century's most creative writers.
James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.
This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.
in the final reckoning it is the only thing that counts
Zbigniew Herbert was one of the best-known and most-translated poets of post-war Poland, opposed alike to Communism, Fascism, nationalism and the Church, yet moved, throughout his work, by ‘a powerful sense of right and wrong without a corresponding belief in a system’ (New York Times).
His is a poetry of compression, lucidity and profound humanity. The universe he conjures is deeply informed not only by his own time, but by history – by that of the Medieval Mediterranean and Central Europe, as much as of the Classical world – and by a taste for historical and philosophical paradox. In the early and middle works, the figure of the trickster never seems far from view. Throughout, Herbert asks questions about the nature and needs of sentient beings. His desire, always, is to ‘touch the essence’: to get to the heart of life.
Selected and introduced by J. M. Coetzee and Alissa Valles, this outstanding gathering from the full range of Herbert’s poetic output invites readers to experience the beauty and profundity of a remarkable body of work.
Gonzalo is a highly educated man living alone with his ageing, widowed mother in a town scarred by war. He rages against the world. The doctor tells him to get out more. But his frustration starts to erupt in increasingly ferocious and unexpected ways, with disastrous consequences. Set in a fictional South American country, Carlo Emilio Gadda’s intensely personal, visceral novel was written at the height of Fascist rule in Italy, tearing apart language itself to explore the violence and chaos of the darkest of times.
Translated by Richard Dixon
‘His best work . . . among the most powerful passages in 20th-century Italian fiction’ Tim Parks, London Review of Books
‘These carefree faces, on which we allowed our smiles to spread, were for others the mask of tragedy.’
Jean Blomart, patriot leader against the German forces of occupation, waits throughout an endless night for his wounded lover, Hélène, to die. Told through memories of his and her life, The Blood of Others paints an intense and moving picture of their love story and life in German occupied Paris during the Second World War. In the face of a seemingly unstoppable force, Hélène and Jean are confronted by the illusion of freedom and made to question their individual roles in the collective struggle against fascism, with devastating consequences.
First published in 1945, this powerful novel resonates profoundly today and brings the ideas of one of the most important existentialist thinkers to life in spellbinding prose.
With an Introduction by Ali Smith.
Laurie Lee is beloved for his writing on a lost rural world. His evocative poetry springs from his deep connection with nature, as he tracks the seasons changing and the years turning over. Yet Lee's poems also captured war, human relationships and distant places, informed by his own experiences of lives uprooted by change and conflict. Written during the course of his lifetime, the verses brought together in Collected Poems range over Lee playing his fiddle in a Spanish town; ecstatic in springtime of his beloved Slad valley; or digging for faith in the depths of winter.
Gathered in one volume for the first time, and including a generous selection of previously unseen verses from Lee's archives, these timeless, poignant poems show him expressing the essence of life, love and loss.
A stranger to society, a stranger to his own life, Meursault seems indifferent to everything. In The Outsider, Camus explores the alienation of an individual who refuses to conform to social norms. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.
A first in Penguin Modern Classics, Camus’ classic existentialist novel is told through Ryota Kurumado’s powerful artwork. Unlike previous editions of Camus’ novel, Meursault and other characters’ emotions are drawn out through stunning illustrations and seen for the first time. A rare and challenging feat, Kurumado’s manga adaptation makes a novel first published in 1942 feel contemporary.