Virginia Woolf, born in 1882, was the major novelist at the heart of the inter-war Bloomsbury Group. Her early novels include The Voyage Out, Night and Day and Jacob's Room. Between 1925 and 1931 she produced her finest masterpieces, including Mrs Dalloway, To the Lighthouse, Orlando and the experimental The Waves. Her later novels include The Years and Between the Acts, and she also maintained an astonishing output of literary criticism, journalism and biography, including the passionate feminist essay A Room of One's Own. Suffering from depression, she drowned herself in the River Ouse in 1941.

Virginia Woolf

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Virginia Woolf was a close friend of Roger Fry for many years - after his death she wrote this loving account of his passion for art, his own painting, and his challenging critical theories. Born in 1866, he was primarily responsible for bringing the post-Impressionist movement to Britain, organising the first exhibitions and establishing the Omega workshops: he was also curator of the Metropolitan Museum of Modern Art in New York. Virginia Woolf describes his career and also brings to life Fry's private self, his pain, his resilience, his generosity of spirit, which made him such a powerful influence on his own and future generations.

Roger Fry

Charlie Porter

Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born. 
 
In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster's top buttons to the creativity of Vanessa Bell's wayward hems; from the sheer pleasure of Ottoline Morrell's lavish dresses to the clashing self-consciousness of Virginia Woolf's orange stockings; from Duncan Grant's liberated play with nudity to John Maynard Keynes's power play in the traditional suit. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. 
 
As he travels through libraries, archives, attics and studios, Porter uncovers new evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he begins making his own clothing, his own perspective on fashion-and on life-starts to change. In the end, he shows, we should all 'bring no clothes', embracing not just a new way with fashion but a new philosophy of living-one which activates the connections between the way we dress and the way we think, act and love.

Bring No Clothes

Bloomsbury and the Philosophy of Fashion

Virginia Nicholson

'Racy, vivacious, warm-hearted. Offers an illuminating and well-researched portrait of life among the artists, a century ago' TLS 
 
Subversive, eccentric and flamboyant, the artistic community in the first half of the twentieth century were ingaged in a grand experiment. 
The Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels. 
 
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.

Among the Bohemians

Experiments in Living 1900-1939

Laura Cumming

**THE SUNDAY TIMES BESTSELLER** 
**SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD** 
 
Uncovering the mystery of her mother's disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. 
 
'A modern masterpiece' Guardian 
 
Autumn 1929 - a young girl is kidnapped from a beach. Five agonising days go by before she is discovered safe and well in a nearby village. The child remembers nothing of these events and at home, nobody ever speaks of them again. 
 
Decades later, Laura Cumming delves into the mystery surrounding her mother's disappearance. Examining everything from old family photos to letters, tickets and recipes, she uncovers a series of secrets and lies perpetuated not just by her family but by the whole community and in doing so unlocks a mystery almost a century old. 
 
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times 
 
Shortlisted for the Baillie Gifford Prize for Non-Fiction 
Shortlisted for the Rathbones Folio Prize 
Longlisted for the RSL Ondaatje Prize

On Chapel Sands

My mother and other missing persons

Maggie Nelson

**AS SEEN ON BBC2's BETWEEN THE COVERS** 
 
A Guardian Book of the Year 
 
Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing 
 
Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. 
 
Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Bluets

John Batchelor

An entertaining account of an extraordinary cultural and historical event: - the establishment by one highly intelligent woman of a salon of the arts in a beautiful country house in Northumberland. Wallington Hall was remote from the major centres of artistic activity, such as London and Edinburgh. Yet Pauline Trevelyan single handedly made it the focus of High Victorian cultural life. Among those she attracted into her orbit were Ruskin, Swinburne, the Brownings, the Rossettis (Dante Gabriel, Christina and William Michael), Carlyle, and Millais and other members of the Pre-Raphaelite Brotherhood. 
The penniless but clever daughter of a clergyman, Pauline Jermyn married an older man whom she met through a shared passion for geology. Sir Walter Trevelyan was a philanthropist, teetotal, vegetarian, pacificist ... and very rich. With his encouragement, she collected works of art and decorated Wallington Hall with a cycle of vast paintings on the history of Northumberland. She was a patron of the arts who provided a fostering environment for many of the geniuses of her day. After her death, Swinburne wept every time her name was mentioned.

Lady Trevelyan and the Pre-Raphaelite Brotherhood

Mathelinda Nabugodi

Wordsworth, Shelley, Byron, Keats – the Romantic poets are titans of English literature, taught and celebrated around the world. Their work is associated with sublime passions, violent stormscapes and a questing search for the inner self. It is rarely associated with the racial politics of the transatlantic slave economy. 
 
But these literary icons lived through a period when individual and collective resistance by Black people in Britain and her overseas colonies was making it increasingly difficult – and increasingly costly – to ignore their demands for freedom. A time when popular support for the abolition movement exploded across the country – and was met by a vehement, reactionary campaign from the establishment. A time when white supremacist ideologies were fomented to justify the abuse and exploitation of non-white 'races'. This cultural context is not immediately obvious in the canon of Romantic poetry. But that doesn’t mean it’s not there. 
 
The Trembling Hand turns an urgent critical gaze onto six major Romantic authors, examining how their lives and works were entangled with the racist realities of their era. Mathelinda Nabugodi pores over carefully preserved manuscripts, travels to the houses where these writers lived and died, examines the personal objects which survived them: a teacup, a baby rattle, a lock of hair. Amid this archive, she searches for traces of Black figures whose lives crossed paths with the great Romantics. And she grapples with the opposing forces of reverence and horror as her fascination with literary relics collides with feelings of sorrow and rage.

The Trembling Hand

Reflections of a Black Woman in the Romantic Archive

Liliane Lijn

In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men. 
 
In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: ‘There never have been.’ 
 
Liquid Reflections is her memoir of these years of experiment and adventure – years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. 
 
And she sought – and found – radical pleasure in the act of creative expression and in the living, sensuous world around her. 
 
Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 
 
'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity…’ Liliane Lijn

Liquid Reflections

**WINNER OF THE SALTIRE BOOK OF THE YEAR AWARD 2024** 
**WINNER OF THE WRITERS' PRIZE 2024 | NON-FICTION** 
**SHORTLISTED FOR THE WOMEN’S PRIZE FOR NON-FICTION 2024** 
 
 
A beautifully illustrated new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean. 
 
‘Brilliant’ Edmund de Waal * ‘Captivating’ Nina Stibbe * 'Extraordinary' India Knight 
 
On the morning of 12 October 1654, a gunpowder explosion devastated the Dutch city of Delft. Among the fatalities was the painter Carel Fabritius, dead at thirty-two, leaving behind his haunting masterpiece The Goldfinch. 
 
Thunderclap explores what happened to Fabritius before and after the disaster whilst interweaving the lives of Laura Cumming, her painter father and the great artists of the Dutch Golden Age. It takes the reader from seventeenth-century Delft to twentieth-century Scottish islands, from Rembrandt’s studio to wartime America and contemporary London. This is a book about what a picture may come to mean, how it can enter your life and change your thinking in a thunderclap. 
 
‘Superb…this book taught me to see anew’ Daily Telegraph 
 
‘A book that often borders on the sublime in its sentiment and beauty’ Sunday Times

Thunderclap

A memoir of art and life & sudden death

Charlotte Van den Broeck

'Bold Ventures resembles a pop version of Iain Sinclair's psychogeography or Out of Sheer Rage, Geoff Dyer's anti-biography of DH Lawrence' Olivia Laing, GUARDIAN 
 
'A marvel: a monument to human beings continuing to reach for the skies, even after their plans dissolve in dust' NEW YORK TIMES 
 
In thirteen chapters, Belgian poet Charlotte Van den Broeck goes in search of buildings that were fatal for their architects - architects who either killed themselves or are rumoured to have done so. They range across time and space from a church with a twisted spire built in seventeenth-century France to a theatre that collapsed mid-performance in 1920s Washington, DC., and an eerily sinking swimming pool in her hometown of Turnhout. 
 
Drawing on a vast range of material, from Hegel and Charles Darwin to art history, stories from her own life and popular culture, patterns gradually come into focus, as Van den Broeck asks: what is that strange life-or-death connection between a creation and its creator? 
 
Threaded through each story, and in prose of great essayistic subtlety, Van den Broeck meditates on the question of suicide - what Albert Camus called the 'one truly serious philosophical problem' - in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking new ground in literary non-fiction, as well as providing solace and consolation - and a note of caution - to anyone who has ever risked their hand at a creative act. 
 
'What a sensible, intelligent and beautiful book' Stefan Hertmans, author of War and Turpentine

Bold Ventures

Thirteen Tales of Architectural Tragedy

Edmund de Waal

From the author of the bestselling phenomenon The Hare with Amber Eyes 
 
As you may have guessed by now, I am not in your house by accident. I know your street rather well. 
 
 The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. 
 
Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 
 
'Illuminating... A wonderful tribute to a family and to an idea' Guardian 
 
'Letters to Camondo immerses you in another age... Dazzling' Financial Times

Letters to Camondo

Michael Levey

In this evocative memoir Michael Levey recreates a between-the-wars English childhood outwardly ordinary and undramatic, but inwardly rich, stirring, sometimes bewildering, and altogether far from typical, not least in its pervasive Catholic ethos. An only child, intensely self-aware, devout, yet questioning, as well as imaginative, drawn to Shakespeare and the theatre, and to all things visual, he grew up in Leigh-on-Sea on the Essex coast.  He attended a succession of Catholic schools, before joining the Army at the very end of the War.  Notably entertaining is his account of service life, spent partly in Egypt, as is the final chapter, which finds him arriving at the National Gallery in London, to begin a career that would culminate in his being appointed Director.With its precise evocation of a child's relationship with the world around him and with his parents - a couple united in reticent affection and intelligence, but totally opposed in temperament - The Chapel is on Fire will surely become a classic in the literature of childhood.

The Chapel is on Fire

Christopher de Hamel

Christopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home. 
 
The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth. 
 
This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

The Migrants

A Memoir with Manuscripts

Vic Gatrell

The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell 
 
SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 
 
In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the eighteenth century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.

The First Bohemians

Life and Art in London's Golden Age

Hisham Matar

Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others. 
 
This month in Siena would be an extraordinary period in the life of this writer: an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.

A Month in Siena

Celia Paul

A unique combination of memoir and artistic biography, interspersed with original artworks, from the acclaimed artist and author of SELF-PORTRAIT. 
 
We are both painters. We can connect to each other through images, in our own unvoiced language. But I will try and reach you with words. Through talking to you I may come alive and begin to speak. 
 
Celia Paul has felt a lifelong connection to the artist Gwen John. There are extraordinary parallels in their lives and work. Both have always made art on their own terms. Both were involved with older male artists. Both worked hard to keep themselves and the sacred flame of their creativity from being extinguished by others. 
 
Letters to Gwen John is Paul&rsquo;s imagined correspondence with this groundbreaking painter. These intimate, passionate, haunting letters offer a unique form of memoir and conversation, and an unforgettable insight into a life devoted to making art. 
 
'Beautiful, tender, and riveting. I have taken this book into my heart' 
CLAIRE-LOUISE BENNETT 
 
'A beguiling, singular work of art &ndash; a portrait of two lives, entwined through time and space' 
DAILY TELEGRAPH

Letters to Gwen John

Martin Gayford

Love not landscape was the making of Constable . . . 
 
John Constable and Maria Bicknell might have been in love but their marriage was a most unlikely prospect. Constable was a penniless painter who would not sacrifice his art for anything, while Maria's family frowned on such a penurious union. For seven long years the couple were forced to correspond and meet clandestinely. 
 
But it was during this period of longing that Constable developed as a painter. And by the time they'd overcome all obstacles to their marriage, he was on the verge of being recognised as a genius. 
 
Martin Gayford brings alive the time of Jane Austen in telling the tremendous story of Constable's formative years, as well as this love affair's tragic conclusion which haunted the artist's final paintings.

Constable In Love

Love, Landscape, Money and the Making of a Great Painter

Charlotte Higgins

'Charlotte Higgins's Red Thread is a masterwork' Ali Smith 
 
A thrillingly original, labyrinthine journey through myth, art, literature, history, archaeology and memoir. 
 
 The tale of how the hero Theseus killed the Minotaur, finding his way out of the labyrinth using Ariadne's ball of red thread, is one of the most intriguing, suggestive and persistent of all myths, and the labyrinth - the beautiful, confounding and terrifying building created for the half-man, half-bull monster - is one of the foundational symbols of human ingenuity and artistry. 
 
 Charlotte Higgins, author of the Baillie Gifford-shortlisted Under Another Sky, tracks the origins of the story of the labyrinth in the poems of Homer, Catullus, Virgil and Ovid, and with them builds an ingenious edifice of her own. Along the way, she traces the labyrinthine ideas of writers from Dante and Borges to George Eliot and Conan Doyle, and of artists from Titian and Velázquez to Picasso and Eva Hesse. 
 
 Her intricately constructed narrative asks what it is to be lost, what it is to find one's way, and what it is to travel the confusing and circuitous path of a lived life. Red Thread is, above all, a winding and unpredictable route through the byways of the author's imagination - one that leads the reader on a strange and intriguing journey, full of unexpected connections and surprising pleasures.

Red Thread

On Mazes and Labyrinths

Orlando Figes

The Europeans is a richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their ambitious lives and complex loves were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous European cultural landscape that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, as they travelled across the whole continent from the British Isles to Imperial Russia. 
 
The Europeans is Orlando Figes' masterpiece. It describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premieres and bestsellers came into existence.

The Europeans

Three Lives and the Making of a Cosmopolitan Culture

WINNER OF THE JAMES TAIT BLACK BIOGRAPHY PRIZE 
SHORTLISTED FOR THE RATHBONES FOLIO PRIZE 
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 
 
Selected as a Book of the Year in the Herald 
 
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history - a quest that led from fame to ruin and exile. 
 
Fusing detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velázquez, bringing us closer to the creation and appreciation of his works than ever before.

The Vanishing Man

In Pursuit of Velazquez

A deeply personal, first-hand account of art, survival and resistance in wartime Ukraine 
Charlotte Higgins never imagined she would report on a war. But in the autumn of 2022, seven months into Russia’s full-scale invasion of Ukraine, she travelled there to cover a literary festival. The experience would change her life. 
In a war fuelled by the attempted erasure of Ukrainian culture – one that has killed countless artists and created countless more – art has become a matter of life and death. In times of war, art and literature are where difficulty and complexity survive: where the most painful, unspeakable truths can still be faced. 
Drawing on two decades of cultural journalism, three years of reporting trips to Ukraine, and her training as a classicist, Ukrainian Lessons explores the profound connections between war, art and life. It is a searing, urgent and unforgettable book about what artists are prepared to risk – and why culture remains worth fighting for.

Ukrainian Lessons

Art in a Time of War

Vincent Van Gogh

A new selection of Vincent Van Gough's letters, based on an entirely new translation, revealing his religious struggles, his fascination with the French Revolution, his search for love and his involvement in humanitarian causes.

The Letters of Vincent Van Gogh

Kate Strasdin

The hidden fabric of a Victorian woman's life told through her unique scrapbook. 
 
In 1838, Anne Sykes was given a diary on her wedding day. Using it to collect snippets of fabric, she created a record of her life and times. Nearly two hundred years later, the diary fell into the hands of fashion historian Kate Strasdin who spent the next six years unravelling the secrets contained within its pages. 
 
Piece by piece, she charts Anne's life and times. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry. Through the evidence of waistcoats, ball gowns and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear. 
 
&lsquo;Flawless&rsquo; Amber Butchart 
&lsquo;Fascinating&rsquo; Clare Hunter 
&lsquo;Irresistible&rsquo; The Times

The Dress Diary of Mrs Anne Sykes

Secrets from a Victorian Woman’s Wardrobe

Evelyn Waugh

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Evelyn Waugh's first book, Rossetti, is an intimate account of Dante Gabriel Rossetti's tragic and mysterious life: the story behind some of the greatest poetry and painting of the nineteenth century. Shot through with Waugh's charm and dry wit, and illuminated by his sense of kinship with the Pre-Raphaelite artist, Rossetti is at once a brilliant reevaluation of Rossetti's work and legacy, as well as a bold gesture of defiance against the art establishment of the 1920s.

Rossetti

His Life and Works

Karl Ove Knausgaard

A brilliantly wide-ranging essay collection from the author of My Struggle, spanning literature, philosophy, art and how our daily and creative lives intertwine. 
 
In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English, and these brilliant and wide-ranging pieces meditate on themes familiar from his groundbreaking fiction. 
 
Here, Knausgaard discusses Madame Bovary, the Northern Lights, Ingmar Bergman, and the work of an array of writers and visual artists, including Knut Hamsun, Michel Houellebecq, Anselm Kiefer and Cindy Sherman. 
 
These essays beautifully capture Knausgaard's ability to mediate between the deeply personal and the universal, demonstrating his trademark self-scrutiny and his deep longing to authentically see, understand, and experience the world. 
 
'Knausgaard is among the finest writers alive' New York Times

In the Land of the Cyclops

Essays

Julia Blackburn

Winner of the East Anglian Book of the Year 2015 
Winner of the New Angle Book Prize 2017 
 
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. 
 
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. 
 
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. 
 
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

Threads

The Delicate Life of John Craske

Giorgio Vasari

In his Lives of the Artists of the Italian Renaissance, Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect. 
Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgements have made him one of the most influential art historians of all time.

Lives of the Artists

Josceline Dimbleby

A chance encounter with Andrew Lloyd Webber at a summer party sent Josceline Dimbleby on a quest to uncover a mystery in her own family's past. Her great-aunt Amy Gaskell was the subject of a beautiful dark portrait by the Pre-Raphaelite painter Edward Burne-Jones, but all that was known about Amy, according to family lore, was that she had 'died young of a broken heart'. 
 
In her search, Josceline discovered a cache of unpublished letters from Burne-Jones to her great-grandmother May Gaskell, Amy's mother.They formed a passionate and prolific correspondence, of up to five letters a day, from the last six years of the painter's life. As she read, more and more questions were raised: why did Burne-Jones feel he had to protect May from an overwhelming sadness? What was the deep secret she had confided to him? And what was the tragic truth behind beautiful Amy's wayward, wandering life, her strange marriage and her unexplained early death?

A Profound Secret

May Gaskell, her daughter Amy, and Edward Burne-Jones

Albert Camus

Maria Casarès

You and I met and fell in love passionately, impatiently, dangerously. I regret nothing and I feel that these last days I’ve lived are enough to justify a life. – Albert Camus to Maria Casarès, 1st July 1944 
 
Their affair began in wartime Paris. Maria Casarès, a young Spanish actress, was starring in a production of the great writer’s play The Misunderstanding, and at an after-party hosted by Simone de Beauvoir and Jean-Paul Sartre, they embarked on a brief but passionate relationship. Separated by the end of the Occupation and the return of Camus’s wife to Paris, the couple were reunited by chance one day on the boulevard Saint-Germain, and from that day forward – until the fatal car crash that took Camus’s life in 1960 – they were inseparable. 
 
Their correspondence, uninterrupted for over a decade, is testimony to the depth of their connection while also offering a vivid portrait of artistic life in post-war Europe. Camus and Casarès debate books and politics; describe encounters with Colette, Cocteau, Gide and Picasso; discuss stardom and everyday life, their love of the sea and nature, their doubts and dreams. Above all, they describe a relationship that feels like an impossible gift. 
 
Translated into English for the first time by Sandra Smith and Cory Stockwell, these 865 letters reveal the intimate personal lives of two extraordinary artists, and record one of the great love affairs of the twentieth century.

Letters

1944-1959

Stephen Greenblatt

Selected as a book of the year 2017 by The Times and Sunday Times 
 
What is it about Adam and Eve’s story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? 
 
The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. 
 
In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton’s Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory.

The Rise and Fall of Adam and Eve

The Story that Created Us

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Woolf on film

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Where to start reading Virginia Woolf

The History of Hogarth Press

A gif of Virginia Woolf next to an image of a table laden with food

12 times Virginia Woolf understood the millennial condition

A collage of images of Vita Sackville-West and Virginia Woolf with illustrations of love letters

Virginia Woolf’s (not so) secret lesbian relationship – in her own words

Lifestyle shot of Love Letters: Vita and Virginia, standing on a white marble base against a pale pink wall. A green fabric ribbon is draped across the front of the shot, and a mug and pink flowers stand to the left of the book.

14 romantic quotes from the love letters of Virginia Woolf and Vita Sackville-West

Weekly Penguin quiz: How well do you know Watership Down?

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Weekly quiz: Are you a Virginia Woolf expert?

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9 brilliant pieces of gender bending fiction

Six Vintage Books Every Aspiring Writer Should Read

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In defence of the exclamation mark!

Defending The Well of Loneliness

The humble picnic has proved a memorable literary backdrop

The best picnic scenes in literature

10 literary ways to explore London | Curiocity

10 literary hot spots to visit in London

Brilliant LGBTQ+ books you may not have discovered yet

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Why Mrs Dalloway is the perfect novel for our times

Books that defined the 1920s

Deborah Levy on the art of living

Queer classics to read during LGBTQ+ History Month

Life according to Jilly Cooper

From Jane Austen's Chawton to Bram Stoker's Whitby, this is the definitive literary tour of Great Britain and Northern Ireland.

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