Build your James Baldwin library
James Baldwin (Author)
'We, the black and the white, deeply need each other here if we are really to become a nation'
James Baldwin's impassioned plea to 'end the racial nightmare' in America was a bestseller when it appeared in 1963, galvanising a nation and giving voice to the emerging civil rights movement. Told in the form of two intensely personal 'letters', The Fire Next Time is at once a powerful evocation of Baldwin's early life in Harlem and an excoriating condemnation of the terrible legacy of racial injustice.
'Sermon, ultimatum, confession, deposition, testament, and chronicle ... all presented in searing, brilliant prose' The New York Times Book Review
'Baldwin writes with great passion ... it reeks of truth, as the ghettoes of New York and London, Chicago and Manchester reek of our hypocrisy' Sunday Times
James Baldwin (Author)
'These essays ... live and grow in the mind' James Campbell, Independent
Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris.
'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times
'A bright and alive book, full of grief, love and anger' Chicago Tribune
James Baldwin (Author)
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Caryl Phillips (Introducer)
Considered an 'audacious' second novel, GIOVANNI'S ROOM is set in the 1950s Paris of American expatriates, liaisons, and violence. This now-classic story of a fated love triangle explores, with uncompromising clarity, the conflicts between desire, conventional morality and sexual identity.
James Baldwin (Author)
We are in Harlem, the black soul of New York City, in the era of Aretha Franklin and Ray Charles. The narrator of Baldwin's novel is Tish nineteen, and pregnant. Her lover Fonny, father of her child, is in jail accused of rape. Flashbacks from their love affair are woven into the compelling struggle of two families to win justice for Fonny. To this love story James Baldwin brings a spare and impassioned intensity, charging it with universal resonance and power.
James Baldwin (Author)
'The story of the negro in America is the story of America ... it is not a very pretty story'
James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom.
'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post
'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian
'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time
James Baldwin (Author)
'Candid, insightful, moving . . . a memoir, a chronicle of and commentary on America's abortive civil-rights movement' -The New York Times
In this deeply personal book, Baldwin reflects on the experiences that shaped him as a writer and activist: from his childhood in Harlem to the deaths Martin Luther King and Malcolm X. Exploring the visceral reality of life in the American South as well as Baldwin’s impressions of London, Paris and Hamburg, No Name in the Street grapples with the failed promises of global liberation movements in fearless, candid prose.
Timeless, tender and profound, Baldwin’s searing narrative contains the multiplicities of what it means to be Black in America and, indeed, around the world.
James Baldwin (Author)
‘There’s no way not to suffer. But you try all kinds of ways to keep from drowning in it.’The eight stories in this collection showcase the breadth of Baldwin’s imagination, empathy and social critique as he explores the subtle and profound wounds that discrimination leaves in both its victims and its perpetrators: from the down-and-out jazz pianist recovering from addiction in ‘Sonny’s Blues’ to the adolescent who hides his burgeoning sexuality from the church community that defines his world in ‘The Outing’ to the horrifying story of the initiation of a racist, as a deputy sheriff remembers his parents taking him to see the mutilation and murder of a black man by a gleeful mob in 'Going to Meet the Man'.First published in 1965, these tales of ingenuity, desperation, power and fear provide a snapshot of a writer at the height of his literary powers.
James Baldwin (Author)
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Andrew O'Hagan (Introducer)
"Nothing but the darkness, and all around them destruction, and before them nothing but the fire--a bastard people, far from God, singing and crying in the wilderness!" First published in 1953, Baldwin's first novel is a short but intense, semi-autobiographical exploration of the troubled life of the Grimes family in Harlem during the Depression.