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Emma Smith

THE SUNDAY TIMES BESTSELLER 
 
'An outstanding book ... lively, curious and passionate' Literary Review 
 
Why should you read a book about Shakespeare and his plays? 
Because he is a timeless genius whose work encapsulates the human condition? 
Or is it something more unexpected?

This Is Shakespeare

How to Read the World's Greatest Playwright

Simon Callow

A companion volume to Being an Actor, Callow's classic text about the experience of acting in the theatre, Shooting the Actor reveals the truth about film acting. The book describes his film work, from Amadeus to Four Weddings and a Funeral, from Ace Ventura: When Nature Calls to Shakespeare in Love. 
 
Its centrepiece is a hilarious and sometimes agonising account of the making of Manifesto, shot in the former Yugoslavia. When Callow first met the film's director Dušan Makavejev to discuss the movie, they both got on famously. Months later the two were barely speaking. Insightful and always entertaining, Shooting the Actor reveals more than any formal guide could about the process of film-making and the highly complex nature of being both actor and director.

Shooting the Actor

Jenny Landreth

'With spot-on injections of humour and a frequently raised sardonic eyebrow, joy and warmth shine from this fascinating and funny book' Jo Brand 
 
A joyful celebration of amateur theatre 
 
From the Mystery Plays of the Middle Ages, via the Georgian aristocrats who built opulent private theatres in their own homes, to the radical lefties taking political theatre to the streets, this is the story of amateur dramatics in Britain. We meet a cast of characters who tell us about the joy amateur theatre brings them and we follow the full arc of a production, from first auditions to last night party, with all the mishaps and forgotten lines that come in between. In a triumphant mix of memoir, social history and manifesto, Jenny Landreth opens our eyes to am-dram and shows us a vibrant world that is a crucial part of our culture.

Break a Leg

A memoir, manifesto and celebration of amateur theatre

Judi Dench

Taking a curtain call with a live snake in her wig; cavorting naked through the countryside painted green; acting opposite a child with a pumpkin on his head... these are just a few things Dame Judi Dench has done in the name of Shakespeare. 
 
In this book, Judi opens up about every Shakespearean role she has played throughout her seven-decade career. In a series of conversations with actor/director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets behind her rehearsal process and vignettes of her creative partnerships, all told with her mischievous sense of humour and a peppering of hilarious anecdotes.

Shakespeare

The Man Who Pays The Rent

Christopher Andrew

Julius Green

A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond. 
 
'A treasure trove of human ingenuity' The Times 
 
Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business. 
 
We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans. 
 
'Thoroughly entertaining' Spectator 
 
'I found it extremely difficult to put this book down' Daily Telegraph

Stars and Spies

The Astonishing History of Espionage and Show Business

The story of Intelligence Operations…

J Duke

Every actor faces the constant question - where is the next job coming from? And with few of Equity's 46,000 members employed at any one time, there's tough competition for every part on offer. This book is a practical guide to building a career. Written with detailed inside knowledge of the entertainment business, it breaks down the main areas of employment - film, theatre, radio and TV - and explains exactly who you need to target, as well as how and when. Where to get information, how to approach agents and casting directors and details of training courses and practical information on contracts and tax is included.

How To Be A Working Actor

Cicely Berry

Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.

The Actor And The Text

Jeannette Nelson

How the world’s best actors communicate with gravitas – and how you can, too. 
 
‘The theatre stars’ voice guru’ Daily Mail 
 
Acting is all about charisma. Whether you’re an A-list star or an extra, when you’re on stage you need to perform in a way that makes your audience listen. 
 
That stage presence is something we can all learn from. Every time you speak up in a meeting, recount an anecdote, or tell a joke, it’s essential to communicate with gravitas. 
 
Jeannette Nelson knows a thing or two about gravitas. As Head of Voice at the National Theatre, she has spent three decades working with the world’s leading actors – from Al Pacino to Benedict Cumberbatch to Juliette Binoche – teaching them to speak clearly and move confidently. 
 
Now, Nelson pulls back the curtain on the tricks that professional performers use to own the room. Starting with clear speech and good posture, before moving on to the art of rhetoric and overcoming stage fright, she outlines a holistic three-stage method to communicating with authority, authenticity and eloquence. Throughout, she peppers the book with stories of how world-renowned actors learnt to make themselves heard – and how you can, too. 
 
The result is a fascinating and eminently practical guide to the art of performance. If all the world’s a stage, then this book will turn you into its lead actor.

Centre Stage

Lessons from Actors on the Art of Charisma

In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. 
 
The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. 
 
The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

Orson Welles, Volume 3

One-Man Band

Peter Brook

<a href="https://shop.penguin.co.uk/collections/book-bundles-modern-classics/?&amp;utm_source=Penguin.co.uk&amp;utm_medium=Linked_text&amp;utm_campaign=Penguin_Modern_Classics_Series_26_06">Choose 3 timeless classics for only £21 over on the Penguin Shop</a>

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht&rsquo;s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences.

The Empty Space

Stephen Greenblatt

Stephen Greenblatt's Will in the World is widely recognised to be the fullest and most brilliant account ever written of Shakespeare's life, his work and his age. 
 
Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears, and by reconnecting with this historic reality we are able to experience the true character of the playwright himself. Greenblatt traces Shakespeare's unfolding imaginative generosity - his ability to inhabit others, to confer upon them his own strength of spirit, to make them truly live as independent beings as no other artist has ever done. 
 
Digging deep into the vital links between the playwright and his world, Will in the World provides the fullest account ever written of the living, breathing man behind the masterpieces.

Will In The World

How Shakespeare Became Shakespeare

Voice and the Actor is the first classic work by Cicely Berry, Voice Director of the Royal Shakespear Company and world-famous voice teacher. Encapsulating her renowned method of teaching voice production, the exercises in this straightforward, no-nonsense guide will develop relaxation, breathing and muscular control - without which no actor or speaker can achieve their full potential. 
 
Illustrated with passages used in Cicely Berry's own teaching, Voice and the Actor is the essential first step towards speaking a text with truth and meaning. Inspiring and practical, her words will be a revelation for beginner and professional alike.

Voice And The Actor

Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002. 
 
Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

Being An Actor

Michael Simkins

As a boy, Michael Simkins always wanted to be someone. While his friends were out getting laid and stoned, he was tucked up at home dreaming of his name in lights, of holding an audience rapt, of perhaps becoming a TV heart-throb, or having someone, anyone, ask for his autograph in the supermarket. This is the true story of an obsessive pursuit of acting fame. It is a life marked by occasional hard-fought successes and routine helpings of ritual humiliation: scout hut Gilbert and Sullivan, dodgy rock operas, sewage farm theatre workshop, Christmas panto hell, straight-to-video film flops, leading roles in Crimewatch reconstructions and dressing up as a chicken to advertise TV dinners. It is a hilarious tale of turgid theatre, tights, trusses and tonsil tennis with Timothy Spall.

What's My Motivation?

Nicholas Hytner

The Sunday Times Bestseller 
 
This is the inside story of twelve years at the helm of Britain’s greatest theatre. 
 
It is a story of lunatic failures and spectacular successes such as The History Boys, War Horse and One Man, Two Guvnors; of opening the doors of the National Theatre to a broader audience than ever before, and changing the public’s perception of what theatre is for. It is about probing Shakespeare from every angle and reinventing the classics. About fostering new talent and directing some of the most celebrated actors of our times. Its cast includes the likes of Alan Bennett, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon and Helen Mirren. 
 
Intimate, candid and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theatre.

Balancing Acts

Behind the Scenes at the National Theatre

In The Theory of the Modern Stage, leading drama critic, Eric Bentley, brings together landmark writings by dramatists, directors and thinkers who have had a profound effect on the theatre since the mid nineteenth century, from Adolphe Appia to &Eacute;mile Zola. 
 
Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, Bertolt Brecht discusses the tension between entertainment and instruction in experimental drama and Bernard Shaw defends himself as a realist, while W. B. Yeats describes the creation of a People&rsquo;s Theatre. The ideas of theatre&rsquo;s great makers are revealed by their best expositors, as Eric Bentley writes about Stanislavsky belief in the importance of emotional memory when creating a dramatic role and Arthur Symons considers Richard Wagner and the relationship between genius, art and nature.

The Theory of the Modern Stage

Kathleen Tynan

The Letters of Kenneth Tynan- drama critic, talent snob, intellectual dandy, inveterate campaigner - provide a record of a soul: written between the ages of 11 and 53, they not only chart the extraordinary parabola of his career but show the constancy of his quest for grace, style and effortless wit.

Tynan Letters

Michael Holroyd

Henry Irving - a merchant's clerk who became the saviour of British theatre - and Ellen Terry, who made her first theatre appearance as soon as she could walk, were the king and queen of the Victorian stage. Creatively interdependent, they founded a power-house of arts at the Lyceum Theatre, with Bram Stoker as business manager, where they recast Shakespeare's plays on an epic scale and took the company on lucrative and exhilarating international tours. 
 
In his masterly new biography, award-winning writer Michael Holroyd explores their public and private lives, showing how their artistic legacy and their brilliant but troubled children came to influence the modern world.

A Strange Eventful History

The Dramatic Lives of Ellen Terry, Henry Irving and their Remarkable Families

Jonathan Law

The Penguin Dictionary of the Theatre provides a comprehensive and illuminating guide to the world of the theatre in over 5,000 thoroughly researches and clearly written articles. Together with its easy-to-use format and accessible style, the breadth of coverage in this dictionary makes it an invaluable reference guide for all students and lovers of drama.

The Penguin Dictionary of the Theatre

Luvvies. Tyrannical directors. Useless agents. Less job security than an England football manager. Who’d be an actor? 
 
Michael Simkins isn’t sure, even though he’s been one himself for over thirty years. Join him backstage as he examines that business called showbusiness, from am dram to Hollywood, and from Shakespeare to ads for flatulence pills. 
 
In a career that started as a plump teenager in ballet tights at RADA, Michael has appeared in countless West End plays and musicals, presented safety training workshops for sewage workers, and when resting, worked as a crate smasher at a car factory. He’s done movies, soaps, ads, and voice-overs, and worked with everyone from Meryl Streep to Kelly Osbourne. As the ultimate jobbing actor he’s flirted with triumph and oblivion without ever quite managing either. 
 
InThe Rules of Acting he shares his hard-won wisdom. Covering everything from learning your lines to tilting for Oscar success in Hollywood, surviving a flop, to why it’s advisable to read the whole script if you wish to avoid improper relations with a pig, it’s the ultimate survival guide for anyone contemplating a life in showbiz. 
 
'Throw out An Actor Prepares! Michael Simkins' book tells actors all they need to know about the realities of the acting profession; the passion, the struggle, the noble idealism and the heartache.' 
HELEN MIRREN 
 
'It is thrilling that Micahel Simkins is having such success as a writer - anything to keep him off the stage' 
IAN MCKELLEN

The Rules of Acting

Mike Leigh

Mike Leigh&rsquo;s 1970s classic play &lsquo;Abigail&rsquo;s Party&rsquo; focuses on an evening of domestic hell in the guise of a suburban drinks soir&eacute;e. While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours &ndash; Abigail&rsquo;s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts&rsquo; barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. 
 
&lsquo;Goose-Pimples&rsquo;, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet &ndash; and misunderstand &ndash; one another spectacularly.

Abigail's Party & Goose-Pimples

Maureen Paton

In this revised and updated biography, Maureen Paton encompasses the private, professional and political life of this most enigmatic, charismatic and intensely private of actors.

Alan Rickman: The Unauthorised Biography

Michael Sheen

Michael Sheen explores the strange art of acting, from classic techniques to Method madnessFrom Tony Blair and David Frost to Aziraphale and Hamlet, Michael Sheen has taken on a host of iconic roles, inhabiting each one with complete conviction. But – whether he’s transforming himself into real figures or bringing fictional ones to life – how does he go about immersing himself in his characters? The answer lies in an obscure Russian theatre technique that has evolved to become a central plank of modern-day acting training.In this three-part series, Michael explores Stanislavski’s ‘System’, beginning in 1906, when a bad performance inspired Constantin Stanislavski to develop a revolutionary new process for actors to create authentic, naturalistic characters. He goes on to examine how this formula got lost in translation; how it was interpreted in radically different ways by famed acting teachers Lee Strasberg and Stella Adler; and how it morphed into the famous modus operandi popularised by Hollywood’s elite: ‘The Method’.Speaking to experienced stars including Adrian Lester and Anne-Marie Duff, he analyses their approaches to their craft, and delves into the off-stage drama of drama schools. He also chats to up-and-coming actors Mia McKenna-Bruce and Brandon Grace, discussing their non-traditional routes into the profession and the challenges faced by vulnerable young performers today. And, as he considers the fragile boundaries between actors and the parts they play, he muses on the flip side of getting into character – getting out of character – and reflects on how his many roles have stayed with him, shaping and changing him to make him the actor he is today.Production creditsPresented by Michael SheenProduced by Alice McKee for BBC AudioWith Isaac Butler; Tom McClane, Adrian Lester, Simon McBurney, Patsy Rodenburg, Anne-Marie Duff, Michael Goldfarb, Mia McKenna-Bruce, Brandon Grace, Lou Platt and David ThackerayFirst broadcast BBC Radio 4, 14-28 May 2024

Michael Sheen Gets Into Character

A BBC Radio 4 Series

Charles Hazlewood

The Royal Albert Hall has attracted some of the biggest names in showbiz throughout its 140-year history. From rock events to The Proms, Cirque du Soleil to the Chelsea Arts Ball, it has played host to an huge variety of performers. In these two programmes, Charles Hazlewood introduces a montage of artists who have graced the stage of the Hall, including the Rolling Stones, Pavarotti, Gillian Weir, Jimi Hendrix and Russell Watson. There are contributions from Sir Cliff Richard, Katherine Jenkins, Jamie Cullum, Hayley Westenra,  Jools Holland, Sir Andrew Lloyd-Webber, Mike Batt and Jeff Wayne. In the company of V &amp; A design curator Abraham Thomas, historian Helen Rappaport and others, Hazlewood explores the Hall's history, discusses some of the spectaculars that have taken place under its roof and tells how various charitable organisations have found a home there, including the Prince's Trust, Amnesty International and Music for Youth.

Celebrating The Royal Albert Hall

Derek Jarman

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. 
 
In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK. The buttoned-up repression of the fifties and sixties makes way for liberation and free love in the seventies, only to be chased by the terror and pain of HIV/AIDS. This is Jarman at his passionate best, written when he was already ill with HIV and in the midst of the moral panic surrounding the AIDS crisis. Defiant and furious, he not only celebrates his own sexuality but skewers wider society for its brazen homophobia. 
 
Reissued here 25 years after Jarman's death, with an introduction by Straight Jacket author Matthew Todd, At Your Own Risk remains a singular work. It is a powerful reminder of how far we have come and how much further we have left to go. 
 
'It blew my mind quite honestly !', It's A Sin star Olly Alexander via Twitter

At Your Own Risk

A Saint's Testament

John Heilpern

John Osborne (1929-1994), unapologetic rebel and original Angry Young Man, changed the face of modern British theatre forever with Look Back in Anger. An actor turned playwright, Osborne was married five times, his private life generating a tumult and drama to match that of his work. 
 
This startlightly candid, authorised but intimate and informal biography is the first to have access to Osborne's own notebooks and private letters, which record for posterity his often anguished nature. It includes personal interviews with scores of his friends and enemies, among them a bombshell of a confession from Osborne's alleged male lover, and the first public comments from his estranged daughter Nolan, who was thrown out of the family home at just sixteen. 
 
This is an essential, unorthodox, moving and extraordinarily frank portrait of the man, the playwright and his era.

John Osborne

A Patriot for Us

Eddie Izzard

The stand-up comedian of his generation. Star of stage and screen. Tireless supporter of charity. Runner. Political campaigner. Fashion icon. Human. There is no one quite like Eddie Izzard. 
 
This is the story of how a boy who wanted to become a professional footballer and win the lead in Joseph and His Amazing Technicolour Dreamcoat found comedy. Affecting, witty and nothing less than rousing, readers will, as Eddie himself says, 'look at my life and say, 'If that idiot transvestite can run a whole bunch of marathons, play the Hollywood Bowl, and travel across France with a French-speaking tour, then what's holding me back?''

Believe Me

A Memoir of Love, Death and Jazz Chickens

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography.

Orson Welles, Volume 1

The Road to Xanadu

Chris MacDonald

At long last, Adam Sealey has an Oscar within reach. Working with his controversial former mentor, Jonathan, he's given the performance of a lifetime, and he almost believes it might be worth the cost. 
 
Because Adam subscribes to &quot;the method&quot;. It's the secret that the world's greatest actors swear by - digging into their darkest, most personal traumas to bring a role to life. And Adam's greatest trauma is worse than most. Back in drama school, he had to choose between a girl he loved and the success he craved. What he did that night is his darkest secret. 
 
And then he gets a message: someone knows. And if they tell, everything Adam's worked for will come crashing down.

The Actor

BBC Audio

Highlights from Richard Burton’s finest BBC radio performances from the 1940s to the 1980s. 
 
Richard Burton was one of the most famous British actors of the twentieth century, renowned for his magical, mellifluous voice. Before Hollywood tempted him away, he worked frequently for the BBC and many of his most electrifying performances were recorded there. 
 
This classic compilation features some of the very best of Burton, including his very first radio role in The Corn is Green; the heroic Roland in The Dark Tower; the apocalyptic poem 'Fire and Ice'; Henry V on the eve of Agincourt; the spine-tingling Under Milk Wood and the poignant In Parenthesis. Also included is the complete recording of Emlyn Williams’ suspenseful thriller Night Must Fall. 
 
In addition, there are extracts from interviews in which Burton talks about Dylan Thomas, his love of rugby, his deepest ambition and his own feelings about his incomparable voice. 
 
Whether performing Shakespeare, reading Robert Frost or simply talking about his life and career, Burton is never less than compelling, and this unique anthology is a superb tribute to one of the great icons of stage and screen. 
Duration: 2 hrs 50 mins approx.

Burton at the BBC

Classic Excerpts from the BBC Archive

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