Bright Air Black

[Vann’s] genius lies in his ability to blow away all the elegance and toga-clad politeness that have grown like a crust around our idea of ancient Greece and to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness.

The Times

Bright Air Black is a poetic fever dream, beautiful and unflinchingly primal. A vivid and forceful retelling of Medea’s famous story.

Madeline Miller, author of 'The Song of Achilles'

[David Vann] allows Medea to devour him and his readers: to read his book is to be swallowed down into her mad mind … Her wonder at the sea, and the way its water buoys her up, prompts a beautiful passage … Vann is indebted to poets, and he grants himself great poetic licence in his handling of syntax … Vivid, often appalling, sometimes piercingly sad and frequently striking.

Lucy Hughes-Hallett, New Statesman

A retelling of an ancient tale, a retouched portrait of one of mythology’s most enthralling and notorious women, Medea … (Vann) gives us a ringside seat to a blood-soaked, viscera-dripping gore-fest. Vann gives us a fresh slant on an early myth, an up-close and in-depth character study. From the outset, his drama unfolds in prose that is both atmospheric and electrifying … Vann’s content can be grim but his language has beauty and poise … [A] stunning depiction of one of mythology’s most complex characters … The tale is also one of great power and intensity. Bright Air Black possesses the same potency. Its dark energy shocks us and shakes us, yet it is impossible to pull away.

The Australian

[A] compelling study of human nature stripped to its most elemental.

Observer

Any reimagining of the Greek myth of Medea, she who helped Jason acquire the Golden Fleece from her royal father and killed her children in revenge after Jason betrayed her, will never be a cozy read, yet Vann’s version is darker, edgier, and more discomfiting than most. It’s made up of prose incorporating both mesmerizing sentences and concentrated fragments … The setting has an otherworldly feel at times, which heightens the sense of the tale’s ancientness. Sensual and violent, often simultaneously, Vann’s novel evokes the primal force of women’s power.

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