A. Igoni Barrett was born in Port Harcourt, Nigeria, in 1979 and lives in Lagos. He is a winner of the 2005 BBC World Service short story competition, the recipient of a Chinua Achebe Center Fellowship, a Norman Mailer Center Fellowship, and a Rockefeller Foundation Bellagio Center Residency. His short story collection, Love is Power, or Something Like That, was published in 2013. In 2014 he was named on the Africa39 list of sub-Saharan African writers under 40. Blackass is his first novel.

A. Igoni Barrett

The short life of A.J.A. Symons (1900-41) was described by his biographer as an intricate and largely harmless confidence trick. His many interests included the collection of musical boxes and rare books as well as the study and practice of forgery; they left him time to edit an anthology of Edwardian verse and compose studies of H.M. Stanley and other notable figures. He is remembered for The Quest for Corvo, one of the most remarkable biographies ever written, and for co-founding the Wine and Food Society.

A. J. A. Symons

A. J. Liebling, born in Manhattan in 1904, joined the staff of the New Yorker in 1935 and contributed innumerable articles to the magazine throughout his lifetime, on subjects ranging from food to boxing and France to horse racing. As a war correspondent during the Second World War, he reported from France, England and Algeria, and participated in the Normandy landings. In later life he married the writer Jean Stafford, his third wife. He died in 1963.

A. J. Liebling

A. J. Rosen is an author of YA fantasy novels and is an ambassador for Wattpad, known as @agatharoza. Entwined is her first novel.

A. J. Rosen

A. K. Davidson

A. O. Scott has been a film critic at the New York Times since 2000. His writing has appeared in many other publications, including the New York Review of Books, Slate, the New Yorker and the Nation. A finalist for the Pulitzer Prize in criticism in 2010, Scott is currently Distinguished Professor of Film Criticism at Wesleyan University. He lives with his family in Brooklyn, New York. 
 
@aoscott

A. O. Scott

A.S. Byatt (1936-2023) was a novelist, short-story writer and critic of international renown. Her novels include Possession (winner of the Booker Prize 1990), the Frederica Quartet and The Children’s Book, which was shortlisted for the Booker Prize and won the James Tait Black Memorial Prize for Fiction. She was appointed CBE in 1990 and DBE in 1999, and was awarded the Erasmus Prize 2016 for her ‘inspiring contribution to life writing’ and the Pak Kyongni Prize 2017. In 2018 she received the Hans Christian Andersen Literature Award.

A. S. Byatt

A. T. Williams won the George Orwell Prize for Political Writing in 2013 for his book A Very British Killing: The Death of Baha Mousa. He lives in Warwickshire.

A. T. Williams

A. W. Chase

Dubbed ‘The new queen of spy fiction’ by the Guardian newspaper, and ‘the real thing’ by the Washington Post, A.C. 'Ava' Glass is the CWA Dagger-shortlisted author of Alias Emma (The Chase), The Traitor and The Trap. The Traitor was a 2023 Richard and Judy Bookclub pick. Alias Emma was a Barnes and Noble book of the month. A former crime reporter and communications consultant, for five years Ava worked closely with spies. Her time in that world fascinated her, and the people she met back then inspire every book she writes.

A.C. Glass

A.E. Housman

Arthur Edward Waite was the designer and co-creator of the now famous Rider Waite Tarot deck. 
 
An American-born British poet and scholarly mystic, his strong interest in all esoteric matters - divination, magic, Kabbalism, alchemy and Freemasony - led to him penning a number of books. These include the Key to the Tarot, The Book of Ceremonial Magic and A New Encyclopedia of Freemasony.

A.E. Waite

A.E. Warren is the author of the Tomorrow's Ancestors series, which consists of Subject Twenty-One, The Hidden Base, The Fourth Species and The Final Rising. 
 
After spending eight years working as a lawyer, she began to write in the evenings and early mornings as a form of escapism from life in a very small cubicle with lots of files. She self-published her first novels in her spare time, which were picked up by Del Rey UK which is the science fiction/fantasy imprint of Penguin Random House. 
 
 She is an avid reader, occasional gamer and fair-weather runner. She lives in the UK with her husband, daughter and hopefully, one day, a wise border terrier named Austen.

A.E. Warren

A.G.D. Maran

A.J. Ayer

A.J. Cronin

A K Benedict writes crime and speculative fiction in a room filled with clowns, mannequins and Doctor Who figures. Her first novel, The Beauty of Murder, was nominated for an eDunnit award and is in development for a major 8-part TV series by Company Pictures. Her second, Jonathan Dark or The Evidence of Ghosts, came out in February 2016. She's written Torchwood audio dramas for Big Finish and her short stories have featured in anthologies including Great British Horror and Best British Short Stories. She lives in St Leonards-on-Sea with her dog, Dame Margaret Rutherford.

A.K.Benedict

A. L. Kennedy has twice been selected as one of Granta’s Best of Young British Novelists and has won a host of other awards – including the Costa Book of the Year for her novel Day. She lives in Essex.

A.L. Kennedy

A.M. Ellis is a speculative fiction author and lover of everything steeped in myth and mystery. Her stories often lean into diverse voices, not only in her identity as a Black woman, but in exploring neurodivergence and mental health. A proud introvert and nostalgic gamer, she lives in Maryland, USA, with her husband and three children.

A.M. Ellis

A.N. Wilson was born in 1950 and educated at Rugby and New College, Oxford. A Fellow of the Royal Society of Literature, he holds a prominent position in the world of literature and journalism. He is an award-winning biographer and a celebrated novelist, winning prizes for much of his work. He lives in North London.

A.N. Wilson

A. T. Emerald lives with her husband and baby daughter in Nottinghamshire. She discovered her love of writing in 2020 and has not shut up about enemies to lovers ever since. She loves iced matcha, torrid love confessions with knives pressed to throats (fictional, of course) and does not accept bills for any therapy her books might incur.

A.T. Emerald

A.W. Priest

A.B.C. Merriman-Labor was a barrister, writer and munitions worker born in Freetown, Sierra Leone in 1877. His published works include A Series of Lectures on the Negro Race and The Story of the African Slave in a Nutshell. He also edited two editions of the Handbook of Sierra Leone. He arrived in the UK in 1904 to study law. In 1907, he organised a centenary commemoration of the abolition of the slave trade in Westminster Abbey. He later embarked on an 'entertainment-lecture' tour called Life and Scenes in Britain, travelling across thousands of miles of West, South West and Central Africa, which he expanded on to create Britons Through Negro Spectacles.

ABC Merriman-Labor

AJ Cronin

AJ Molloy

Aabria Iyengar is an American actress and author.

Aabria Iyengar

Aaliya Jaleel is a freelance illustrator, designer, and visual development artist, currently majoring in Animation at the University of Texas at Dallas. She is also the illustrator of Under My Hijab and Muslim Girls Rise. You can visit her online at www.aaliyamj.com.

Aaliya Jaleel

Aaron Allston

After more than fifteen years of experience as a clinical psychotherapist, Dr Aaron Balick has taken the amazing insights from psychology and psychotherapy out of the consultation room and made them accessible to the wider world. 
 
He has been an ‘agony uncle’ for many years for both CBBC and BBC Radio 1, as well as on television, including BBC Worldwide, BBC 3 and BBC Learning.

Aaron Balick

Aaron Carroll

PublicationStatus

Brand

Format

AgeRange

Series

Imprint

CategoryLabel

Lucie Arnoux

A funny, heartfelt graphic memoir about living in foreign countries, and finding one's place both at home and abroad. 
 
In this delightful graphic novel, Lucie Arnoux chronicles her adventures around the world. Growing up in Marseille as a misfit with a passion for drawing, she decides to settle in London to pursue her dream career as a comics writer. Je Ne Sais Quoi shows us London through the eyes of a mischievous and clear-sighted young French woman, the joys and pains of being an outsider and, ultimately, how to live life to its fullest.

Je Ne Sais Quoi

The Adventures of a French Woman in London

Kate Beaton

*WINNER OF THE EISNER AWARDS FOR BEST MEMOIR AND BEST WRITER/ARTIST* 
 
'A vast and complex tapestry that captures the humanity of people... it shimmers with grace' 
ALISON BECHDEL, author of FUN HOME 
 
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, a tight-knit seaside community. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coast Canadians who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates. 
 
Arriving in Fort McMurray, Katie finds work in the lucrative camps owned and operated by the world's largest oil companies. As one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For young Katie, her wounds may never heal. 
 
Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Ducks

Two Years in the Oil Sands: One of Barack Obama’s Favourite Books of 2022

Julian Aguon

'A powerful, beautiful book. Its fierce love - of the land, the ocean, the elders and the ancestors - warms the heart and moves the spirit.' - Alice Walker, author of The Color Purple 
 
Part memoir, part manifesto, Chamorro climate activist Julian Aguon's No Country for Eight-Spot Butterflies is a coming-of-age story and a call for justice-for everyone, but in particular, for Indigenous peoples. 
 
Aguon beautifully weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Bearing witness and reckoning with the challenges of truth-telling in an era of rampant obfuscation, he culls from his own life experiences to illuminate a collective path out of the darkness. 
 
A powerful and bold new voice writing at the intersection of Indigenous rights and environmental justice, Aguon is entrenched in the struggles of the people of the Pacific who are fighting to liberate themselves from colonial rule, defend their sacred sites and obtain justice for generations of harm. 
 
In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy and triumph, and extends an offer to join him in a hard-earned hope for a better world.

No Country for Eight-Spot Butterflies

With an introduction by Arundhati Roy

Michael Longley

**WINNER OF THE 2022 FELTRINELLI INTERNATIONAL POETRY PRIZE ** 
 
 
'One of the most perfect poets alive. There is something in his work both ancient and modern. I read him as I might check the sky for stars.' Sebastian Barry 
 
Michael Longley's new collection takes its title from Dylan Thomas - 'for the sake of the souls of the slain birds sailing'. The Slain Birds encompasses souls, slayings and many birds, both dead and alive. The first poem laments a tawny owl killed by a car. That owl reappears later in 'Totem', which represents the book itself as 'a star-surrounded totem pole/ With carvings of all the creatures'. 'Slain birds' exemplify our impact on the creatures and the planet. But, in this book's cosmic ecological scheme, birds are predators too, and coronavirus is 'the merlin we cannot see'. Longley's soul-landscape seems increasingly haunted by death, as he revisits the Great War, the Holocaust and Homeric bloodshed, with their implied counterparts today. Yet his microcosmic Carrigskeewaun remains a precarious 'home' for the human family. It engenders 'Otter-sightings, elvers, leverets, poetry'. Among Longley's images for poetry are crafts that conserve or recycle natural materials: carving, silversmithing, woodturning, embroidery. This suggests the versatility with which he remakes his own art. Two granddaughters 'weave a web from coloured strings' and hang it up 'to trap a big idea'. The interlacing lyrics of The Slain Birds are such a web.

The Slain Birds

Ossian Brown

A collection of anonymous Hallowe'en Photographs from America, c.1875 - 1955 
 
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging 'soul cakes' in exchange for prayers, and fires burned to keep malevolent phantoms at bay. 
 
The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognisable, other. Torn from album pages, sold piecemeal for pennies and scattered, abandoned to melancholy chance and the hands of strangers.

Haunted Air

Julia Blackburn

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. 
 
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. 
 
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. 
 
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers. 
 
'An astounding, disarming book, full of grief and beauty' Olivia Laing 
 
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman

Dreaming the Karoo

A People Called the /Xam

John Richardson

'A masterpiece' Sunday Times 
 
'Magisterial... thrilling' Guardian 
 
'Terrifically enjoyable' Daily Telegraph 
 
The beautifully illustrated, long-awaited final volume of John Richardson's magisterial Life of Picasso, drawing on original research from interviews and never-before-seen material in the Picasso family archives. 
 
 The Minotaur Years opens in 1933 with a visit by the Hungarian-French photographer Brassaï to Picasso's château in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Picasso's lover Marie-Thérèse Walter. Picasso was contributing to André Breton's Minotaur magazine and spending time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris and the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur. 
 
 Richardson shows us the artist being as prolific as ever, painting Walter, as well as the surrealist photographer Dora Maar, who became a muse, collaborator and lover. The bombing of Guernica in April 1937 would inspire Picasso's vast masterwork of the same name, which he painted in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupied Paris in 1940, Picasso chose to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso met Françoise Gilot who would replace Maar and inspire a brilliant new sequence of paintings. 
 
 As always, Richardson tells Picasso's story through his work, analysing how it shows what the artist was feeling and thinking. His fascinating and illuminating narrative immerses us in one of the most exciting moments in twentieth-century cultural history, and brings to a close the definitive and critically acclaimed biography of one of the world's most celebrated artists.

A Life of Picasso Volume IV

The Minotaur Years: 1933–1943

Fiona Benson

**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE** 
**SHORTLISTED FOR THE T. S. ELIOT PRIZE** 
 
The poems in Ephemeron deal with the short-lived and transitory - whether it's the brief, urgent lives of the first section, 'Insect Love Songs', the abrupt, anguished, physical and emotional changes during secondary school, as remembered in 'Boarding-School Tales', or parenting's day-by-day shifts through love and fear, hurt and healing, in 'Daughter Mother'. 
 
The long central section, 'Translations from the Pasiphaë', gathers these themes together in a blistering, unforgettable re-telling of the Greek myth of the Minotaur, as seen from the point of view of the bull-child's mother - the betrayed and violated Pasiphaë. The familiar legend of the dashing male hero slaying the monster in the labyrinth is transformed here into a story of ordinary people caught up in an extraordinary cycle of violence, power and the abuse of power. At the centre lies Pasiphaë calling for her son: 'They took him away from me/and they killed him in the dark, for years.' 
 
Telling uncomfortable truths, going deep into male and female drives and desires, our most tender and vulnerable places, and speaking of them in frank, unshrinking ways - these poems are afraid, certainly, but also beautiful, resolute and brave.

Ephemeron

Anne Carson

'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub 
 
H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. 
 
"I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.

H of H Playbook

Yuval Noah Harari

Daniel Casanave

An epic, illustrated graphic history of how the Agricultural Revolution reshaped humanity. 
 
When nomadic Homo sapiens settled to live in one place, they started working harder and harder. But why didn't they get a better life in return? 
 
In The Pillars of Civilization, Yuval Noah Harari and his companions including Prof. Saraswati and Dr. Fiction travel the length and breadth of human history to investigate how the Agricultural Revolution changed society forever. Discover how wheat took over the world, how war, famine, disease and inequality became a part of the human condition, and why we might only have ourselves to blame. 
 
Adapted from Yuval Noah Harari's bestselling phenomenon Sapiens, this graphic history is a radical, witty and colourful retelling of the story of humankind. 
 
Praise for Sapiens: 
 
‘I would recommend Sapiens to anyone who's interested in the history and future of our species’ Bill Gates 
 
‘Interesting and provocative . . . It gives you a sense of how briefly we’ve been on this Earth’ Barack Obama

Sapiens A Graphic History, Volume 2

The Pillars of Civilization

John Burnside

Lucid, lyrical, and intellectually profound: this collection of poems resonates with life and death, but mostly what falls in between: the charmed darkness. 
 
Several ghosts haunt Learning to Sleep, from the author's mother, commemorated in an exquisitely charged variant on the pastoral elegy, to the poet Arthur Rimbaud, who wanders an implausible Lincolnshire landscape looking for some sign of belonging. Throughout the book, the powers and dominions of a lost pagan ancestry emerge unexpectedly through the gaps in contemporary life: half-seen and fleeting, but profoundly present. Behind it all, the figure of Hypnos, the Greek god of sleep, marks Burnside's own attempts to come to terms with the severe sleep disorder from which he has suffered for years, a condition that culminated in the recent near-death experience that informs the latter part of the book. 
 
Add to this a series of provocative meditations on the ways in which we are all harmed by institutions, from organised religion, or marriage, to the tawdry concepts of gender and romantic love that subtly govern our personal lives, and Learning to Sleep reveals Burnside at his most elegiac, while still retaining a radical pagan's sense of celebration and cultural independence. 
 
‘I read it over and over again, marvelling at its concision and beauty.' Cressida Connolly, Spectator 
 
** A SPECTATOR BOOK OF THE YEAR 2021**

Learning to Sleep

Andrew McMillan

*A 'BOOKS OF 2021' PICK IN THE GUARDIAN, FINANCIAL TIMES AND IRISH TIMES CULTURE* 
 
After two prize-winning collections which examined the intimacies and intricacies of the physical body, McMillan's third book marks a shift: both inward, into the difficult world of mental health, and outwards into the natural and political world. 
 
Keeping his trademark breath-space and lower-case lines, but more formally experimental, incorporating sequences and sonnets, the poems in pandemonium explore the fragility and depth of the human mind - in its panic and its troubled retreat - and map this turmoil onto the chaos and abundance of the garden. Depression is mirrored in the invasive, seemingly untreatable knotweed that slowly suffocates the garden, while the sky conspires in its sudden, terrifying clarity, 'as though the root of the world were ripped clean off'. 
 
McMillan has been celebrated for his unflinchingly frank depictions of the body and sexual love, but these new poems are raw dispatches from a mind in freefall, a body in trouble. Addressing a period of acute depression, they are less about physical union and completeness and more about fracture and distance: tender, savagely moving poems which stare, unblinkingly, into the sudden havoc and hurt of this world, searching for - and finally finding - some redemption.

pandemonium

Alison Bechdel

**A GUARDIAN, OBSERVER AND FINANCIAL TIMES 'BOOKS OF 2021' PICK** 
**A NEW YORK TIMES NOTABLE BOOK OF 2021** 
 
From the bestselling, award-winning author of Fun Home comes this Christmas's must-gift graphic novel. 
 
All her life, Alison Bechdel has searched for an elusive secret... 
 
The secret to superhuman strength. 
 
She has looked for it in her favourite books, the lives of her heroes, celibacy, polyamory, activism, therapy, and most obsessively, in her lifelong passion for exercise. Skiing, running, karate, cycling, yoga, weightlifting - you name it, she's tried it. "Oh, to be self-sufficient! Hard as a rock! An island!" 
 
But as she gets older, her body isn't getting any stronger. And in a changing, sometimes overwhelming world, are "cantaloupe-sized guns" all a person needs? Maybe the all-important secret is not where she expected to find it . . . 
 
'The Secret to Superhuman Strength practically glows with a beguiling mixture of intellect, warmth and humour' Daily Telegraph 
 
In this, her third graphic memoir, Alison Bechdel has written a deeply layered, personal story about selfhood, self-sabotage, mortality, addiction, bliss, wonder, and the concerns of a generation. This is an extraordinary, laugh-out-loud chronicle of the conundrums we all grapple with as we seek our true place in the world. Truly, a must-gift book this Christmas.

The Secret to Superhuman Strength

Blake Bailey

'Superlative... definitive and genuinely gripping' SUNDAY TIMES 
 
'Utterly engrossing' EVENING STANDARD 
 
'Compulsively readable... Beautifully written... Definitive' OBSERVER 
 
Appointed by Philip Roth and granted complete access and independence, Blake Bailey spent years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the post-war literary scene. 
 
Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth's rivalrous friendships with Saul Bellow, John Updike and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll's House. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of post-war American culture. 
 
*A 'BOOKS OF 2021' PICK IN THE OBSERVER, GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, EVENING STANDARD, SPECTATOR AND NEW STATESMAN*

Philip Roth

The Biography

David Vandermeulen

The first volume of the graphic adaptation of Yuval Noah Harari's global phenomenon and smash Sunday Times #1 bestseller, with gorgeous full-colour illustrations and a beautiful package - the perfect gift for the curious beings in your life. 
 
One hundred thousand years ago, at least six different species of humans inhabited Earth. Yet today there is only one-homo sapiens. What happened to the others? And what may happen to us? 
 
In this first volume of the full-colour illustrated adaptation of his groundbreaking book, renowned historian Yuval Harari tells the story of humankind's creation and evolution, exploring the ways in which biology and history have defined us and enhanced our understanding of what it means to be "human". From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, Sapiens challenges us to reconsider accepted beliefs, connect past developments with contemporary concerns, and view specific events within the context of larger ideas. 
 
Featuring 256 pages of full-colour illustrations and easy-to-understand text covering the first part of the full-length original edition, this adaptation of the mind-expanding book furthers the ongoing conversation as it introduces Harari's ideas to a wider new readership.

Sapiens A Graphic History, Volume 1

The Birth of Humankind

Julian Barnes

The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays 
 
‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ 
 
Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. 
 
Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century. 
 
‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year* 
‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup 
‘My book of the year.’ Natalie Haynes, Independent

Keeping an Eye Open

Essays on Art (Updated Edition)

‘It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...’ – Samuel Taylor Coleridge to William Sotheby, 27 September 1802 
 
This anthology of poems and prose ranges from literary weather – Homer’s winds, Ovid’s flood – to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting – weather rhymes, journals and jottings, diaries and letters – to the drama unfolding above our heads. 
 
The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other’s elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.

Gigantic Cinema

A Weather Anthology

Sean Borodale

The poems of Inmates stage encounters with insects at sites and moments of their refuge, torpor, hatching or fighting, of traversing a floor in the night or climbing a wall, of their death and decay – all in and around the house of the writer, with whom they are sharing time, as fellow inmates. 
 
There is an urgency to these poems, emerging from the instant of their writing, and the close attention Borodale brings to his observation of the natural world results in poems of real intensity. Inmates is an attempt to co-exist with the natural world – examining it, intimately, at the edge of language itself, where the human voice begins to break apart.

Inmates

Alex Halberstadt

'Engrossing' Daniel Beer, Guardian 
 
'A beautiful book... incisive, radiant' Olivia Laing 
 
'Illuminating, dramatic... majestic writing' Spectator 
 
'Enthralling... a triumph' Andrew Solomon 
 
Alex Halberstadt returns to Russia, the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family, in this haunting work of memoir and history. 
 
In Ukraine, Halberstadt tracks down his paternal grandfather - most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother's home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers' wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. 
 
Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

Young Heroes of the Soviet Union

A Memoir and a Reckoning

Joe Sacco

In his first full-length work of journalism in a decade, the 'heir to R. Crumb and Art Spiegelman' (Economist) brings his comics mastery to a story of indigenous North America, resource extraction, and our debt to the natural world 
 
*A GUARDIAN BOOK OF THE YEAR* 
 
The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around-it is central to their livelihood and their very way of being. But the subarctic Canadian Northwest Territories are also home to valuable natural resources, including oil, gas and diamonds. With mining came jobs and investment-but also road-building, pipelines and toxic waste, which scarred the landscape; and alcohol, drugs, and debt, which deformed a way of life. 
 
In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. Resource extraction is only part of Canada's colonial legacy: Sacco recounts the shattering impact of a residential school system that aimed to remove the Indian from the child; the destructive process that drove the Dene from the bush into settlements and turned them into wage labourers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. 
 
Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, telling a sweeping story about money and dependency, loss and culture, with stunning visual detail by one of the greatest comics reporters alive.

Paying the Land

Seán Hewitt

** WINNER OF THE LAUREL PRIZE 2021 ** 
 
**A SPECTATOR AND IRISH TIMES BOOK OF THE YEAR 2020** 
 
**SHORTLISTED FOR THE SUNDAY TIMES / UNIVERSITY OF WARWICK YOUNG WRITER OF THE YEAR AWARD 2020** 
 
**SHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE 2021** 
 
**SHORTLISTED FOR THE DALKEY LITERARY EMERGING WRITER OF THE YEAR AWARD 2021** 
 
A remarkable first collection by an important new poet 
 
In this collection, Seán Hewitt gives us poems of a rare musicality and grace. By turns searing and meditative, these are lyrics concerned with the matter of the world, its physicality, but also attuned to the proximity of each moment, each thing, to the spiritual. 
 
Here, there is sex, grief, and loss, but also a committed dedication to life, hope and renewal. Drawing on the religious, the sacred and the profane, this is a collection in which men meet in the woods, where matter is corrupted and remade. There are prayers, hymns, vespers, incantations, and longer poems which attempt to propel themselves towards the transcendent. 
 
In this book, there is always the sense of fragility allied with strength, a violence harnessed and unleashed. The collection ends with a series of elegies for the poet's father: in the face of despair, we are met with a fierce brightness, and a reclamation of the spiritual. 'This is when / we make God, and speak in his voice.' 
 
Paying close attention to altered states and the consolations and strangeness of the natural world, this is the first book from a major poet.

Tongues of Fire

Mark Doty

Mark Doty has always felt haunted by Walt Whitman’s bold, new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty – a poet, a lover of men, a New Yorker, and an American – keeps company with Whitman and his mutable, landmark work, Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work. 
 
What is it, then, between us? Whitman asks. Doty’s answer is to explore spaces tied to Whitman’s life and spaces where he finds the poet’s ghost, meditating on desire, love, and the mysterious wellsprings of the poet’s enduring work. How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman’s deeply hopeful vision of humanity.

What is the Grass

Raymond Briggs

In his customary pose as the grumpiest of grumpy old men, Raymond Briggs contemplates old age and death… and doesn’t like them much. 
 
Illustrated with Briggs’s inimitable pencil drawings, Time for Lights Out is a collection of short pieces, some funny, some melancholy, some remembering his wife who died young, others about the joy of grandchildren, of walking the dog… He looks back at his schooldays and his time as an evacuee during the war, and remembers his parents and the house in which he grew up. But most, like this one, are about his home in Sussex: 
 
Looking round this house, 
What will they say, 
The future ghosts? 
 
There must have been 
Some barmy old bloke here, 
Long-haired, artsy-fartsy type, 
Did pictures for kiddy books 
Or some such tripe. 
 
You should have seen the stuff 
He stuck up in that attic! 
Snowman this and snowman that, 
Tons and tons of tat.

Time For Lights Out

Sharon Olds

*SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE* 
 
Following her recent Odes, the Pulitzer Prize-winning poet gives us a new collection of poems that sing of a woman’s intimate life and political conscience. The atom bomb, Breaking Bad, the cervix, Trayvon Martin, her mother’s return from the dead: the peerless Sharon Olds once again takes up subject matter that is both difficult and ordinary, elusive and everywhere. 
 
 Each aria is shaped by its unique melody and moral logic, as Olds stands centre stage to account for her own late romance and chance wisdom, and faces the tragic life of our nation and our planet. ‘I cannot say I did not ask / to be born,’ begins one aria, which considers how, with what actions, with what thirst, we each ask for a turn, and receive our portion on earth. Olds delivers these pieces with all the passion, anguish, and solo force that make a great performance, in the process enlarging the soul of her readers. 
 
 ‘Olds is a supreme poet of the body; I’ll be reading her till I die’ Fiona Benson

Arias

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts. 
 
Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. 
 
As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Footnotes in Gaza

Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Serena Katt

Serena Katt’s grandfather, whom she knew as Opa, was a ‘Sunday’s Child’, one of the lucky ones for whom everything always went right. Opa left a brief account of his childhood and teenage years, but it is opaque, a story of prizes won and boyish adventures. In Sunday’s Child, Serena Katt interrogates Opa’s version of his life. Was it really so innocent? Did he really not know what the Nazis were doing? He joined the Hitler Youth at the age of ten, swearing an oath of loyalty to the Fuhrer. From then on the games he played were actually military training, designed to produce a ‘new German youth … violent, domineering, unafraid, cruel … which the world will fear’. At seventeen, in the final desperate days of the war, he is called up but his luck holds. He is sent home and thus survives the war. 
 
Sunday’s Child marks the debut of a remarkable graphic novelist. Serena Katt’s book is powerful, eloquent and moving, and her drawing is superb.

Sunday's Child

Guy Delisle

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

Shenzhen

A Travelogue From China

Martin Amis

Back in a facsimile edition is Martin Amis’s closet passion project, first published in 1982: a compulsive gamer’s guide to arcades and beating your younger self’s high score 
 
In this offbeat book, introduced by Stephen Spielberg, acclaimed author Martin Amis explores how 1980s video games took a generation by storm. Delving into the electric atmosphere of the arcades where he misspent his youth, he asks: Why did Space Invaders invade our hearts and minds? How much time, loose change and sex appeal did they cost us? And most importantly, which secret cheats and tactics must we master to reach the next level? 
 
Part cautionary tale, part celebration of a lifelong addiction, this is an essential manual for many a self-confessed cyber geek, computer nerd and joystick junkie.

Invasion of the Space Invaders

An Addict's Guide to Battle Tactics, Big Scores and the Best Machines

Alison Weir

Siobhan Clarke

Christmas in Tudor times was a period of feasting, revelry and merrymaking ‘to drive the cold winter away’. A carnival atmosphere presided at court, with a twelve-day-long festival of entertainments, pageants, theatre productions and ‘disguisings’, when even the king and queen dressed up in costume to fool their courtiers. Throughout the festive season, all ranks of subjects were freed for a short time from everyday cares to indulge in eating, drinking, dancing and game-playing. 
 
We might assume that our modern Christmas owes much to the Victorians. In fact, as Alison Weir and Siobhan Clarke reveal in this fascinating book, many of our favourite Christmas traditions date back much further. Carol-singing, present-giving, mulled wine and mince pies were all just as popular in Tudor times, and even Father Christmas and roast turkey dinners have their origins in this period. The festival was so beloved by English people that Christmas traditions survived remarkably unchanged in this age of tumultuous religious upheaval. 
 
Beautifully illustrated with original line drawings throughout, this enchanting compendium will fascinate anyone with an interest in Tudor life – and anyone who loves Christmas.

A Tudor Christmas

A Private Thriller

A series of children's modern classic novels by renowned 20th century children's writers. All the titles in this series have the A Puffin Book logo, contemporary-style covers, and child-friendly endnotes.

A Puffin Book

A Ripley Novel

A Slice of the Moon

A Victorian Mystery

A Walk in...

A Women’s Murder Club Thriller

A chef Paul Delamare Mystery

Aberrations

Across the Universe

Actiphons

Adelia Aguilar

Adrian Mole

Adventures in Time

Aftermath

Against War

Age of X

Agent 21

Agent Z

Detective Aidan Waits is a troubled junior detective haunted by his past. Facing an uncertain future, and disconnected from his history, DC Waits and his partner, Detective Inspector Peter 'Sutty' Sutcliffe work on Manchester's streets to uncover the city's worst criminals among the grime of the underworld.

Filters

Category

Age

Publication Date

Format

Series

Imprint

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter