Jacqueline Harpman (Author)
,
Ros Schwartz (Translator)
SISTERHOOD. SECRETS. SURVIVAL.
Discover the haunting, heart-breaking post-apocalyptic TikTok sensation, now available in a beautiful hardback gift edition.
Deep underground, thirty-nine women are kept in isolation in a cage. Above ground, a world awaits. Has it been abandoned? Devastated by a virus?
Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. But, as the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone an outcast in the corner.
Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. The woman who will never know men.
WITH A NEW INTRODUCTION BY SOPHIE MACKINTOSH, BOOKER PRIZE-LONGLISTED AUTHOR OF THE WATER CURE
Discover the reader obsession.
**Orlanda, the next sensation from Jacquline Harpman, is available now**
Ian McEwan (Author)
'One of the finest writers alive' Sunday Times
2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found.
2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.
Tom Metcalfe, a scholar at the University of the South Downs, part of Britain's remaining archipelagos, pores over the archives of the early twenty-first century, captivated by the freedoms and possibilities of human life at its zenith.
When he stumbles across a clue that may lead to the great lost poem, revelations of entangled love and a brutal crime emerge, destroying his assumptions about a story he thought he knew intimately.
A quest, a literary thriller and a love story, What We Can Know is a masterpiece that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.
'A true master' Daily Telegraph
'McEwan is one of the most accomplished craftsmen of plot and prose' New York Times
Marlen Haushofer (Author)
,
Amanda Prantera (Translator)
An Austrian housewife sits in her loft intent on her drawings of birds and insects.
The loft is a retreat where she can work undisturbed. It is also a retreat from her dull and dissatisfied husband, a man who sighs unhappily even when she sneezes. Their grown-up children are living independent lives and the house is very quiet. Her dreams are filled with domestic drudgery.
Then one day, a package arrives containing extracts from the narrator's diary, written twenty years before. Back then she had been sent away to a remote cottage in a bid to 'cure' her from unexplained sudden deafness. More mysterious packages containing old diary entries arrive. Who is sending them? And what did happened all those years ago in the forest?
'A thrilling novel... What gives this book its tremendous power? First the voice is charming, with a skittish beauty throughout... But there is also disarming honesty, and a lack of vanity, which appeals as only truth can’ John Self, Guardian
TRANSLATED BY AMANDA PRANTERA
Ocean Vuong (Author)
THE INSTANT SUNDAY TIMES BESTSELLER
Ocean Vuong returns with an achingly beautiful novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive
One summer evening in the town of East Gladness, Connecticut, nineteen-year-old Hai stands on a bridge, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia. Over the course of the year, the unlikely pair develops a life-altering bond.
The Emperor of Gladness shows the profound ways in which our lives are changed by the most unexpected of people. When Hai takes a job at a diner to support himself and Grazina, his fellow workers become the family he didn’t expect to find. United by desperation and circumstance, and existing on the fringes of society, together they bear witness to each other’s survival.
‘Some of the most beautiful writing I’ve experienced in my lifetime’ OPRAH WINFREY
'Perfectly tuned… May well be the first millennial Great American Novel’ ArtReview
‘A fine-grained social panorama driven by the developing camaraderie of an ensemble cast bonded in precariousness and pain’ Observer
‘His most vivid, ambitious work yet’ Dazed
'A poetic, dramatic and vivid story. It has an epic sweep but it also handles intimacy and love with delicacy and deep originality' COLM TÓIBÍN
‘This stunning book moved me so much, I fell in love with its characters and grieved their absence in my life when I turned the last page’ CAITRÍONA BALFE
'Tender and moving' REBECCA SOLNIT
'A masterwork' BRYAN WASHINGTON
Virginia Woolf (Author)
,
Carol Ann Duffy (Introducer)
,
valentine cunningham (Introducer)
Celebrate the 100th birthday of a groundbreaking novel with this very special hardback based on the first edition published by the Hogarth Press.
Mrs Dalloway said she would buy the flowers herself.
Clarissa Dalloway is preparing to give a party. Over the course of one day, as she readies her house, Clarissa is flooded with memories and re-examines the choices she has made over the course of her life.
Virginia Woolf started writing Mrs Dalloway in 1922 as a short story. Its publication in 1925 was met with modest commercial success but the novel went on to become one of the most vital works of literature of the last century.
The text of this centenary edition of Mrs Dalloway is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 14 May 1925. The dust jacket features the original cover created by Virginia Woolf ’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘deep rust’ boards printed in gilt take inspiration from the finish of the first trade edition.
'Sheer magic' Daily Mail
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham, author of The Hours
Irvine Welsh (Author)
It is the late 1980s, the closing years of Thatcher’s Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving.
Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption.
Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest?
Irvine Welsh’s sequel to his iconic bestseller Trainspotting tells a story of riotous adventures, wild new passions, and young men determined to get the most out of life.
Meg Josephson (Author)
Are you constantly worried about what people think of you, if they like you, if they’re mad at you?
This book will help you understand why. We’ve all heard of fight, flight or freeze. Psychotherapist Meg Josephson reveals a fourth common yet overlooked trauma response: ‘fawning’, or people-pleasing. If you ever:
• Leave social situations overthinking something you’ve said
• Overlook your own boundaries to make other people happy
• Struggle to say what you really want – even to yourself
. . . you might be fawning. In Are You Mad at Me?, Meg explodes the idea that people-pleasing is a personality trait, exposing it to be an instinct learned in childhood to become more appealing to a perceived threat in order to feel safe. Yet many people are stuck in this way of being for their whole lives.
Weaving her own moving story with case studies and thought-provoking exercises, Meg will show you how to identify your needs, rethink conflict and build stronger connections: empowering you to stop focusing on what others think and start living for you.
James Fox (Author)
Britain has always been a craft land. For generations what we made with our hands defined our identities, built our communities and shaped our regions. Craftland chronicles the vanishing skills and traditions that once governed every aspect of life on these shores.
Travelling the length of Britain, from the Scilly Isles to the Scottish Highlands, James Fox seeks out the country’s last remaining master craftspeople. Stepping inside the workshops of blacksmiths and wheelwrights, cutlers and coopers, bell-founders and watchmakers, we glimpse not only our past but another way of life — one that is not yet lost and whose wisdom could shape our future.
For as long as there are humans, there will be craft. It is all around us, hiding in plain sight, enriching even the most modest things. And in this increasingly digital age, it is perhaps more valuable than ever. Craftland is a celebration of that deeply necessary connection between our creative instincts and the material world we inhabit, revealing a richer and more connected way of living.
