Black Skin, White Masks

Fanon is our contemporary because when he psychoanalysed the way the French coloniser looked at Arabs, he is also describing the way the police looked at Stephen Lawrence. In clear language, in words that can only have been written in the cool heat of rage, Fanon showed us the internal theatre of racism, and how some of us have been staged in its psychodrama

Deborah Levy, Independent

A brilliant, vivid and hurt mind, walking the thin line that separates effective outrage from despair. . . He demonstrates how insidiously the problem of race, of color, connects with a whole range of words and images. . . It is Fanon the man, rather than the medical specialist or intellectual, who makes the book so hard to put down

Robert Coles, New York Times Book Review