Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Andrey Platonov

"Reading Platonov, one gets a sense of the relentless, implacable absurdity built into the language and with each...utterance, that absurdity deepens" - Joseph Brodsky 
 
People are on the move in all ten stories in this collection, coming home as in "The Return", leaving home as in "Rubbish Wind", travelling far away from their country as in "The Locks of Epiphan", trying to improve their lives and those of others, running away, searching, fleeing. Their journeys are accompanied by two motives which characterize the writing of Andrey Platonov: optimism and faith in the goodness of humanity, and abject despair at the cruelty, randomness, and apparent senselessness of our existence. The protagonists are torn between these poles and sometimes a synthesis shines through the mists of the apparent naivety of faith and the blackness of despair: the hope against hope that a better life is still possible. 
 
Though Russian readers and critics have come to look on Platonov as among their greatest prose writers of this century, he has yet to enjoy a parallel international reputation - mainly because much of his best writing was suppressed for more than 60 years. Combining a realism inspired by his work as an engineer with poetic vision and the deceptively simple language of folk tales, Platonov sets his stories alight by using language in a way that renders it unfamiliar, makes the ordinary seem unusual and the extraordinary logical. This translation is the first to present the full range of Platonov's gift as a short story writer to an English-language readership, showing why it is that Joseph Brodsky regarded Platonov as the equal of Joyce, Kafka and Proust. 
 
"...strange, almost abrupt, a hallucinatory, nightmarish parable of hysterical laughter and terrifying silences" - Eileen Battersby, Irish Times - in reference to The Foundation Pit

The Return and Other Stories

Jaan Kross

When these stories were written the Estonians were not masters of their own house: the Soviets had been the occupying Power since 1940, apart from the three years 1941-44 when the Nazis were in occupation. Young Estonians, conscripted into the armies of both belligerents, found themselves compelled to fight each other. This is the background of these six stories featuring Peeter Mirk, a young law student who is more often in than out of prison and labour camp during these years - like his creator Jaan Kross. Forever carrying a charge of guilt that he has only contributed to his friends' misfortunes, he describes two thwarted attempts at escape ("The Wound", "Lead Piping"), his own dilemma when he can save his life only by sacrificing a friend's ("The Stahl Grammar"), his hand in a practical joke perpetrated by prisoners on one of their number in Tallinn Central Jail, which goes badly wrong ("The Conspiracy"). The last two stories (" The Ashtray", "The Day Eyes Were Opened") involve train journeys, chance encounters, and the unavoidable necessity of giving Fate a run for its money. 
 
If the tone is necessarily sombre as Kross recalls the years when Hitler and Stalin determined his countrymen's destiny, a wry humour keeps slipping through at every turn, which will suggest to the reader that Peeter Mirk must be cousin to the Good Soldier Schweik.

The Conspiracy & Other Stories

Raymond Carver

When he died in August 1988, Raymond Carver had just published what were thought to be his last stories in the collection entitled Elephant and his own collection of stories, Where I'm Calling from. Five previously unpublished stories have recently been discovered, and this new volume brings together all of his uncollected fiction, including a fragment of an unfinished novel, five early stories, and all of his non-fiction prose. 
 
Three of these late-found stories are fine examples of Carver's late, open style, while two date from his middle period. The non-fiction prose includes all of his essays, together with occasional commentary on his own fiction and poetry, writings on the American short story, and reviews of work by his contemporaries, among them Donald Barthelme, Richard Brautigan, Jim Harrison, Thomas McGuane and Richard Ford. Also included is Carver's latest essay "Friendship", about a London reunion with Richard Ford and Tobias Wolff. 
 
Call If You Need Me takes us into Carver's workshop, and alongside All of Us: The Collected Poems and Where I'm Calling from: The Selected Stories completes the picture of one of the most original writers in the English language of his generation.

Call If You Need Me

Shortly before he died, America's laureate of the dispossessed made his own selection from his short stories, revised the texts and published them in this authorative edition. 
 
The stories in Where I'm Calling From are selected from the full range of the author's work including Furious Seasons, Will You Please Be Quiet, Please?, What We Talk about When We Talk about Love, and Cathedral and include all seven stories from his last collection, Elephant.

Where I'm Calling From

The Selected Stories

Manuel Rivas

A glorious cast of animals and birds, as well as humans, relate the magical stories that form the plot of Manuel Rivas's extraordinary novel. An old lady, Misia, tells how the 300 ravens of Xallas are the warrior-poets of the last King of Galicia. A priest, Don Xil, explains to a peasant girl, Rosa, that the beautifully carved women in the local church are not saints, but represent the seven deadly sins. A mouse, Matac-ns, a poacher in his previous life, is chased by a cat, the bagpiper and anarchist, Arturo of Lousame. A bat, Gaspar, relates his own death to a lizard. In a nearby cellar, half the parish are found to have transmigrated into spiders, snails, toads-Manuel Rivas's story emerges like spirals of smoke, in a series of memorably poetic images. His characters have their roots deep in the traditions, legends and history of his beloved Galicia. Few contemporary storytellers share his power of vision and sense of cultural identity, or can narrate their tales with such tenderness and humour.

In The Wilderness

Edgardo Cozarinsky

Set in Buenos Aires, Lisbon, Vienna, Budapest and Odessa, both before and after the Second World War, Edgardo Cozarinsky's stories belong to the spirit of Borges and to a great Argentine cosmopolitan tradition: that of the uprooted exile, the plaything of History, who, set down in a strange but proud land, looks back nostalgically to the Europe of his ancestral memories. 
 
Cozarinsky's characters are writers, lovers, scholars, artists and dreamers. An ambitious young Jew, about to marry and embark for a new life in Argentina is accosted by an unknown woman who departs with him to Buenos Aires; a pianist in a Buenos Aires nightclub finds himself drawn back to Germany in 1937; an Argentine-American Jew travels to Lisbon to unravel the threads of his grandparents' wartime affair... 
 
They are all travellers of a kind, characters who inhabit a secret land, without frontiers.

The Bride From Odessa

'I look at all of Carver's work as just one story, for his stories are all occurences, all about things that just happen to people and cause their lives to take a turn... In formulating the mosaic of the film Short Cuts, which is based on these nine stories and a poem, 'Lemonade', I've tried to do the same thing- to give the audience one look... But it all began here. I was a reader turning these pages. Trying on these lives' - Robert Altman in his introduction.

Short Cuts

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