Pan

Pan holds your attention as a sweet-and-sour tale of the no man’s land between childhood and adulthood . . . In this stylish and unsettling novel, the greatest fear is that inside your head is the only place to be

Observer

Enthralling . . . A revelation . . . Strange and original

Financial Times

Deeply impressive . . . [Clune is] a writer of great intensity and imagination; and Pan takes an old conceit – the disturbed-teen Bildungsroman – then crafts it into something strange, wild, unique

Telegraph

Dazzling . . . At once startling funny and radiantly – if here and there a little perplexingly – strange . . . Pan is exhilarating, a pure joy – and a sheer, nerve-curdling terror – from end to end

Washington Post

A true original . . . A new Michael Clune book is a cause for celebration

Paul Murray

Brilliant . . . Mind-bending, psychologically intricate, really thrilling

Lauren Groff

Michael Clune writes lucid, shrewd, startling prose capable of laying bare pockets of human experience that might otherwise go without words. Pan proves his mesmeric ability to return our world and selves to us made strange and changed; there is no other writer like him

Maggie Nelson

[Clune] is writing in the tradition of Proust, Sebald, Jenny Offill, Teju Cole and Nicholson Baker, writers whose eccentricities manifest in singular voices that are propulsive enough without pyrotechnic narratives. Like a great painter, Clune can show us the mind, the world, with just a few well-placed verbs . . . I could have read 300 pages of just this — Nicholas looking out the window and describing what he saw — and felt that I’d gotten my money’s worth

New York Times

I steal language and ideas from Michael Clune

Ben Lerner