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Hanif Abdurraqib

At the March on Washington in 1963, Josephine Baker was in a mood to reflect on her life and her legacy. She had spent decades as one of the most successful entertainers the world had ever seen, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, celebrated poet and music critic Hanif Abdurraqib has written a profound meditation on Black performance in the modern age, in which culture, history and his own lived experience collide. 
 
 In prose that brims with jubilation and pain, A Little Devil in America explores a sequence of iconic and intimate performances which take Abdurraqib from mid-century Paris to the moon-and back down again, to a cramped living room in Columbus, Ohio. Each moment in each performance he examines has layers of resonance in Black and white cultures, the politics of American empire, and his own personal history of love and grief-whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl half-time show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends. 
 
 Infused with the lyricism and rhythm of the musicians Abdurraqib loves, and richly textured with compassion and humour, A Little Devil in America is a unique exaltation of Black performances, cultures and communities.

A Little Devil in America

In Praise of Black Performance

Mike Leigh

Mike Leigh&rsquo;s 1970s classic play &lsquo;Abigail&rsquo;s Party&rsquo; focuses on an evening of domestic hell in the guise of a suburban drinks soir&eacute;e. While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours &ndash; Abigail&rsquo;s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts&rsquo; barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. 
 
&lsquo;Goose-Pimples&rsquo;, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet &ndash; and misunderstand &ndash; one another spectacularly.

Abigail's Party & Goose-Pimples

Lisa Gee

When Lisa Gee's six-year-old daughter, Dora, goes to an open audition for the West End production of The Sound of Music, it's just a fun way to occupy some time in the Easter holidays. But when Dora unexpectedly lands the role, Lisa soon learns that Dora's brush with fame has less to do with paparazzi and lucrative paydays and more to do with endless rehearsals and outsize egos. 
 
Part fairy tale, part cautionary tale, this is the hilarious, engaging account of one child's step into the limelight. From the initial try-out with over a thousand Von Trapp hopefuls to performing on the London stage with Connie Fisher and an encounter with Julie Andrews, mother and daughter navigate the minefield of rehearsals, auditions and fame. This is a heart-warming glimpse into the sometimes not-so-glamorous world of show business and the delicate balance between being proud and being pushy. Stage Mum is a story for every parent who dreams big and every child who dreams bigger.

Stage Mum

Derek Jarman

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. 
 
In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK. The buttoned-up repression of the fifties and sixties makes way for liberation and free love in the seventies, only to be chased by the terror and pain of HIV/AIDS. This is Jarman at his passionate best, written when he was already ill with HIV and in the midst of the moral panic surrounding the AIDS crisis. Defiant and furious, he not only celebrates his own sexuality but skewers wider society for its brazen homophobia. 
 
Reissued here 25 years after Jarman's death, with an introduction by Straight Jacket author Matthew Todd, At Your Own Risk remains a singular work. It is a powerful reminder of how far we have come and how much further we have left to go. 
 
'It blew my mind quite honestly !', It's A Sin star Olly Alexander via Twitter

At Your Own Risk

A Saint's Testament

Cicely Berry

Voice and the Actor is the first classic work by Cicely Berry, Voice Director of the Royal Shakespear Company and world-famous voice teacher. Encapsulating her renowned method of teaching voice production, the exercises in this straightforward, no-nonsense guide will develop relaxation, breathing and muscular control - without which no actor or speaker can achieve their full potential. 
 
Illustrated with passages used in Cicely Berry's own teaching, Voice and the Actor is the essential first step towards speaking a text with truth and meaning. Inspiring and practical, her words will be a revelation for beginner and professional alike.

Voice And The Actor

Chris MacDonald

At long last, Adam Sealey has an Oscar within reach. Working with his controversial former mentor, Jonathan, he's given the performance of a lifetime, and he almost believes it might be worth the cost. 
 
Because Adam subscribes to &quot;the method&quot;. It's the secret that the world's greatest actors swear by - digging into their darkest, most personal traumas to bring a role to life. And Adam's greatest trauma is worse than most. Back in drama school, he had to choose between a girl he loved and the success he craved. What he did that night is his darkest secret. 
 
And then he gets a message: someone knows. And if they tell, everything Adam's worked for will come crashing down.

The Actor

Elaine C Smith

'How did I end up here?' A question Elaine C. Smith asked herself when sitting in the dressing-room of a top theatre in London's West End, about to go on stage with one of the UK's most successful plays. 
 
In Nothing Like a Dame, Elaine reflects on a 50-year journey that took her to the peak of the entertainment world. She recounts her long struggle to make it in a male-dominated, working-class society when women were supposed to just shut up and stay thin, especially in the sexist world of theatre and television, where she was told, 'Look, women just aren't funny.' 
 
Despite many highs and lows, she proceeded to forge a stellar career in show business, hosting her own TV series and becoming a household name thanks to her comic portrayal of Mary Nesbitt, the long-suffering wife in the award-winning BBC comedy Rab C. Nesbitt. 
 
Nothing Like a Dame is a heart-warming memoir: candid, outspoken, hilarious and at times deeply sad.

Nothing Like a Dame

My Autobiography

John Heilpern

John Osborne (1929-1994), unapologetic rebel and original Angry Young Man, changed the face of modern British theatre forever with Look Back in Anger. An actor turned playwright, Osborne was married five times, his private life generating a tumult and drama to match that of his work. 
 
This startlightly candid, authorised but intimate and informal biography is the first to have access to Osborne's own notebooks and private letters, which record for posterity his often anguished nature. It includes personal interviews with scores of his friends and enemies, among them a bombshell of a confession from Osborne's alleged male lover, and the first public comments from his estranged daughter Nolan, who was thrown out of the family home at just sixteen. 
 
This is an essential, unorthodox, moving and extraordinarily frank portrait of the man, the playwright and his era.

John Osborne

A Patriot for Us

BBC Audio

Highlights from Richard Burton’s finest BBC radio performances from the 1940s to the 1980s. 
 
Richard Burton was one of the most famous British actors of the twentieth century, renowned for his magical, mellifluous voice. Before Hollywood tempted him away, he worked frequently for the BBC and many of his most electrifying performances were recorded there. 
 
This classic compilation features some of the very best of Burton, including his very first radio role in The Corn is Green; the heroic Roland in The Dark Tower; the apocalyptic poem 'Fire and Ice'; Henry V on the eve of Agincourt; the spine-tingling Under Milk Wood and the poignant In Parenthesis. Also included is the complete recording of Emlyn Williams’ suspenseful thriller Night Must Fall. 
 
In addition, there are extracts from interviews in which Burton talks about Dylan Thomas, his love of rugby, his deepest ambition and his own feelings about his incomparable voice. 
 
Whether performing Shakespeare, reading Robert Frost or simply talking about his life and career, Burton is never less than compelling, and this unique anthology is a superb tribute to one of the great icons of stage and screen. 
Duration: 2 hrs 50 mins approx.

Burton at the BBC

Classic Excerpts from the BBC Archive

Michael Simkins

As a boy, Michael Simkins always wanted to be someone. While his friends were out getting laid and stoned, he was tucked up at home dreaming of his name in lights, of holding an audience rapt, of perhaps becoming a TV heart-throb, or having someone, anyone, ask for his autograph in the supermarket. This is the true story of an obsessive pursuit of acting fame. It is a life marked by occasional hard-fought successes and routine helpings of ritual humiliation: scout hut Gilbert and Sullivan, dodgy rock operas, sewage farm theatre workshop, Christmas panto hell, straight-to-video film flops, leading roles in Crimewatch reconstructions and dressing up as a chicken to advertise TV dinners. It is a hilarious tale of turgid theatre, tights, trusses and tonsil tennis with Timothy Spall.

What's My Motivation?

Nicholas Hytner

The Sunday Times Bestseller 
 
This is the inside story of twelve years at the helm of Britain’s greatest theatre. 
 
It is a story of lunatic failures and spectacular successes such as The History Boys, War Horse and One Man, Two Guvnors; of opening the doors of the National Theatre to a broader audience than ever before, and changing the public’s perception of what theatre is for. It is about probing Shakespeare from every angle and reinventing the classics. About fostering new talent and directing some of the most celebrated actors of our times. Its cast includes the likes of Alan Bennett, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon and Helen Mirren. 
 
Intimate, candid and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theatre.

Balancing Acts

Behind the Scenes at the National Theatre

Judi Dench

Taking a curtain call with a live snake in her wig; cavorting naked through the countryside painted green; acting opposite a child with a pumpkin on his head... these are just a few things Dame Judi Dench has done in the name of Shakespeare. 
 
In this book, Judi opens up about every Shakespearean role she has played throughout her seven-decade career. In a series of conversations with actor/director Brendan O'Hea, she guides us through Shakespeare's plays with incisive clarity, revealing the secrets behind her rehearsal process and vignettes of her creative partnerships, all told with her mischievous sense of humour and a peppering of hilarious anecdotes.

Shakespeare

The Man Who Pays The Rent

Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.

The Actor And The Text

Jenny Landreth

'With spot-on injections of humour and a frequently raised sardonic eyebrow, joy and warmth shine from this fascinating and funny book' Jo Brand 
 
A joyful celebration of amateur theatre 
 
From the Mystery Plays of the Middle Ages, via the Georgian aristocrats who built opulent private theatres in their own homes, to the radical lefties taking political theatre to the streets, this is the story of amateur dramatics in Britain. We meet a cast of characters who tell us about the joy amateur theatre brings them and we follow the full arc of a production, from first auditions to last night party, with all the mishaps and forgotten lines that come in between. In a triumphant mix of memoir, social history and manifesto, Jenny Landreth opens our eyes to am-dram and shows us a vibrant world that is a crucial part of our culture.

Break a Leg

A memoir, manifesto and celebration of amateur theatre

Eddie Izzard

The stand-up comedian of his generation. Star of stage and screen. Tireless supporter of charity. Runner. Political campaigner. Fashion icon. Human. There is no one quite like Eddie Izzard. 
 
This is the story of how a boy who wanted to become a professional footballer and win the lead in Joseph and His Amazing Technicolour Dreamcoat found comedy. Affecting, witty and nothing less than rousing, readers will, as Eddie himself says, 'look at my life and say, 'If that idiot transvestite can run a whole bunch of marathons, play the Hollywood Bowl, and travel across France with a French-speaking tour, then what's holding me back?''

Believe Me

A Memoir of Love, Death and Jazz Chickens

Maureen Paton

In this revised and updated biography, Maureen Paton encompasses the private, professional and political life of this most enigmatic, charismatic and intensely private of actors.

Alan Rickman: The Unauthorised Biography

Christopher Andrew

Julius Green

A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond. 
 
'A treasure trove of human ingenuity' The Times 
 
Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business. 
 
We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans. 
 
'Thoroughly entertaining' Spectator 
 
'I found it extremely difficult to put this book down' Daily Telegraph

Stars and Spies

The Astonishing History of Espionage and Show Business

The story of Intelligence Operations…

Donald Spoto

In 1956, at the age of 22, Alan Bates was cast in John Osborne's controversial play, Look Back in Anger. The play changed the course of British theatre - and of Alan's life. 
 
With a sudden rush of fame, he became a member of a new circle of actors at the Royal Court: the English Stage Company. From then on, he also worked steadily in television and won international acclaim for his roles in a number of major films, from A Kind of Loving and Zorba the Greek to Women in Love. 
 
But his personal life was not always as seemingly straightforward as his career - his relationships, including that with his wife, Victoria Ward, were often turbulent. Drawing on dozens of interviews with his family, lovers, colleagues and friends - and mining a rich store of primary research - Donald Spoto chronicles Alan's achievements as a performer against the backdrop of a complicated personal life.

Otherwise Engaged

The Life of Alan Bates

Anna Massey

In 2005, Anna Massey was awarded a CBE for services to drama. 
 
Daughter of the Canadian actor, Raymond Massey (perhaps best-known for his role as Dr Gillespie in the TV series Dr Killdare), and Adrianne Allen (also a very successful stage actress), drama was in her blood. Her brother, Daniel, was a much-acclaimed actor. And even her godfather was one of the great film directors of all time - John Ford. 
 
Anna's first marriage was to Jeremy Brett, famous in his later years for his elegantly febrile performance on television as Sherlock Holmes. They had a son, David, together. But it was not a happy relationship and ended in divorce. 
 
In fact, family life was never easy or straightforward. Raymond fled the roost for the United States when Anna was very little, and married again. Adrianne was the most marvellous hostess who filled the house with an exotic mixture of guests, but, as a child, crucial emotional support was supplied by Nanny, who remained with Anna until her death. 
 
From her stage debut in The Reluctant Debutante to her performance in Michael Powell's notorious film, Peeping Tom, on through TV successes like The Pallisers and Hotel du Lac to a range of work in radio, Anna Massey has enjoyed the most remarkable career. And a whole host of extraordinary, often highly eccentric characters make their entrances and exits during its course. 
 
On and off set or stage, there are encounters with the theatrical knights, Olivier, Redgrave, Richardson and Gielgud. Noel Coward takes more than one bow. Great friendships are formed with fellow actors like Alan Rickman, Alec McCowen, Dame Judi Dench, and the playwright, David Hare. And there are inevitable difficulties with directors like Otto Preminger. Anna also has to play the part of hostess to the Duke of Edinburgh - in real life. 
 
After all the inevitable vicissitudes and upsets, Anna Massey ends her book with the story of personal happiness, achieved without make-up, lighting or script. Telling Some Tales does not kiss and tell, or tell tales out of school. It is the candid, wry, funny and emotional account of a life intensely lived.

Telling Some Tales

Anxiety about how we speak prevents many of us from expressing ourselves well. In her classic handbook, Cicely Berry, Voice Director of the Royal Shakespeare Company and world-famous voice teacher, tackles the reasons for this anxiety and explains her practical exercises for relaxation and breathing, clarity of diction and vocal flexibility - everything that you need to achieve good speech.

Your Voice and How to Use it

Simon Callow

A companion volume to Being an Actor, Callow's classic text about the experience of acting in the theatre, Shooting the Actor reveals the truth about film acting. The book describes his film work, from Amadeus to Four Weddings and a Funeral, from Ace Ventura: When Nature Calls to Shakespeare in Love. 
 
Its centrepiece is a hilarious and sometimes agonising account of the making of Manifesto, shot in the former Yugoslavia. When Callow first met the film's director Dušan Makavejev to discuss the movie, they both got on famously. Months later the two were barely speaking. Insightful and always entertaining, Shooting the Actor reveals more than any formal guide could about the process of film-making and the highly complex nature of being both actor and director.

Shooting the Actor

Michael Holroyd

Henry Irving - a merchant's clerk who became the saviour of British theatre - and Ellen Terry, who made her first theatre appearance as soon as she could walk, were the king and queen of the Victorian stage. Creatively interdependent, they founded a power-house of arts at the Lyceum Theatre, with Bram Stoker as business manager, where they recast Shakespeare's plays on an epic scale and took the company on lucrative and exhilarating international tours. 
 
In his masterly new biography, award-winning writer Michael Holroyd explores their public and private lives, showing how their artistic legacy and their brilliant but troubled children came to influence the modern world.

A Strange Eventful History

The Dramatic Lives of Ellen Terry, Henry Irving and their Remarkable Families

Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002. 
 
Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

Being An Actor

Lenny Henry

Lenny Henry presents this groundbreaking BBC radio series exploring a century of black British theatre, TV and film 
 
In this fascinating ten-part series, Lenny Henry traces the long and painful road that black Britons have travelled on stage and screen, from the overt racial discrimination of the 19th Century, via the thinly veiled slurs that persisted through the first 70 years of the 20th, to today's more equal society. 
 
Interviewing playwrights, actors, directors and filmmakers – including Mustapha Matura, Roy Williams, Lolita Chakrabarti, Michael Buffong, Horace Ové and Steve McQueen – he tells the story of black drama and the influential artists who have shaped it over the past hundred years. 
 
Beginning with the breakthrough arrival of Kwame Kwei-Armah's celebrated tragedy Elmina's Kitchen to the West End, he goes on to examine the evolving depiction of Afro-Caribbeans on TV from Love Thy Neighbour to Desmond’s; explores the complex stage history of Othello; focuses on how Caribbean migration has been reflected on stage and screen; and journeys back to the 1960s and 70s to explore the spirit of protest that welled up with the advent of the Black Power movement. 
 
In addition, he looks at the burgeoning black theatre companies of the 1970s and 80s; charts the breakthrough of a host of powerful new voices in the 90s; scrutinizes attitudes towards homosexuality; investigates the current blossoming of new theatrical voices with roots in Africa and concludes with a look at future prospects and opportunities for black British talent.

Raising the Bar: 100 Years of Black British Theatre and Screen

Stephen Greenblatt

Stephen Greenblatt's Will in the World is widely recognised to be the fullest and most brilliant account ever written of Shakespeare's life, his work and his age. 
 
Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears, and by reconnecting with this historic reality we are able to experience the true character of the playwright himself. Greenblatt traces Shakespeare's unfolding imaginative generosity - his ability to inhabit others, to confer upon them his own strength of spirit, to make them truly live as independent beings as no other artist has ever done. 
 
Digging deep into the vital links between the playwright and his world, Will in the World provides the fullest account ever written of the living, breathing man behind the masterpieces.

Will In The World

How Shakespeare Became Shakespeare

Charles Hazlewood

The Royal Albert Hall has attracted some of the biggest names in showbiz throughout its 140-year history. From rock events to The Proms, Cirque du Soleil to the Chelsea Arts Ball, it has played host to an huge variety of performers. In these two programmes, Charles Hazlewood introduces a montage of artists who have graced the stage of the Hall, including the Rolling Stones, Pavarotti, Gillian Weir, Jimi Hendrix and Russell Watson. There are contributions from Sir Cliff Richard, Katherine Jenkins, Jamie Cullum, Hayley Westenra,  Jools Holland, Sir Andrew Lloyd-Webber, Mike Batt and Jeff Wayne. In the company of V &amp; A design curator Abraham Thomas, historian Helen Rappaport and others, Hazlewood explores the Hall's history, discusses some of the spectaculars that have taken place under its roof and tells how various charitable organisations have found a home there, including the Prince's Trust, Amnesty International and Music for Youth.

Celebrating The Royal Albert Hall

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