PublicationStatus

Brand

Format

AgeRange

Series

Imprint

CategoryLabel

Laura Cumming

**WINNER OF THE SALTIRE BOOK OF THE YEAR AWARD 2024** 
**WINNER OF THE WRITERS' PRIZE 2024 | NON-FICTION** 
**SHORTLISTED FOR THE WOMEN’S PRIZE FOR NON-FICTION 2024** 
 
 
A beautifully illustrated new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. 
 
‘Brilliant’ Edmund de Waal * ‘Captivating’ Nina Stibbe * 'Extraordinary' India Knight 
 
On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving behind his haunting masterpiece The Goldfinch. 
 
Thunderclap explores what happened to Fabritius before and after the disaster whilst interweaving the lives of Laura Cumming, her painter father and the great artists of the Dutch Golden Age. It takes the reader from seventeenth-century Delft to twentieth-century Scottish islands, from Rembrandt’s studio to wartime America and contemporary London. This is a book about what a picture may come to mean, how it can enter your life and change your thinking in a thunderclap. 
 
‘Superb…this book taught me to see anew’ Daily Telegraph 
 
‘A book that often borders on the sublime in its sentiment and beauty’ Sunday Times

Thunderclap

A memoir of art and life & sudden death

Charlotte Van den Broeck

'Bold Ventures resembles a pop version of Iain Sinclair's psychogeography or Out of Sheer Rage, Geoff Dyer's anti-biography of DH Lawrence' Olivia Laing, GUARDIAN 
 
'A marvel: a monument to human beings continuing to reach for the skies, even after their plans dissolve in dust' NEW YORK TIMES 
 
In thirteen chapters, Belgian poet Charlotte Van den Broeck goes in search of buildings that were fatal for their architects - architects who either killed themselves or are rumoured to have done so. They range across time and space from a church with a twisted spire built in seventeenth-century France to a theatre that collapsed mid-performance in 1920s Washington, DC., and an eerily sinking swimming pool in her hometown of Turnhout. 
 
Drawing on a vast range of material, from Hegel and Charles Darwin to art history, stories from her own life and popular culture, patterns gradually come into focus, as Van den Broeck asks: what is that strange life-or-death connection between a creation and its creator? 
 
Threaded through each story, and in prose of great essayistic subtlety, Van den Broeck meditates on the question of suicide - what Albert Camus called the 'one truly serious philosophical problem' - in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking new ground in literary non-fiction, as well as providing solace and consolation - and a note of caution - to anyone who has ever risked their hand at a creative act. 
 
'What a sensible, intelligent and beautiful book' Stefan Hertmans, author of War and Turpentine

Bold Ventures

Thirteen Tales of Architectural Tragedy

Vincent Van Gogh

A new selection of Vincent Van Gough's letters, based on an entirely new translation, revealing his religious struggles, his fascination with the French Revolution, his search for love and his involvement in humanitarian causes.

The Letters of Vincent Van Gogh

Frances Spalding

The life of the painter and designer Duncan Grant spanned great changes in society and art, from Edwardian Britain to the 1970s, from Alma-Tadema to Gilbert and George. This authoritive biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art. 'Spalding's skill is to sketch out the intricate emotional web against the bright bold untouchable figure of the artist. . . Her achievement is to let that sense of a man living with his craft shine through on every page: the result is an exceptionally honest and warm portrait. ' Financial Times

Duncan Grant

**THE SUNDAY TIMES BESTSELLER** 
**SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD** 
 
Uncovering the mystery of her mother's disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. 
 
'A modern masterpiece' Guardian 
 
Autumn 1929 - a young girl is kidnapped from a beach. Five agonising days go by before she is discovered safe and well in a nearby village. The child remembers nothing of these events and at home, nobody ever speaks of them again. 
 
Decades later, Laura Cumming delves into the mystery surrounding her mother's disappearance. Examining everything from old family photos to letters, tickets and recipes, she uncovers a series of secrets and lies perpetuated not just by her family but by the whole community and in doing so unlocks a mystery almost a century old. 
 
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times 
 
Shortlisted for the Baillie Gifford Prize for Non-Fiction 
Shortlisted for the Rathbones Folio Prize 
Longlisted for the RSL Ondaatje Prize

On Chapel Sands

My mother and other missing persons

WINNER OF THE JAMES TAIT BLACK BIOGRAPHY PRIZE 
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 
 
Selected as a Book of the Year in the Herald 
 
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history - a quest that led from fame to ruin and exile. 
 
Fusing detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velázquez, bringing us closer to the creation and appreciation of his works than ever before.

The Vanishing Man

In Pursuit of Velazquez

Jacob Burckhardt

For nineteenth-century Swiss historian Jacob Burckhardt, the Italian Renaissance was nothing less than the beginning of the modern world - a world in which flourishing individualism and the competition for fame radically transformed science, the arts, and politics. In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

The Civilization of the Renaissance in Italy

Hilary Spurling

&quot;Hilary Spurling's THE UNKNOWN MATISSE is a truly wonderful biography. Her prose is muscular, rhythmical, carrying a lot of information, yet swift, enthralling. She has done for Matisse what George Painter famously did for Proust in the 1950s. Besides being a first-rate scholar, she is an artist in narrative who has unearthed a fascinating story and told it brilliantly. I rate this first volume with the first volume of Richard Holmes's COLERIDGE . Both books mark a climax in what has been called a golden age of modern biography which began with Richard Ellman's JAMES JOYCE. It is a terrific achievement.&quot; Michael Holroyd

The Unknown Matisse

Man of the North: 1869-1908

Thomas W. Laqueur

Long before the phrase ‘man’s best friend’ became common parlance, dogs were already standing beside us in art as in life. In The Dog’s Gaze, the historian Thomas W. Laqueur invites us to explore why they feature more than any other animal in the ways in which we picture ourselves and our stories. 
 
Dogs have been ubiquitous in the worldmaking of visual artists as far back as the Palaeolithic age. Looking across the western tradition, from Giotto to Goya and Rubens to Rego, Laqueur shows what their presence – as hunting partners, beloved friends and even conduits to the afterlife – reveals about our own ways of seeing and how we want to be remembered. Far from being mere motifs, dogs are an integral and intentional element of the images in which they appear: they provide narrative coherence; they look out and bear witness, often on the artist’s behalf; they illuminate our understanding of morality and melancholy and some, like us, become celebrities. Indeed, as the author shows, dogs in art are our social doppelgängers, our companions in looking and being. 
 
Richly illustrated and lovingly written, The Dog’s Gaze is a unique visual history that examines the shared social history of our two species and offers fresh insights into the human condition through the eyes of our canine companions.

The Dog's Gaze

A Visual History

Robert Hughes

A timeline of artistic endeavour from the formal resources of the past to the boom-and-bust media hype of a postmodern age. 
 
In these celebrated essays Robert Hughes explores the lives and works of more than 80 artists, from Hans Holbein to Andy Warhol and beyond, assessing their achievements (or lack of them) and how they altered the history of art for better or for worse. Castigating the excesses of the 1980s New York art scene, with its manufactured celebrity and inflated prices, he argues for the real values of art and outlines the way ahead for a new generation of artists.

Nothing If Not Critical

Tim Hayward

&#39;Hayward is one of the... best food writers alive.&#39; &ndash; Simon Schama in The New York TimesThe kitchen is the heart of the home &ndash; it&#39;s where we spend leisure time as a family, where we feed ourselves and where we entertain our friends. The average western family spends more money on the kitchen than they do on a car or a holiday.We fill our kitchens with objects and tools that reflect our needs, tastes and desires. There is nowhere else in daily domestic life where design impinges quite as much as in the kitchen.Every item in the kitchen has its own story. Through 70 familiar objects, The Modern Kitchen maps the progress and development of this functional yet also wildly aspirational space. Why do the casserole dish and the wooden salad bowl exert such a cultural hold over us? Has the accumulation of electrical appliances led us to cook and eat differently?As well as studying the individual objects that have had such a huge impact on the way we live now, The Modern Kitchen examines kitchen design, economics and social history through a series of essays. Embodying notions about class, gender, wealth and health, the home kitchen, its layout, set-up and contents, remains a neat illustration of our beliefs, tastes, aesthetics and aspirations &ndash; the portrait of our domestic lives.

The Modern Kitchen

Objects That Changed the Way We Cook, Eat and Live

Michael Levey

In this evocative memoir Michael Levey recreates a between-the-wars English childhood outwardly ordinary and undramatic, but inwardly rich, stirring, sometimes bewildering, and altogether far from typical, not least in its pervasive Catholic ethos. An only child, intensely self-aware, devout, yet questioning, as well as imaginative, drawn to Shakespeare and the theatre, and to all things visual, he grew up in Leigh-on-Sea on the Essex coast.  He attended a succession of Catholic schools, before joining the Army at the very end of the War.  Notably entertaining is his account of service life, spent partly in Egypt, as is the final chapter, which finds him arriving at the National Gallery in London, to begin a career that would culminate in his being appointed Director.With its precise evocation of a child's relationship with the world around him and with his parents - a couple united in reticent affection and intelligence, but totally opposed in temperament - The Chapel is on Fire will surely become a classic in the literature of childhood.

The Chapel is on Fire

Hermione Lee

The new, and only, biography of Booker Prize-winning novelist and art historian Anita Brookner, from one of our leading literary biographers 
 
Anita Brookner, art historian and novelist, was an intensely private person, who kept her friends in separate compartments and had secrets she never revealed. She grew tired of the assumption that her lonely heroines were versions of herself, and she resisted autobiographical readings of her books. But she gave away many intriguing glimpses of her own family life in interviews, and her own feelings, experiences and preoccupations fill her writings. Her life-story is both hidden and exposed. 
 
 
Born in south London in 1928, Brookner came from a family of middle-class, Polish-Jewish immigrants, with anxious, unhappy parents. Well into her thirties, she nursed her invalid mother, with a painful mixture of love and resentment. She would have liked a marriage and children; instead, she lived alone and became a great writer of solitude, self-knowledge and survival. For many years she worked at the Courtauld Institute, teaching French Romanticism, and influencing generations of students. In her fifties she began to write fiction: her first novel was the wryly titled A Start in Life. In 1984, she won the Booker Prize for Hotel du Lac; after that, a novel appeared almost every year until her eighties. 
 
In her lifetime Brookner was seen as an object of wonder and fascination. She was a formidable and inspiring teacher, an enormously knowledgeable, witty and perceptive art-historian and critic, and a novelist like no other. Her extraordinary fictions of heroic solitude, romantic passion, longing, and lethal social comedy, written with elegance and impeccable control, gained her a devoted following. But she also attracted some hostility and bafflement, often from readers challenged by the unsentimental realism of her fierce, strange and moving books. 
 
In this groundbreaking biography, Hermione Lee reveals the full story of a brilliant, idiosyncratic and complex woman and goes deep into Brookner’s marvellous work, in all its stylishness and daring.

Anita Brookner

Art and Life

Michael Goldfarb

Michael Goldfarb looks back to the Europe of the 1930s and asks how artists, writers and film-makers responded to the poverty, mass unemployment and poltical instability of the Great Depression. 
 
Through the work of Bertolt Brecht, George Orwell, Jean Renoir and others, Michael charts the devastating impact of the slump as economic crisis impoverished the continent, engulfing both highly-industrialised nations such as Germany and the more agrarian economies of Greece, Spain and Ireland. And as economic faultlines threaten to divide Europe once again, Michael asks whether a new art of austerity is now emerging. 
 
The novelists Anne Enright and Justin Cartwright are among Michael's guests as he considers how writers are responding to the latest wave of banking crises, spending cuts and popular protest. 
 
Produced by Julia Johnson. 
 
First broadcast on BBC Radio 3, 29 April 2012 
 
 
©2012 BBC Studios Distribution Ltd (P)2012 BBC Studios Distribution Ltd

Europe - The Art Of Austerity

Martin Gayford

Two artistic giants. One small house. 
 
From October to December 1888 a pair of largely unknown artists lived under one roof in the French provincial town of Arles. Paul Gauguin and Vincent Van Gogh ate, drank, talked, argued, slept and painted in one of the most intense and astonishing creative outpourings in history. Yet as the weeks passed Van Gogh buckled under the strain, fought with his companion and committed an act of violence on himself that prompted Gauguin to flee without saying goodbye to his friend. 
 
The Yellow House is an intimate portrait of their time together as well as a subtle exploration of a fragile friendship, art, madness, genius and the shocking act of self-mutilation that the world has sought to explain ever since.

The Yellow House

Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles

Laura Freeman

This first biography of the Kettle's Yard artists reveals the life of a visionary who helped shape twentieth-century British art and explores a thrilling moment in the history of modernism 
 
'The beautiful, revelatory biography we have been waiting for. I loved it' 
EDMUND DE WAAL 
 
'This book is the legacy Jim Ede might have wished for' 
OBSERVER 
 
The lives of Jim Ede and the Kettle's Yard artists represent a thrilling tipping point in twentieth-century modernism: a new guard, a new way of making and seeing, and a new way of living with art. The artists Ben and Winifred Nicholson, Henry Moore, Barbara Hepworth, Alfred Wallis and Henri Gaudier-Brzeska were not a set like the Bloomsbury Set or Ravilious and his friends. But Jim Ede recognised in each of the artists he championed something common and kindred, some quality of light and life and line. 
 
Jim Ede is the figure who unites them. His vision continues to influence the way we understand art and modern living. He was a man of extraordinary energies: a collector, dealer, fixer, critic and, above all, friend to artists. For Ede, works of art were friends and art could be found wherever you looked - in a pebble, feather or seedhead. Art lived and a life without art, beauty, friendship and creativity was a life not worth living. Art was not for galleries alone and it certainly wasn't only for the rich. At Kettle's Yard in Cambridge, he opened his home and his collection to all comers. He showed generations of visitors that learning to look could be a whole new way of life.

Ways of Life

Jim Ede and the Kettle's Yard Artists

Charles Nicholl

Leonardo da Vinci is the most mysterious of all the great artists, continuing to inspire and intrigue centuries after his death. Who lies behind the legend of the 'Renaissance genius'? What is the real story behind his elusive masterpieces and tantalizing notebooks? Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. This compelling, lyrical biography explores Leonardo's life as never before, brilliantly illuminating the man behind the enigma.

Leonardo Da Vinci

The Flights of the Mind

Orlando Figes

The Europeans is a richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their ambitious lives and complex loves were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous European cultural landscape that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, as they travelled across the whole continent from the British Isles to Imperial Russia. 
 
The Europeans is Orlando Figes' masterpiece. It describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premieres and bestsellers came into existence.

The Europeans

Three Lives and the Making of a Cosmopolitan Culture

Edmund de Waal

The gripping story of the lure of porcelain, or 'white gold', from the Number One bestselling author of The Hare with Amber Eyes. 
 
** A Sunday Times Top Ten Bestseller ** 
 
 "Other things in the world are white but for me porcelain comes first" 
 
 A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln, and fuse into porcelain - translucent, luminous, white. 
 
 Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain. Along the way, he meets the witnesses to its creation; those who were inspired, made rich or heartsick by it, and the many whose livelihoods, minds and bodies were broken by this obsession. It spans a thousand years and reaches into some of the most tragic moments of recent times. 
 
 In these intimate and compelling encounters with the people and landscapes who made porcelain, Edmund de Waal enriches his understanding of this rare material, the 'white gold' he has worked with for decades. 
 
'This is a haunting book, a book that amasses itself piece by piece, gaining in weight.' Olivia Laing, New Statesman 
 
'A mighty achievement' Guardian

The White Road

A Journey Into Obsession

a pilgrimage of sorts

Julia Blackburn

Winner of the East Anglian Book of the Year 2015 
Winner of the New Angle Book Prize 2017 
 
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. 
 
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. 
 
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. 
 
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

Threads

The Delicate Life of John Craske

Hisham Matar

Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others. 
 
This month in Siena would be an extraordinary period in the life of this writer: an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.

A Month in Siena

Simon Schama

Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a naked John Lennon five hours before his death. 
 
Simon Schama has written a tour de force about British portraits over the centuries in which the image-maker, the subject and everyone else looking on are brought unforgettably to life. Mesmerising in its extraordinary storytelling, and beautifully illustrated, The Face of Britain will change the way we see our past - and ourselves.

The Face of Britain

The Stories Behind the Nation’s Portraits

The Nation through Its Portraits

Lucy Adlington

Riffling through the wardrobes of years gone by, costume historian Lucy Adlington reveals the rich stories underlying the clothes we wear in this stylish tour of the most important developments in the history of fashion, from ancient times to the present day. 
 
Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few). 
 
Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.

Stitches in Time

The Story of the Clothes We Wear

Neil MacGregor

Following the award-winning BBC Radio 4 series, a panoramic exploration of peoples, objects and beliefs from the celebrated author of A History of the World in 100 Objects and Germany 
 
'Riveting, extraordinary ... tells the sweeping story of religious belief in all its inventive variety. The emphasis is not on our differences, but on shared spiritual yearnings' Rachel Campbell-Johnston, The Times, Books of the Year 
 
One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious. 
 
Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are. 
 
For in deciding how we live with our gods, we also decide how to live with each other. 
 
'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times

Living with the Gods

On Beliefs and Peoples

Jeremy Paxman

Jeremy Paxman's unique portrait of the Victorian age takes readers on an exciting journey through the birth of modern Britain. Using the paintings of the era as a starting point, he tells us stories of urban life, family, faith, industry and empire that helped define the Victorian spirit and imagination. 
 
To Paxman, these paintings were the television of their day, and his exploration of Victorian art and society shows how these artists were chronicling a world changing before their eyes. This enthralling history is Paxman at his best - opinionated, informed, witty, surprising - and a glorious reminder of how the Victorians made us who we are today.

The Victorians

Adolf Loos

<a href="https://shop.penguin.co.uk/collections/book-bundles-modern-classics/?&amp;utm_source=Penguin.co.uk&amp;utm_medium=Linked_text&amp;utm_campaign=Penguin_Modern_Classics_Series_26_06">Choose 3 timeless classics for only £21 over on the Penguin Shop</a>

'But art has nothing to do with forgery, with lies. The paths of art may be thorny, but they are clean.' 
 
Ornament and Crime comprises a selection of essays by celebrated Viennese architect, Adolf Loos, and cover the full range of design - from architecture to jewellery, pottery to plumbing, craft training to printing. A great enthusiast and great hater, Loos and his ideas were absolutely fundamental to 20th century aesthetics, as well as being very enjoyable to read. He extols heroes and denigrates villains, as he makes quite clear: 'If you want to have a contemporary craft, if you want to have contemporary utility objects, then poison the architects'. 
 
The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.

Ornament and Crime

Passionate, provocative, entertaining and informative, Scribble, Scribble, Scribble ranges far and wide: from cookery and family to Barack Obama, from preaching and Shakespeare to Victorian sages, from Charlotte Rampling and Hurricane Katrina to 'The Fate of Eloquence in the Age of The Osbournes'.

Scribble, Scribble, Scribble

Writing on Ice Cream, Obama, Churchill and My Mother

Vic Gatrell

The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell 
 
SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 
 
In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the eighteenth century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.

The First Bohemians

Life and Art in London's Golden Age

Benjamin Moser

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. 
 
As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? 
 
The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

The Upside-Down World

Meetings with the Dutch Masters

Christopher de Hamel

Christopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home. 
 
The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth. 
 
This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

Showing results for: ‘joseph delaney’

Filters

Category

Publication Date

Format

Series

Imprint

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter