The Migrants

Christopher de Hamel holds a world of experience. [His] reminiscences of New Zealand are fondly Arcadian, but his imaginary garden is stocked with volumes not vegetation ...

Peter Conrad, Literary Review

[The Migrants] is the most personal of de Hamel's books. It takes the meeting of the Old World and New as its core subject [and] tells the winding stories of those illuminated manuscripts that he first came upon improbably as a boy and which fostered his sense of wonder. The coming-of-age insights and forays into New Zealand’s colonial context are illuminating in the manuscript sense: adding richness to something already fine. As a story of a life as lucky, fantastical and singular as the journeys the manuscripts have undertaken, it’s a delight

Jonathan McAloon, Financial Times

Absorbing and often unexpected... The Migrants is about the books and pages that travelled to New Zealand and the young obsessive who reversed their path back to the metropole.

Jo Livingstone, New Statesman

For 55 years, Christopher de Hamel has been producing coruscating books attesting to his fascination with manuscripts as artistic treasures and witnesses to history, and his empathy with enthusiasts of all countries and times. The Migrants brings the story home, revealing how his own life has been coloured and enriched by these precious pieces of paper, and drawing arresting parallels between the histories of human beings and the trajectories of books .... the author has done a signal service to the land of the long white cloud, writing this most distant domain into the mainstream of history.

Derek Turner, Engelsberg Ideas