Worst. Person. Ever.

Worst. Person. Ever.

Summary

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable novel.

Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him.

Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the ‘Angry Dance’ from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself ‘an atomic bomb of pain’.

Even though he really puts the ‘anti’ in anti-hero, you may find Raymond Gunt an oddly likeable character.

Reviews

  • An outrageous comic riot, delivered as a tear-inducing funny and pitch-black farce ... For every laugh here, there’s a haunting, echoing scream in the distance. The plot is unbridled romp ... It is hard to describe, out of context, quite how funny Coupland’s novel can be.
    Sunday Times

About the author

Douglas Coupland

Douglas Coupland (pronounced KOHP-lend) (born 30 December 1961) is a Canadian writer, designer and visual artist. His first novel was the 1991 international bestseller Generation X: Tales for an Accelerated Culture. Since then, Coupland has written twelve more novels, which have been published in most languages. He has written and performed for the Royal Shakespeare Company and is a columnist for the Financial Times. He is a frequent contributor to the New York Times, e-flux, Dis and Vice. In 2000, after a decade of generating web graphics, Coupland amplified his visual art production and has recently had two separate museum retrospectives: 'Everywhere Is Anywhere Is Anything Is Everything' at the Royal Vancouver Art Gallery, the Royal Ontario Museum and the Museum of Contemporary Canadian Art; and 'Bit Rot' at the Witte de With Center for Contemporary Art in Rotterdam and Villa Stuck in Munich. In 2015 and 2016, Coupland was an artist-in-residence in the Paris Google Cultural Institute.
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