Featured titles
Paul Murray (Author)
The Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His exasperated wife Imelda is selling off her jewellery on eBay and half-heartedly dodging the attentions of fast-talking cattle farmer Big Mike, while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ, in debt to local sociopath 'Ears' Moran, is putting the final touches to his grand plan to run away from home.
Where did it all go wrong? A patch of ice on the road, a casual favour to a charming stranger, a bee caught beneath a bridal veil - can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?
Bernardine Evaristo (Author)
Grace is a Victorian orphan dreaming of the mysterious African father she will never meet.
Winsome is a young Windrush bride, recently arrived from Barbados.
Amma is the fierce queen of her 1980s squatters' palace.
Morgan, who used to be Megan, is blowing up on social media, the newest activist-influencer on the block.
Twelve very different people, mostly black and female, more than a hundred years of change, and one sweeping, vibrant, glorious portrait of contemporary Britain. Bernardine Evaristo presents a gloriously new kind of history for this old country: ever-dynamic, ever-expanding and utterly irresistible.
Han Kang (Author)
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e. yaewon (Translator)
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Paige Morris (Translator)
Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.
Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her.
There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before.
We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.
Oliver Lovrenski (Author)
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Nichola Smalley (Translator)
Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up.
Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way.
In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world.
Robert Macfarlane (Author)
At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings – who should be recognized as such in both imagination and law. Inspired by the activists, artists and lawmakers of the young ‘Rights of Nature’ movement, Macfarlane takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept.
Is a River Alive? flows like water from the mountains to the sea, over three major journeys:
The first is to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened with destruction by gold-mining.
The second is to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way.
The third is to north-eastern Quebec, where a spectacular wild river – the Mutehekau or Magpie – is being defended from death by damming in a river-rights campaign.
Braiding these journeys is the life story of the fragile chalk stream who rises a mile from Macfarlane’s house, and flows through his own years and days.
Passionate, immersive and revelatory, Is a River Alive? is at once Macfarlane’s most personal and most political book to date. It is a book that will open hearts, spark debates and challenge perspectives. Lit throughout by other minds and voices, it invites us radically to reimagine not only rivers but also life itself. At the centre of this vital, beautiful book is the recognition that our fate flows with that of rivers – and always has.
