Imprint: Penguin Classics
Published: 26/08/2021
ISBN: 9780143135036
Length: 368 Pages
Dimensions: 195mm x 19mm x 130mm
Weight: 274g
RRP: £14.99
A revelatory new translation of the playful, incomparable masterpiece of one of the greatest Black authors in the Americas
Machado de Assis is not only Brazil's most celebrated writer but also a writer of world stature. In his masterpiece, the 1881 novel The Posthumous Memoirs of Brás Cubas (also translated as Epitaph of a Small Winner), the ghost of a decadent and disagreeable aristocrat decides to write his memoir. He dedicates it to the worms gnawing at his corpse and tells of his failed romances and half-hearted political ambitions, serves up hare-brained philosophies and complains with gusto from the depths of his grave.
Wildly imaginative, wickedly witty and ahead of its time, the novel has been compared to works by Cervantes, Sterne, Joyce, Nabokov, Borges and Calvino, and has influenced generations of writers around the world.
Imprint: Penguin Classics
Published: 26/08/2021
ISBN: 9780143135036
Length: 368 Pages
Dimensions: 195mm x 19mm x 130mm
Weight: 274g
RRP: £14.99
A glittering masterwork and an unmitigated joy to read . . . It is wholly original and unlike anything other than the many books that came after it and seem to have knowingly or not borrowed from it. . . . This translation is a glorious gift to the world, because it sparkles, because it sings, because it's very funny and manages to capture Machado's inimitable tone, at once mordant and wistful, self-lacerating and romantic
A writer a hundred years ahead of his time . . . If Borges is the writer who made García Márquez possible, then it is no exaggeration to say that Machado de Assis is the writer who made Borges possible
One of those thrillingly original, radically skeptical books that will always impress readers with the force of private discovery
Is it possible that the most modern, most startlingly avant-garde novel to appear this year was originally published in 1881? . . . Machado's book represents the moment when the novel learned to dance. . . . Flora Thomson-DeVeaux's edition is a gift to scholars . . . [Brás Cubas is] superb company