Either/Or

Either/Or

From the bestselling author of THE IDIOT

Summary

Brought to you by Penguin.

SELIN IS THE LUCKIEST PERSON IN HER FAMILY:
the only one who was born in America and got to go to Harvard. Now it's her second year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin's elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan's weird ex-girlfriend now trying to get in touch with Selin? On the plus side, her life feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy, abandoned women in them? How does one live a life as interesting as a novel-a life worthy of becoming a novel-without becoming a crazy, abandoned woman oneself?

Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice-no matter what the cost. Next on the list: international travel.

Unfolding with the propulsive logic and intensity of youth, Either / Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.

© Elif Batuman 2022 (P) Penguin Audio 2022

Reviews

  • Our funniest overthinker - and the queen of the campus novel... Selin is a droll and disarming narrator, and takes her place as one of the finest hapless scholars in the literary canon.
    Johanna Thomas-Corr, Sunday Times

About the author

Elif Batuman

ELIF BATUMAN's first novel, The Idiot, was a finalist for a Pulitzer Prize and was shortlisted for the Women's Prize for Fiction. She is also the author of The Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University.
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