Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Nadezhda Mandelstam

'Suddently, at about one o'clock in the morning, there was a sharp, unbearably explicit knock on the door. 'They've come for Osip', I said'. 
 
In 1933 the poet Osip Mandelstam- friend to Boris Pasternak and Anna Akhmatova- wrote a spirited satire denouncing Josef Stalin. It proved to be a sixteen-line death sentence. For his one act of defiance he was arrested by the Cheka, the secret police, interrogated, exiled and eventually re-arrested. He died en route to one of Stalin's labour camps. 
 
His wife, Nadezhda (1899-1980) was with him on both occasions when he was arrested, and she loyally accompanied him into exile in the Urals, where he wrote his last great poems. Although his mind had been unbalanced by his ordeal in prison, his spirit remained unbroken. Eager to solve 'the Mandelstam problem', the Soviet authorities invited the couple to stay in a rest home near Moscow. Nadezhda saw it as an opportunity for her husband to mend his shattered life, but it was a trap and he was arrested for the last time. 
 
'My case will never be closed', Osip once said, and it is mostly through the courageous efforts of Nadezhda that his memory has been preserved. Hope against Hope, her first volume of memoirs, is a vivid and disturbing account of her last four years with her husband, the efforts she made to secure his release, to rescue his manuscripts from oblivion, and later, tragically, to discover the truth about his mysterious death. It is also a harrowing, first-hand account of how Stalin and his henchmen persecuted Russia's literary intelligentsia in the 1930s and beyond. 
 
Nadezhda Mandelstam spent most of the Second World War in Tashkent, living with her friend Akhmatova. Only in 1964 was she at last granted permission to return to Moscow. Here she began Hope against Hope, and later Hope Abandoned, the two memoirs of her life.

Hope Against Hope

Ray Desmond

This informative volume traces the extraordinary evolution over more than two centuries of Kew's historic landscape, which began with two private royal gardens and expanded through the work of some of our most distinguished garden designers and architects, resulting in an important range of listed buildings of which thirty-nine have survived. These, together with the latest additions to Kew's architectural heritage, are extensively illustrated and described. As much part of this fascinating landscape are the principal figures in Kew's history - among them Queen Caroline, her son Frederick Prince of Wales, his wife Princess Augusta, and George III; Sir Joseph Banks, who organized the first worldwide plant-collecting expeditions; Sir William Hooker and his son, Sir Joseph, who laid the foundations of the present Botanic Gardens; and successive directors who formulated policy and enabled improvements. 
 
Kew also played a pivotal role in the development of the British Empire's natural resources, the introduction of commercial crops to the colonies and the compilation of colonial floras. Its collaboration with overseas botanical gardens, alongside its establishment as an international scientific institution are equally crucial and examined in detail. Whilst previous accounts of Kew have relied almost entirely on printed sources, the present volume makes extensive use of archives which support modern Kew's primary objective: "the better management of the Earth's environment by increasing knowledge and understanding of the plant kingdom".

A History

Monika Maron

Teasing her family's past out of the fog of oblivion and lies, one of Germany's greatest writers asks about the secrets families keep, about the fortitude of ordinary people in extraordinary circumstances, and about what becomes of the individual mind when the powers that be turn against it. 
 
Born in a working-class suburb of wartime Berlin, Monika Maron grew up a daughter of the East German nomenklatura, despairing of the system her mother, Hella, helped create. Haunted by the ghosts of her Baptist grandparents, she questions her mother, whose selective memory throws up obstacles to Maron's understanding of her grandparents' horrifying denouement in Polish exile. 
 
Maron reconstructs their lives from fragments of memory and a forgotten box of letters. In telling her family's powerful and heroic story, she has written a memoir that has the force of a great novel and also stands both as an elaborate metaphor for the shame of the twentieth century and a life-affirming monument to her ancestors.

Pavel's Letters

Osip Mandelstam

'There is a salubrious élan about much of the book, and the fact that it is a book, not just a selection the significant poems, amplifies our sense of what Stone really means to its contemporary readers' 
 
Seamus Heaney 
 
'What makes Robert Tracy's book invaluable is his feeling for context...Another thing that comes across in these translations is the verve and immediacy of the poems' occasions, recalling the Acmeist programme of 'this-worldliness': there are poems about tennis and ice-cream and silent movies, poems that seem to jump into being on impulse' 
 
Seamus Heaney, London Review of Books 
 
'A blend of classical serenity and brash iconoclasm. This is a splendid introduction to a poet who should be known thoroughly' 
 
G.E. Murray, Chicago Sun Times 
 
'Professor Tracy has done a superb job. His introduction is excellent, his notes are very comprehensive...and his verse translations are remarkably good. All one can say is "Thank you"' 
 
Irish Times 
 
 
When Stone appeared in 1913, it marked the debut of one of Russia's greatest twentieth-century poets. Precision, clarity and concreteness, a concern with form and fascination with European culture, especially architecture, were touchstones for the young poet and remained so for the rest of his extraordinary writing life. This bilingual edition, based on the most complete edition of 1928, was published, alongside The Collected Critical Prose and Letters, to mark Mandelstam's centenary in 1991.

Stone

Octavio Paz

In 1951 Octavio Paz travelled to India to serve as an attaché in the Mexican Embassy. Eleven years later he returned as Mexico's ambassador. In Light of India is Paz's celebration of that country and his most personal work of prose to date. As in all of his essays, he brings poetic insight and voluminous knowledge to bear on the subject, and the result is a series of fascinating discourses on India's landscape, culture and history. 
 
'The Antipodes of Coming and Going' is a lyrical remembrance of Paz's days in India, evoking with astonishing clarity the sights, sounds, smells and denizens of the subcontinent. 'Religions, Castes, Languages' gives a survey of Indian history and its astonishing polyglot society. 'A Project of Nationhood' is an examinatino of modern Indian politics, comparing the respective Islamic, Hindu and Western civilizations through the course of history. 'The Full and the Empty' is an exploration of what Paz calls the soul of India, its art, literature, music and philosophy. It is also an uncompromising indictment of the self-centred materialism of Western society.

In Light of India

Aleksandr Solzhenitsyn

After his expulsion from Russia in 1974 for undermining the Communist regime, Solzhenitsyn wrote a secret record, while it was still fresh in his mind, of the courageous efforts of people who hid his writings and smuggled them to the West. Before the fall of Communism he could not have published Invisible Allies in conjunction with his memoir The Oak and the Calf without putting those friends in jeopardy. Now the facts may be revealed in this intimate account of the network of individuals who risked life and liberty to ensure that his works were concealed, circulated in "samizdat", and exported via illicit channels. 
 
These conspirators, often unknown to one another, shared a devotion to the dissident writer's work and a hatred of an oppressive regime of censorship and denunciation. The circle was varied enough to include scholars and fellow writers, and also elderly babushkas who acted as couriers. With tenderness, respect and humour, Solzhenitsyn speaks of these partners in conspiracy: the women who typed copies of his works under the noses of prying neighbours; the journalists and diplomats who covertly carried microfilms across borders; the friends who hid various drafts of his works from the vigilance of the secret police.

Invisible Allies

Jorge Amado

The sleepy Brazilian beach resort of Periperi needs a hero. As if in answer to their calll, Captain Vasco Moscosco de Aragao (newly retired) arrives and soon has the townspeople enthralled with his tales of ocean-going daring and romance. 
 
Only his rival, Chico Pacheco, delves into the captain's past and discovers that he has never in his life sailed beyond the harbour bar. But just as Vasco is about to be unmaksked the Ita limps into port with her flag at half mast and her captain dead at the wheel. Pressed into service, Vasco goes to meet his destiny and so begins an adventure in love and seamanship that surpasses even his wildest fantasies.

Home Is The Sailor

Henning Mankell

The problem of Aids has been kept largely under control in Europe, but in the Third World it is a different story. There is a devestating lack of resources for medicine and for education. When parents die at a young age, children are left behind with no-one to teach them how to avoid the same fate, and so the cycle continues. 
 
Memory Books could prove to be the most important documents in our time in answer to this crisis. When the official reports have been filed away, these slim volumes, memories recorded by those who died too soon, will remain. Through a combination of words and drawings, they can have a legacy, a hope that future generations may not suffer the same heartbreaking fate. 
 
Henning Mankell is not a public figure in the way politicians are, but he has achieved cult success with his Kurt Wallander novels and is noted for the social and moral questions raised by his fiction. He devotes much of his time to work with Aids charities. 
 
I Die But the Memory Lives on is a fable illustrating the importance of books as a means of education, of preserving memories and of sharing life. In the midst of death and suffering, a young girl plants a tree. She nurtures it as a fragment of life that will grow and survive and, like the Memory Books, outlive this global crisis. Mankell, by highlighting and humanising this catastrophe, proposes a way to help.

I Die, But The Memory Lives On

Yashar Kemal

Part One in the acclaimed The Wind from the Plain trilogy 
 
Turkey’s greatest novelist, Yashar Kemal was an unsurpassed storyteller who brought to life a world of staggering violence and hallucinatory beauty. Kemal’s books delve deeply into the entrenched social and historical conflicts that scar the Middle East. At the same time scents and sounds, vistas of mountain and stream and field, rise up from the pages of his books with primitive force. The Wind from the Plains trilogy is widely seen as his masterpiece, alongside the legendary Memed My Hawk. 
 
Each year the wind brings the news to old Halil's keen senses that the cotton is ripe for picking in the plain, and at his word the entire population of his remote village in the Taurus Mountains set out on the arduous trek. 
 
 
But this year old Halil finds himself too old to go on foot; so does Long Ali's aging mother, Meryemdje, and both clamour for a place on the back of Long Ali's broken-down nag, scarcely capable of bearing either of the two old people. Halil's determination to stay on and Meryemdje's to get him off lead to a war of words and cunning which lights with delicious comedy the sombre drama of the march. But when the decrepit animal finally dies, and the group falls behind the rest of the villagers, it is the unfortunate Ali who has to show piety towards his mother and compassion to old Halil, while pressing on with dogged resolution to reach the cotton fields before they are picked bare. 
 
The power of The Wind from the Plain, the first volume of The Wind from the Plain trilogy, lies in its simplicity, which in turn lies in the handful of unforgettable characters whose story it tells - the timeless one of survival.

The Wind From The Plain

Vincent Cronin

Matteo Ricci, an early recruit of the Jesuit order, was sent to China as a missionary in 1582. If he approached the Emperor with a Bible in one hand, in the other he carried much of the accumulated technological and philosophical wisdom of the late Renaissance Europe, and thus found favour among the Mandarins, the men of learning who enjoyed high status at the Imperial Court. He learned Chinese the better to discuss with them the problems in science and technology, as also questions of religion and the hereafter. But his progress was not unopposed, for the Wise Man from the West came to be seen as an unsettling element in a too-settled society. Ricci died in 1610, disappointed in his ambition to convert the Emperor, and with him the whole of China, to Christianity. But the seed was sown and the crop, even after almost a century of atheistic communism, continues to grow in present-day China. 
 
This story of the first fully documented contact between West and East offers a fascinating insight into the history of ideas during one of the most fertile eras in European and Chinese history. Vincent Cronin has built up a reputation with his scholarly, elegantly written works of history and biography, as one of the finest popular historians of his generation. This early book proves his gift as an acutely observant and sensitive historian.

Wise Man Of The West

Peter Matthiessen

On a hot June morning in 1975, a shoot-out between FBI agents and American Indians erupted on a reservation near Wounded Knee in South Dakota. Two FBI agents and one Indian died. Eventually four Indians, all members of the American Indian Movement (AIM) were indicted on murder charges, Twenty-two years late, one of them, Leonard Peltier, is still serving two consecutive life sentences. 
 
The story of what really happened and why Matthiessen is convinced of Peltier’s innocence, forms the central narrative in this classic work of investigative reporting. But Mathiessen also reveals the larger issues behind the Pine Ridge shoot-out: systematic discrimination by the white authorities; corporate determination to exploit the uranium deposits in the Black Hills; the breaking of treaties; and FBI hostility towards the AIM, which was set up to bring just such issues to light. 
 
When this book was first published it was immediately the subject of two $25 million-dollar legal actions that attempted to suppress it permanently. After eight years of court battles, ending with a Supreme Court judgement, Mathiessen won the right to tell Peltier’s and his people’s story.

In the Spirit of Crazy Horse

David Bellos

"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times 
 
Winner of the Prix Goncourt for Biography, 1994 
 
George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. 
 
David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". 
 
His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. 
 
"Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review

Georges Perec: A Life in Words

A tale of greed, hatred and decay from Turkey's legendary novelist Yashar Kemal 
 
Yashar Kemal was an unsurpassed storyteller who brings to life a world of staggering violence and hallucinatory beauty. Kemal’s books delve deeply into the entrenched social and historical conflicts that scar the Middle East. At the same time scents and sounds, vistas of mountain and stream and field, rise up from the pages of his books with primitive force. 
 
In a sudden, chance encounter in a coffee-house in a fishing village near Istanbul, Zeynel Celik shoots a local gangster. Only one man intervenes – the village outcast Fisher Selim – and in doing so inadvertently transfers the blame for the murder onto himself. From this one simple act, Zeynel becomes a legendary outlaw in the minds of the people, whereas Fisher Selim, passionate about the sea and haunted by a lost love, is cast as an eccentric oddball. Each is pursued by his own paranoia, memories of the past and hopes for the future, until their paths cross once again on Selim’s boat, and their obsessions come to a resolution. Reflective and lyrical, the novel offers insight into the Turkish mentality while drawing universally valid conclusions, and manages to be both brutally savage and deeply humane.

The Sea-Crossed Fisherman

Madam De La Tour Du Pin

'A story of a simple but straightforward woman, caught up in the complications of the French Revolution' Economist 
 
 
Madame de la Tour du Pin was born Henrietta-Lucy Dillon in Paris in 1770. An aristocrat, she spent her youth surrounded by wealth and luxury. In regular attendance at Marie Antoinette's Sunday courts, she was, by her own account, 'outstanding in any gathering', rivalling even the Queen in beauty. 
 
At the age of 16 she is given curtseying lessons by her dancing master and is hastily married to the future Marquis de la Tour du Pin. A life of pleasure-seeking and extravagance begins, but is rudely cut short by the storming of the Bastille. 
 
Written for her only surviving child, this intimate record of her life recounts the terrible fate that awaited all those who attended the Court of Louis XVI during the years of the French Revolution. Throughout France appears the terrifying silhouette of a rival Madame - Madame Guillotine - and, because of her beauty, Madame de la Tour du Pin is frequently prey to the now deadly compliment of being mistaken for the Queen. 
 
When the king is executed, she flees Paris to travel round France, only to discover that her many properties have been plundered. When it becomes too dangerous to remain on native soil she leaves for Holland - thence to America and to England - in search of a new life, but her heart remains in Paris, whither eventually she returns, a dispossessed émigré. 
 
Written with great intelligence, compassion and wit, the Memoirs of Madame de la Tour du Pin provide us with a uniquely female perspective on the French Revolution. It is a valuable historical document, made all the more affecting by the author's sense of a bright and beautiful world cruelly snatched away by the forces of history.

Memoirs

Laughing And Dancing Our Way to the Precipice

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