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Edmund de Waal

The gripping story of the lure of porcelain, or 'white gold', from the Number One bestselling author of The Hare with Amber Eyes. 
 
** A Sunday Times Top Ten Bestseller ** 
 
 "Other things in the world are white but for me porcelain comes first" 
 
 A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln, and fuse into porcelain - translucent, luminous, white. 
 
 Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain. Along the way, he meets the witnesses to its creation; those who were inspired, made rich or heartsick by it, and the many whose livelihoods, minds and bodies were broken by this obsession. It spans a thousand years and reaches into some of the most tragic moments of recent times. 
 
 In these intimate and compelling encounters with the people and landscapes who made porcelain, Edmund de Waal enriches his understanding of this rare material, the 'white gold' he has worked with for decades. 
 
'This is a haunting book, a book that amasses itself piece by piece, gaining in weight.' Olivia Laing, New Statesman 
 
'A mighty achievement' Guardian

The White Road

A Journey Into Obsession

a pilgrimage of sorts

Peter Gay

In his most ambitious endeavour since Freud, acclaimed cultural historian Peter Gay traces and explores the rise of Modernism in the arts, the cultural movement that heralded and shaped the modern world, dominating western high culture for over a century. 
 
He traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York, presenting along the way a thrilling pageant of hereitcs that includes Oscar Wilde, Pablo Picasso, James Joyce, Walter Gropius and Any Warhol. The result is a work unique in its breadth and brilliance. 
 
Lavishly illustrated, Modernism is a superb achievement by one of our greatest historians.

Modernism

The Lure of Heresy - From Baudelaire to Beckett and Beyond

From the author of the bestselling phenomenon The Hare with Amber Eyes 
 
As you may have guessed by now, I am not in your house by accident. I know your street rather well. 
 
 The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. 
 
Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 
 
'Illuminating... A wonderful tribute to a family and to an idea' Guardian 
 
'Letters to Camondo immerses you in another age... Dazzling' Financial Times

Letters to Camondo

Kathy Acker

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'Acker gives her work the power to mirror the reader's soul' William S. Burroughs 
 
'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette Winterson 
 
This is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon. 
 
Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.

Blood and Guts in High School

Elizabeth Bingham

'A treasure of a collection' Amber Butchart, of BBC's The Great British Sewing Bee 
 
'I think I may already have discovered the best non fiction book of 2023' Reverend Richard Coles, author of A Murder Before Evensong 
 
Kneelers is a celebration of the most widely practised - but often overlooked - folk art in England and Wales over the past ninety years: the design and craft of church kneelers. Featuring charming stories and enchanting designs from churches across the country, the book traces the history of kneelers; from their spectacular beginnings at Winchester in the 1930s to their booming popularity after Queen Elizabeth II's coronation and the present-day congregations who are keeping the tradition alive. 
 
In their range and diversity, the kneelers collected here form a fascinating social record of the concerns and interests that occupied their makers - including local fauna and flora, cricket, dragons, post-war tributes and the thrills of high-speed travel. 
 
Filled to the brim with beautiful full-colour images, Kneelers displays the quirky artistry and widely varied (and often surprising) motifs which have characterised church kneelers in the twentieth century. It rejoices in the personal stories of some of the people who have practised and advanced the art form, and is a wonderful commemoration of what happens when communities come together to celebrate their history and their environment. 
 
'A glorious and delightful salute' Tracy Chevalier, author of A Single Thread 
 
'This book is a Godsend!' Alan Titchmarsh, author of The Gardener's Almanac

Kneelers

The Unsung Folk Art of England and Wales

Benjamin Moser

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. 
 
As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? 
 
The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

The Upside-Down World

Meetings with the Dutch Masters

Stephen Bayley

With all the wit, knowledge and wisdom of one of the UK's foremost cultural commentators, Stephen Bayley takes the reader on a satirical roller-coaster ride through the world of art and design in the late 20th century. 
 
'Brilliantly drawn ..the pages are full of Wildean paradoxes' The Spectator 
______________________________ 
 
Someone once said you can find beauty anywhere. But all Eustace Dunne can see is ugliness. 
The buildings are grey, the people are tired and unimaginative, the food is inedible and life is drab, drab, drab. 
 
Growing up in an England ravaged by the Second World War, Eustace resolves to make things beautiful again. A mercurial stint in art school gives him a springboard into a world that is changing so fast you have to hold on tight to keep up. And in that world, ambition, timing and a modicum of talent can transform you into anything you want to be. 
 
Before long he's an artist, a designer, a restaurateur, an entrepreneur, a genius. But becoming a bastion of perfect taste can be a grubby business. Eustace's charm may have secured his influence on the homes and hearts of a nation, but there are still people out there who know where the bodies are buried...

The Art of Living

A satirical novel

Michael Levey

In this evocative memoir Michael Levey recreates a between-the-wars English childhood outwardly ordinary and undramatic, but inwardly rich, stirring, sometimes bewildering, and altogether far from typical, not least in its pervasive Catholic ethos. An only child, intensely self-aware, devout, yet questioning, as well as imaginative, drawn to Shakespeare and the theatre, and to all things visual, he grew up in Leigh-on-Sea on the Essex coast.  He attended a succession of Catholic schools, before joining the Army at the very end of the War.  Notably entertaining is his account of service life, spent partly in Egypt, as is the final chapter, which finds him arriving at the National Gallery in London, to begin a career that would culminate in his being appointed Director.With its precise evocation of a child's relationship with the world around him and with his parents - a couple united in reticent affection and intelligence, but totally opposed in temperament - The Chapel is on Fire will surely become a classic in the literature of childhood.

The Chapel is on Fire

Riccardo Falcinelli

Have you ever wondered why so many pencils are yellow? Why black is the colour of mourning? Or why carrots are orange? 
 
In Chromorama, acclaimed graphic designer Riccardo Falcinelli delves deep into the history of colour to show how it has shaped the modern gaze. With over four hundred illustrations throughout and with examples ranging widely across art and culture - from Flaubert's novels to The Simpsons, from Byzantine jewellery to misshapen fruit, from the black lines of Mondrian to the thrillers of Hitchcock - Falcinelli traces the evolution of our long relationship with colour, and how first the industrial revolution, and then the dawn of the internet age, changed it forever. 
 
Beautiful, warm and wise, taking in the lives of philosophers, entrepreneurs, designers, astrologists, shop assistants and pastry chefs, Chromoroma is an engrossing account of shade and light, of tone and hue, of dyes, pigments, and pixels. It is the story of why we now see the world the way we do.

Chromorama

How Colour Changed Our Way of Seeing

Julia Blackburn

Winner of the East Anglian Book of the Year 2015 
Winner of the New Angle Book Prize 2017 
 
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. 
 
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. 
 
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. 
 
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

Threads

The Delicate Life of John Craske

Patricia Bosworth

Diane Arbus's startling photographic images of dwarfs, twins, transvestites, and freaks seemed from the first to redefine both the normal and the abnormal in our lives; they were already becoming part of the iconography of the age when Arbus committed suicide in 1971. Arbus herself remained an enigma until the publication of this first full biography. Patricia Bosworth examines the life behind the eerie, mesmerizing photographs: Diane's pampered childhood; her passionate marriage to Allan Arbus and their work together as fashion photographers during the fifties; the emotional upheaval surrounding the end of that marriage; and the radically dark, liberating, and ultimately tragic turn Diane's art took during the sixties. Bosworth's engrossing book is a compassionate portrait of the woman behind some of the most powerful photographs of our time.

Diane Arbus

Simon Schama

Churchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a naked John Lennon five hours before his death. 
 
Simon Schama has written a tour de force about British portraits over the centuries in which the image-maker, the subject and everyone else looking on are brought unforgettably to life. Mesmerising in its extraordinary storytelling, and beautifully illustrated, The Face of Britain will change the way we see our past - and ourselves.

The Face of Britain

The Stories Behind the Nation’s Portraits

The Nation through Its Portraits

Laura Cumming

WINNER OF THE JAMES TAIT BLACK BIOGRAPHY PRIZE 
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 
 
Selected as a Book of the Year in the Herald 
 
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history - a quest that led from fame to ruin and exile. 
 
Fusing detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velázquez, bringing us closer to the creation and appreciation of his works than ever before.

The Vanishing Man

In Pursuit of Velazquez

**THE SUNDAY TIMES BESTSELLER** 
**SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD** 
 
Uncovering the mystery of her mother's disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. 
 
'A modern masterpiece' Guardian 
 
Autumn 1929 - a young girl is kidnapped from a beach. Five agonising days go by before she is discovered safe and well in a nearby village. The child remembers nothing of these events and at home, nobody ever speaks of them again. 
 
Decades later, Laura Cumming delves into the mystery surrounding her mother's disappearance. Examining everything from old family photos to letters, tickets and recipes, she uncovers a series of secrets and lies perpetuated not just by her family but by the whole community and in doing so unlocks a mystery almost a century old. 
 
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times 
 
Shortlisted for the Baillie Gifford Prize for Non-Fiction 
Shortlisted for the Rathbones Folio Prize 
Longlisted for the RSL Ondaatje Prize

On Chapel Sands

My mother and other missing persons

Alastair Sooke

Whaam! Roy Lichtenstein - architect of Pop art, connoisseur of the comic strip, master of irony and prophet of popular culture. From exhilarating images of ice-cool jet pilots in dog fights, to blue-haired Barbie dolls drowning in scenes of domestic heartache, Lichtenstein's instantly recognisable paintings, with their Ben-Day dots and witty one-liners, defined the art of a generation. But how did a jobbing, unassuming painter of the Fifties become a world-famous Pop artist whose work today sells for millions? What do his paintings really tell us? And what is his legacy? 
 
This book, which can be read in two hours or less, is a perfect introduction to the artist and his work. Spanning Lichtenstein's career, and explaining his unique style, it is a journey through the life of one of the twentieth century's greatest artists.

Roy Lichtenstein

How Modern Art Was Saved by Donald Duck

Patrick Bringley

** THE NEW YORK TIMES BESTSELLER AND SUNDAY TIMES ART BOOK OF THE YEAR 2023 ** 
 
A revelatory portrait of a great museum and the moving story of one guard's quest to find solace and meaning in art 
 
'Who would have thought that the outstanding art book of you would have been written not by a curator or an art historian or even an artist - but by a museum guard?' Sunday Times 
 
When Patrick’s older brother dies at twenty-six, all he wants is to retreat. So, he does. He quits his job and seeks refuge in the most beautiful place he can think of: New York’s Metropolitan Museum of Art. 
 
All the Beauty in the World recounts Patrick’s time as a museum guard, keeping quiet vigil over some of our greatest treasures and uncovering the Met’s innermost secrets. As his connection to the art and the life that swirls around it grows, so does Patrick – and gradually he emerges transformed by heartbreak, community and the power of art to illuminate life in all its pain, pleasure and hope. 
 
'As luminous as the old masters paintings' Daily Mail 
'Consoling and beautiful' Guardian 
'Marvellous' Daily Telegraph 
'A beautiful tale about beauty. It is also a tale about grief, balancing solitude and comradeship, and finding joy in both the exalted and the mundane' Washington Post 
 
*New York Times bestseller, Nov 24

All the Beauty in the World

A Museum Guard’s Adventures in Life, Loss and Art

Christopher de Hamel

The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. 
 
This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club. 
 
This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. 
 
In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.

The Posthumous Papers of the Manuscripts Club

Charlotte Van den Broeck

'Bold Ventures resembles a pop version of Iain Sinclair's psychogeography or Out of Sheer Rage, Geoff Dyer's anti-biography of DH Lawrence' Olivia Laing, GUARDIAN 
 
'A marvel: a monument to human beings continuing to reach for the skies, even after their plans dissolve in dust' NEW YORK TIMES 
 
In thirteen chapters, Belgian poet Charlotte Van den Broeck goes in search of buildings that were fatal for their architects - architects who either killed themselves or are rumoured to have done so. They range across time and space from a church with a twisted spire built in seventeenth-century France to a theatre that collapsed mid-performance in 1920s Washington, DC., and an eerily sinking swimming pool in her hometown of Turnhout. 
 
Drawing on a vast range of material, from Hegel and Charles Darwin to art history, stories from her own life and popular culture, patterns gradually come into focus, as Van den Broeck asks: what is that strange life-or-death connection between a creation and its creator? 
 
Threaded through each story, and in prose of great essayistic subtlety, Van den Broeck meditates on the question of suicide - what Albert Camus called the 'one truly serious philosophical problem' - in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking new ground in literary non-fiction, as well as providing solace and consolation - and a note of caution - to anyone who has ever risked their hand at a creative act. 
 
'What a sensible, intelligent and beautiful book' Stefan Hertmans, author of War and Turpentine

Bold Ventures

Thirteen Tales of Architectural Tragedy

Stephen Greenblatt

Selected as a book of the year 2017 by The Times and Sunday Times 
 
What is it about Adam and Eve’s story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? 
 
The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. 
 
In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton’s Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory.

The Rise and Fall of Adam and Eve

The Story that Created Us

Luis Bunuel

A master filmmaker, inimitable, and unrelenting in his assault on bourgeois values.  Bunuel's method is free from all artifice, and his honesty and humour are to extreme to accept any compromise in exposing our deceit and our decadence.  Like Pasolini, his work offers a remarkably sophisticated political analysis, but remains based in the essentially peasant values of storytelling, and the purposefully unsystematic supervisions of laughter.

My Last Breath

Frances Spalding

The life of the painter and designer Duncan Grant spanned great changes in society and art, from Edwardian Britain to the 1970s, from Alma-Tadema to Gilbert and George. This authoritive biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art. 'Spalding's skill is to sketch out the intricate emotional web against the bright bold untouchable figure of the artist. . . Her achievement is to let that sense of a man living with his craft shine through on every page: the result is an exceptionally honest and warm portrait. ' Financial Times

Duncan Grant

William Morris

Visionary English Socialist and pioneer of the Arts and Crafts movement, William Morris argued that all work should be a source of pride and satisfaction, and that everyone should be entitled to beautiful surroundings &ndash; no matter what their class. 
 
Throughout history, some books have changed the world. They have transformed the way we see ourselves &ndash; and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives &ndash; and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Useful Work v. Useless Toil

Damian Dibben

Artists flock to Renaissance Venice for wealth, fame and revolutionary colour. Yet for Giorgione 'Zorzo' Barbarelli, competition is fierce and debts are mounting. Then Zorzo hears of a brand new pigment, owned by merchant Jakob Fugger, which could change his fate. 
To get closer to Fugger, Zorzo befriends his wife, Sybille. Soon, he's lost - enchanted by her - but acting on his feelings would put him in huge danger. 
As water levels rise and the plague creeps closer, Zorzo isn't sure whom he can trust. Will Sybille be the key to Zorzo's success, or the reason for his downfall?

The Colour Storm

Winner of the HWA Gold Crown Award 2023

Grayson Perry

'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times 
 
Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking up to an Academic Elite'). Based on his hugely popular BBC Radio 4 Reith Lectures and full of pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but seem too embarrassing to ask.

Playing to the Gallery

Helping Contemporary Art in its Struggle to Be Understood

Maggie Nelson

**AS SEEN ON BBC2's BETWEEN THE COVERS** 
 
A Guardian Book of the Year 
 
Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing 
 
Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. 
 
Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Bluets

Man Ray

In this remarkable autobiography, Man Ray - painter, photographer, sculptor, film maker and writer - relates the story of his life, from his childhood determination to be an artist and his technical drawing classes in a Brooklyn high school, to the glamorous and heady days of Paris in the 1940s, when any trip to the city 'was not complete until they had been "done" by Man Ray's camera'. 
 
Friend to everyone who was anyone, Ray tells everything he knows of artists, socialites and writers such as Matisse, Hemingway, Picasso and Joyce, not to mention Lee Miller, Nancy Cunard, Alberto Giacometti, Gertrude Stein, Dali, Max Ernst and many more, in this decadent, sensational account of the early twentieth-century cultural world.

Self-Portrait

Daniel Farson

Widely regarded as the best British painter since Turner, very little is known about Francis Bacon's life. In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

The Gilded Gutter Life of Francis Bacon

The Authorized Biography

Katy Hessel

THE INSTANT SUNDAY TIMES AND NEW YORK TIMES BESTSELLER 
 
Book of the Year: Waterstones, The Times, Sunday Times, Daily Mail, Daily Mirror, iPaper and Bookshop.org 
 
'A spirited, inspiring, brilliantly illustrated history of female artistic endeavour' Laura Freeman, The Times 
 
'Will change the history of art . . . thank God' Tracey Emin 
 
How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? 
 
Discover the glittering Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century USA and the artist who really invented the Readymade. Explore the Dutch Golden Age, the astonishing work of post-War artists in Latin America and the women artists defining art in the 2020s. Have your sense of art history overturned, and your eyes opened to many art forms often overlooked or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before. 
 
'I am so thrilled this book exists' Elizabeth Day

The Story of Art without Men

James Fox

Britain has always been a craft land. For generations what we made with our hands defined our identities, built our communities and shaped our regions. Craftland chronicles the vanishing skills and traditions that once governed every aspect of life on these shores. 
 
Travelling the length of Britain, from the Scilly Isles to the Scottish Highlands, James Fox seeks out the country’s last remaining master craftspeople. Stepping inside the workshops of blacksmiths and wheelwrights, cutlers and coopers, bell-founders and watchmakers, we glimpse not only our past but another way of life — one that is not yet lost and whose wisdom could shape our future. 
 
For as long as there are humans, there will be craft. It is all around us, hiding in plain sight, enriching even the most modest things. And in this increasingly digital age, it is perhaps more valuable than ever. Craftland is a celebration of that deeply necessary connection between our creative instincts and the material world we inhabit, revealing a richer and more connected way of living.

Craftland

A Journey Through Britain’s Lost Arts and Vanishing Trades

Philippe Aries

In this pioneering and important book, Philippe Aries surveys children and their place in family life from the Middle Ages to the end of the eighteenth century. The first section of the book explores the gradual change from the medieval attitude to children, looked upon as small adults as soon as they were past infancy, to the seventeenth and eighteenth century awareness of the child as the focal point of family life. Aries goes on to examine the schooling of children and the development of modern educational methods. In the second section, he describes the metamorphosis of the family: at first the family was a unit in which everything was open and public and children mingled with adults in the social life of the community; eventually the family become a closed or private society, within which children had a unique and important status.

Centuries Of Childhood

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