Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Astrid Goldsmith

'Rich, moving and wryly funny... a delight' Observer *Graphic Novel of the Month* 
 
'Brilliant, witty and endlessly inventive' Joe Dunthorne, author of Submarine 
 
A road-trip across Europe and back in time: the debut graphic memoir from the prize-winning author of A Funeral In Freiburg. 
 
When her imperious, chain-smoking German Jewish grandmother dies, it falls to Astrid and her father to drive a hire van to the Black Forest and collect the family heirlooms from Gisela's nicotine-stained apartment. 
 
In Freiburg, they are faced with several lifetimes’ worth of belongings to sort through - infested Persian rugs, mysterious photographs, a toy monkey that started a marriage - and a grasping landlord, impatient to renovate. 
 
As the list of demands from uncles, sisters and cousins grows longer, the rabbit-holes of history and memory grow deeper. Long-buried secrets and tales of survival are revealed - from Nazi Germany to colonial Africa - and old feuds are reignited, as father and daughter struggle with the responsibility of preserving the family legacy. More importantly, will they be able to fit everything into a medium wheel-base transit van? 
 
Funny, bittersweet and beautifully drawn, The Crystal Vase is an odyssey of family arguments, identity crises, and late discoveries.

The Crystal Vase

Neil Rollinson

Two brothers confront each other and themselves to overcome their family legacy, from the doomed coalfields of north-east England to sun-bleached southern Spain 
 
'Thrilling and brilliantly imagined' SARAH HALL 
 
Frank Bridge turned his back on his family’s gangland conflicts in Northumberland decades ago. His brother, Gordon, fled to Spain and has not been heard from since. Frank’s life has taken a different path to the same place: he fell in love with Lorca's poetry and the woman who brought it to him. 
 
But when their gangster father, the head of their savage dynasty, dies, Frank feels he must track down Gordon and tell him that their father’s reign of terror is over. Can Frank’s appearance after twenty-five years prompt a truce – a reconciliation even – will his arrival merely be the catalyst for more turmoil and brutality? Beneath the scorching, pitiless Andalusian sun, the two brothers are finally brought together for one last reckoning. 
 
'Savage, sorrowful, superb' NIALL GRIFFITHS 
 
'Vivid, lyrical and propulsive' MALACHY TALLACK 
 
'A compelling, beautifully written story of male heartbreak' RUTH PADEL

The Dead Don't Bleed

Joe Sacco

Joe Sacco is renowned for his non-fiction books of comics journalism like Palestine, Safe Area Gorazde and Footnotes in Gaza. Now in Bumf he returns to his early days as a satirist and underground cartoonist. In the vein of the old underground comix like ZAP or Weirdo, Bumf will be puerile, disgusting, and beyond redemption. It will go where it wants to go, and do what it wants to do. It will also be very funny.

Bumf

From the ground-breaking graphics journalist and author of Palestine, a revelatory investigation of the deadly sectarian riots in 2013 Uttar Pradesh, India, and their urgent global significance today 
 
Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath. 
 
Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed. 
 
Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, the award winning cartoonist turns his masterful visual reportage to a story that is specific to India but with implications and resonance for us all. 
 
* 
 
PRAISE FOR JOE SACCO: 
 
'One of the masters of his craft' New Statesman 
 
'A pioneer of the genre' TLS 
 
'Formidably talented.' Independent 
 
'The hands-down boss of his particular corner of contemporary literature' Dazed & Confused 
 
'Sacco's brilliant, excruciating books of war reportage are potent territory... He shows how much that is crucial to our lives a book can hold' New York Times Book Review

The Once and Future Riot

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts. 
 
Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. 
 
As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Footnotes in Gaza

‘The blessing of an inherently interpretive medium like comics is that it hasn't allowed me to . . . make a virtue of dispassion. For good or for ill, the comics medium is adamant, and it has forced me to make choices. In my view, that is part of its message’ – from the preface by Joe Sacco 
 
Over the past decade, Joe Sacco has increasingly turned to short-form com­ics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost international correspondents working today. 
 
Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's 'untouchables' to the ordeal of sub-Saharan refugees washed up on the shores of Malta. Sacco also confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history – the torture of detainees. 
 
Vividly depicting Sacco's own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavour. Among Sacco's most mature and accomplished work, Journalism demonstrates the power of a great comics artist to chronicle lived experience with a force that often eludes other media.

Journalism

Brodie Crellin

A death in the (dysfunctional) family – can they hold it together long enough to organise the funeral? 
 
'Sexy, terrifying, keen and startling' DAISY JOHNSON 
'At once shrewd and ethereal' CHRIS KRAUS 
'A rare, funny novel' NICOLA DINAN 
 
When Mary dies, Patch can barely keep track of her mother’s journey from the hospital to the mortuary, let alone host a wake in her childhood home. 
 
Mary's ex Robin wants to support his daughter but, but instead of acting like a responsible father, he heads to his former haunt: the lay-by where he used to meet farmers for sex. 
 
Jude is en route. She hasn't spoken to her cousin Patch in almost a year, and would rather stay in Naples, but she's hoping that her attendance will mean that past behaviour is forgiven. 
 
Thrown together in Mary’s tiny house, each of them is trying to feel something: to grieve, atone, join in, be better. But they rarely have one another’s best interests at heart, and as the connections between them twist and contort, they lose sight of the rules and grasp towards anything that might make it all less painful. 
 
'Sexy and intelligent' MERVE EMRE 
 
'Immensely fun' LIZZY STEWART 
 
'I can't remember the last time I read something so bold, tender, sexy and funny' CAMILLA GRUDOVA 
 
'Crellin explores the boundless complications of sexuality, desire and love' RACHEL CONNOLLY 
 
'Immersive, visceral, tender' HARRIET ARMSTRONG

A Sense of Occasion

A landmark of graphic journalism, capturing the heart of day-to-day life in occupied Palestine. 
 
Palestine remains one of the most influential works of visual reportage ever created - a ground-breaking fusion of comic art and investigative journalism. 
 
Based on months of on-the-ground reporting in the early 1990s, Joe Sacco powerfully documents his own experiences and the daily lives of Palestinians during the First Intifada in the West Bank and Gaza Strip with remarkable insight and clarity. 
 
Through drawings, reportage and storytelling, Sacco captures the moments of grief, resilience and absurdity that conventional journalism can miss. Palestine is a modern classic that continues to inspire artists, journalists and readers who seek an unflinching and nuanced account of the conflict. 
 
‘The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine’ Guy Delisle 
 
‘Palestine is utterly compelling, and as affecting as the work of any war photographer or poet’ Varsity 
 
For readers interested in Middle Eastern history, human rights and documentary storytelling.

Palestine

David B

The most acclaimed European graphic novel of the last ten years, Epileptic is David B.'s story of his brother's battle with epilepsy - but it turns into a penetrating and sometimes lacerating self-examination on the author's part, as he delves into his own complex emotions and his family's troubled history, as well as his own youthful fantasy life. Particularly pointed is his description of the family journey from one attempted cure to another, including acupuncture, spiritualism and macrobiotics. 
 
David B.'s drawing is utterly extraordinary, balancing literal representation and expressionist psychological distortion.

Epileptic

Raymond Briggs

A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway 
 
Utterly original, deeply moving and very funny, Ethel &amp; Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971. 
 
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s. 
 
Ethel &amp; Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.

Ethel & Ernest

Emma Rendel

Emma Rendel is one of the most distinctive and original graphic artists at work today. She joins the Cape list with the extraordinary Pentti and Deathgirl, two strange tales in one beautiful volume. 
 
'Pentti' is the story of two Finnish brothers, Juha and Pentti. When two men move in next to their farm, Pentti is convinced they must be gay. 'So what?' says Juha, but Pentti, full of drink and righteous anger, storms off into town looking for a fight. 
 
'Deathgirl's Diary' tells of Deathgirl, lonely and friendless, talking only to her diary, where she confides her obsessions: stabbing, beheading, poisoning...

Pentti and Deathgirl

Mimi Pond

'A total treat - bravo' Sunday Times 
 
'A spectacular, dizzying romp' Alison Bechdel, Fun Home 
 
Outrageous, passionate and glamourous - a stunning graphic biography of the six sisters who blazed their way through the 20th century, beguiling their peers, the press and then the rest of the world 
 
As a young girl living in sun-bleached 1960s suburban California, Mimi Pond fell in love with the Mitford sisters. Nancy, Pamela, Diana, Unity, Jessica and Deborah Mitford brought society glitz, pageantry, scandal, and real (rainy) weather to her own prosaic life. 
 
High society debutantes known for rubbing shoulders with some of history’s most infamous fascists and communists, the sisters were also, in turn, gifted writers, inveterate nicknamers, chicken-raising homebodies, scathing wits, and passionate adventurers in the maelstrom of the 20th century. 
 
Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography.

Do Admit

The Mitford Sisters and Me

Hamid Sulaiman

‘With the intimacy of a person who has lived the tragedy himself but with the restraint of a true artist, Hamid Sulaiman tells a powerful tale of Syria’s descent into cataclysm while reminding us of those still tending the seeds of the revolutionary spring.’ 
Joe Sacco 
 
Winner of the 2017 PEN Translates Award 
Winner of the 2017 Burgess Grant 
 
It is spring 2012 and 40,000 people have died since the start of the Syrian Arab Spring. In the wake of this, Yasmin has set up a clandestine hospital in the north of the country. The town that she lives in is controlled by Assad’s brutal regime, but is relatively stable. However, as the months pass, the situation becomes increasingly complex and violent. Told in stark, beautiful black-and-white imagery, Freedom Hospital illuminates a complicated situation with gut-wrenching detail and very dark humour. 
 
The story of Syria is one of the most devastating narratives of our age and Freedom Hospital is an important and timely book from a new international talent.

Freedom Hospital

A Syrian Story

Alexander MacLeod

The highly anticipated follow-up to Alexander MacLeod's critically acclaimed debut, Animal Person is a wry and perfectly-observed collection of short stories about intimacy, family and the struggle to connect 
 
Animal Person is a collection of startling juxtapositions. Criminals and bystanders, siblings and strangers, infants, adolescents, young parents, and the elderly, mammals, reptiles and fish: unexpected encounters occur and every meeting is an opportunity for recognition or rejection. 
 
An empty-nest couple, separated after years of coexisting, find themselves pulled into the dreams of their silent, gazing rabbit; a mysterious passenger in search of his missing suitcase roams through the caverns of a 1970s LA airport; a piano recital goes wildly astray; and a great-aunt refuses to apologise as she struggles to find a place for everything in the tight space of her senior's apartment. In the adjoining motel room, a serial killer plans his next move; and a petty argument between two sisters is interrupted by an unexpected visitor. 
 
The eight stories in Animal Person are filled with wonder and yearning as MacLeod captures the fleeting intensities that shape all of our lives. MacLeod is a master of the short story form, and this is a collection that beats with raw emotion and shimmers with the complexity of our shared human experience. 
 
'Exquisite...expertly paced and finely observed' New York Times 
 
'Excellent... The eight stories, composed in crystalline prose, glimmer and gleam with yearning and loss' Eithne Farry, Daily Mail 
 
'Tender, funny and ever-surprising' Lynn Coady

Animal Person

Sarah Lippett

Sometimes, the simplest stories are the best... This is a lovely, tender book... Stan and Nan are all of our grandparents, their stability and infinite kindness much mourned as our ever-changing worlds spin frantically on.' 
Rachel Cooke, Observer 
 
My nan wrote me many letters back in 2011. They were about the love of her life, my grandad, Stanley Burndred. I’ve never met him, he died long before I was born, but his drawings, paintings and ceramics have been in my life for as long as I can remember. Every wall of Nan’s house would be decorated by his artworks and every windowsill bore his ceramic creations. Whenever we visited Nan in the Black Country I would study the ornaments and pictures, wondering who had made them. It wasn’t until I wrote to Nan many years later, receiving in return beautiful handwritten letters detailing his life, that it became apparent that the work was his. 
 
The letters were so beautiful I felt my nan’s story had to be told. Stan and Nan is the story of an ordinary couple and the people who loved them. The narrative follows their lives from Stan’s working-class background, to his premature death, through to Nan’s struggle to cope, and the perils of ageing. It is a memoir about the importance of family, and about death, love, living and human connection.

Stan and Nan

Mark Spragg

Set in Wyoming, in cattle country, The Fruit of Stone is the story of two men and one woman. McEban, a rancher, has loved Gretchen Reilly all his life; and all his life Bennett, Gretchen's husband, has been his best friend. When Gretchen leaves Bennett, the two men follow her trail on a strange, fateful journey across Wyoming to Nebraska. 
 
Spragg's characters are unforgettable, his prose is at once tender and muscular, his portrait of the harsh but beautiful landscape breathtaking. With this remarkable novel he takes his place beside Cormac McCarthy, Thomas McGuane and Kent Haruf as one of the great contemporary chroniclers of the American West.

The Fruit of Stone

Andy Hixon

Lucia is a hard town, full of hard people. It stands looking out across the unforgiving sea that is slowly swallowing it. Its people are all unemployed, with nothing to live for but a pint and fight. 
 
Among them are Brick and Morty, one a disabled, heartbroken divorcee and aspiring writer, the other his best friend and protector, a fantasist and aspiring Ultimate Fighting Welterweight Champion of the world.

Lucia

Emil Wilson

Based on a true story, the singular tale of a seventeen-year-old girl and the dying stranger who moves into her family’s home 
 
It’s spring 1985 when Emil Wilson’s father, Donald, quietly invites his colleague Jim to move in with his family. What Don doesn’t tell his wife Annemarie or his teenage daughter Lou is that Jim has AIDS. 
 
For small-town Oregon in the eighties, a place where Lou’s treasured New York Times arrives three days late, AIDS is still a news story that happens in faraway places to faraway people. Jim is worldly, witty and quickly deteriorating. His presence in the house turns the family upside down. 
 
As Annemarie’s fear and resentment grow, adding further strain to the family’s shaky foundations, Lou forms an unlikely friendship with Jim (and his two showbiz Pomeranians, Henny and Penny) – a friendship that pushes Lou to grow up, get out and imagine a life beyond the limits of her town. 
 
Tender, funny and gorgeously illustrated in full colour, The Nightingales is an unforgettable portrait of an imperfect family, and a coming of age shaped by love and loss.

The Nightingales

Isabel Greenberg

The entrancing story of the Brontë sisters' childhood imaginary world, from the New York Times bestselling graphic novelist. 
 
Four children: Charlotte, Branwell, Emily and Anne have invented a world so real and vivid that they can step right into it. But can reality be enough, when fiction is so enticing? And what happens to an imaginary world when its creators grow up? 
 
Plots are spiralling, characters are getting wildly out of hand, and a great deal of ink is being spilt... 
 
Welcome to Glass Town.

Glass Town

Seán Hewitt

*SHORTLISTED FOR THE 2025 DYLAN THOMAS PRIZE * 
 
In this remarkable second collection, Seán Hewitt describes a journey haunted by love, loss and estrangement - from one of the Sunday Times 30 under 30 in Ireland 
 
'Points to a bright future for Irish poetry' SUNDAY TIMES 
 
'An exquisitely calm and insightful lyric poet' MAX PORTER 
 
'Amazing writing of breathtaking power' IRVINE WELSH 
 
As the mind wanders and becomes spectral, these poems forge their own unique path through the landscape. The road Hewitt takes us on is a sleepwalk into the nightwoods, a dream-state where nature is by turns regenerated and broken, and where the split self of the speaker is interrupted by a series of ghosts, memories and encounters. 
 
Following the reciprocal relationship between queer sexuality and the natural world that he explored in Tongues of Fire, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature. 
 
A threnody for what is lost, a dance of apocalypse and rebirth, Rapture’s Road draws us through what is hidden, secret, often forbidden, to a state of ecstasy. It leads into the humid night, through lethal love and grief, and glimpses, at the end of the journey, a place of tenderness and reawakening.

Rapture's Road

From the author of All Down Darkness Wide

Posy Simmonds

The brilliant graphic novel behind the major new film starring Gemma Aterton (Quantum of Solace), Jason Flemyng (Lock, Stock and Two Smoking Barrels), Fabrice Luchini (In the House) and Mel Raido (Spooks) 
 
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bête-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. 
 
Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? Is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the fit of her jeans, every addition to Gemma's wardrobe, her love-bites and lovers, Joubert, with the help of the heroine's diaries, follows her path towards ruin. Adultery and its consequences. Disappointment and deception. The English in France. Fat and slim. Then and now.

Gemma Bovery

Michael Longley

A collection of Michael Longley's greatest poems, spanning an extraordinary career of sixty years as one of the Belfast triumverate, alongside Seamus Heaney and Derek Mahon 
 
'One of the world's greats' IRISH NEWS 
 
'A keeper of the artistic estate, a custodian of griefs and wonders' SEAMUS HEANEY 
 
The title of Michael Longley’s New Selected Poems is taken from his poem ‘Ash Keys’. The wing-shaped, wind-borne seeds of the ash-tree might be an image for poems in search of their readers. This selection, based on thirteen individual collections, represents Longley’s unusual range as a lyric poet. 
 
It shows how his themes, genres and forms have evolved and interlaced since the 1960s. Love, violence, the natural world, art, psychodrama, family, the Great War, the Homeric past and Northern Ireland’s troubled present cohabit in these pages – as do depth, wit and beauty. 
 
'His work is of the level that would be befitting of a Novel Prize for Literature' MICHAEL D HIGGINS 
 
'Michael Longley’s latest lines are just as restless and as promising as his first' Times Literary Supplement

Ash Keys

New Selected Poems

William Goldsmith

The Bind charts the rise and fall of Egret Bindings, once the most prestigious firm of bookbinders in London. 
 
In 1910 brothers Guy and Victor Egret take on an ambitious commission: a deluxe, jewelled binding of a collection of poems, A Moonless Land. It proves to be a moment of hubris. The work triggers their ruin, watched by the disapproving spirit of their father, Garrison Egret. 
 
A darkly humorous tale of sibling rivalry and creative one-upmanship, The Bind shows once again that William Goldsmith is an incomparable storyteller and a marvellously inventive artist.

The Bind

James Sheard

Shortlisted for the 2017 T. S. Eliot Prize 
PBS Autumn Recommendation 
 
The poems in James Sheard’s remarkable third book are about love and leaving, of how the rift of departure brings on a kind of haunting – of the people involved and the places where they lived – an emotional trace of departed lives and loves. This is what these poems are: the scars of separation, the spoors of desire. Sheard writes powerfully about loss, about how the vestiges of significance, of sensual heat, are retained by structures – in ghost towns, war-zones, deserted villages or resorts – but also by the human body and memory: ‘for love exists, and then is ruined, and then persists.’ 
 
These are poems about permanence and fragility, of being uncertain whether the house you live in is a shell, or if you have become a shell by living there – whether emptiness means loss and abandonment or a clean start and a new beginning. But these are also poems full of the ache of desire, the tart, lingering smell of sex: poems shaped by longing. 
 
James Sheard is one of Britain’s most assured and precise lyric poets, and his third collection brings all his considerable strengths to poems as accurate and strange as thermal images.

The Abandoned Settlements

In his first full-length work of journalism in a decade, the 'heir to R. Crumb and Art Spiegelman' (Economist) brings his comics mastery to a story of indigenous North America, resource extraction, and our debt to the natural world 
 
*A GUARDIAN BOOK OF THE YEAR* 
 
The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around-it is central to their livelihood and their very way of being. But the subarctic Canadian Northwest Territories are also home to valuable natural resources, including oil, gas and diamonds. With mining came jobs and investment-but also road-building, pipelines and toxic waste, which scarred the landscape; and alcohol, drugs, and debt, which deformed a way of life. 
 
In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. Resource extraction is only part of Canada's colonial legacy: Sacco recounts the shattering impact of a residential school system that aimed to remove the Indian from the child; the destructive process that drove the Dene from the bush into settlements and turned them into wage labourers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. 
 
Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, telling a sweeping story about money and dependency, loss and culture, with stunning visual detail by one of the greatest comics reporters alive.

Paying the Land

Matthew Dooley

**WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION** 
 
**A GUARDIAN BOOK OF THE YEAR** 
 
A stunning first graphic novel by a Cape/Comica/Observer graphic short story competition winner - a tale of a skirmish in the ice-cream wars that is worthy of Alan Bennett 
 
In the small seaside town of Dobbiston, Howard sells ice creams from his van, just like his father before him. But when he notices a downturn in trade, he soon realises its cause: Tony Augustus, Howard's half-brother, whose ice-cream empire is expanding all over the North-West... 
 
Flake, Matthew Dooley's debut graphic novel, tells of how this epic battle turns out, and how Howard - helped by the Dobbiston Mountain Rescue team - overcomes every obstacle and triumphs in the end.

Flake

Julia Blackburn

In these five stories Julia Blackburn recalls the significant animals in her life and in so doing gives us a sidelong glance at the human members of her family, her painter mother and poet father. 
 
First comes Congo the bush baby, from the jungles of Madagascar via Harrods pet department. He slept in an old cap on the back of the door, and could leap about the room via the picture rails. Then there are tropical fish, tortoises, chickens, guinea pigs, foxes (the last three a combustible combination), pigs, and two very distinctive dogs, Julia's own dog, Jason, a cocker spaniel whose habits of servility and loyalty Julia's father, Thomas, was determined to undo ('He's worse than Rosencrantz and Guildenstern, fawning at my heels!') and Henry, a Parson Jack Russell terrier that Thomas got after his divorce, a dog of great independence, dignity and forbearance, whom his master used to take mountaineering. 
 
This is a delightful book, wry, funny and wise, and unmistakably the work of Julia Blackburn.

My Animals and Other Family

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

Driving Short Distances

First published in 1980, two years after The Snowman, Gentleman Jim has been unavailable for many years. We are delighted to bring it back into print as the first book in an occasional series, Cape Graphic Classics. 
 
Gentleman Jim is the story of Jim Bloggs, a lavatory attendant who, dissatisfied with his station in life, devotes his time to envisioning a world beyond it. His walls are lined with books like Out in the Silver West, the Boys' Book of Pirates and Executive Opportunities, which provide fodder for his ruminations on career change. Encouraged by his wife, Hilda, also eager to incorporate more adventure into her life, Jim sets out to bring these dreams to fruition by accumulating various accoutrements, only to discover that the life of an executive, an artist or a cowboy is more complicated and costly than it appears.

Gentleman Jim

Winner of the Best Book Award at the 2014 British Comic Awards 
 Readers! This book is not a real encyclopedia! 
 
It is an epic work of fiction, detailing the many tales and adventures of one lonely storyteller, on a quest for Enlightenment and True Love. This book contains many stories, big and small, about and pertaining to the following things: Gods, monsters, mad kings, wise old crones, shamans, medicine men, brothers and sisters, strife, mystery, bad science, worse geography, and did we already mention true love? 
 
Critics are saying it is probably the best thing since sliced bread. Maybe even since bread knives.

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