Joseph Delaney used to be an English teacher, before becoming the best-selling author of the Spook's series, which has been published in 30 countries and sold over 4.5 million copies worldwide. The first book, The Spook's Apprentice, was adapted into a major motion picture starring Jeff Bridges and Julianne Moore.

Joseph Delaney

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Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

James Lasdun

‘This story, with its wild human convulsions and its dense moral fibre, demands serious narrative muscle from its teller. James Lasdun has what it takes, and more: his final chapters are a masterclass in calm, hard reasoning’ Helen Garner 
 
What drives a loving family man with everything to lose to become a killer? 
 
In March of 2023, Alex Murdaugh was found guilty of murdering his wife Maggie and their younger son Paul at their home in South Carolina’s Lowcountry. The story became headline news around the world, with its outlandish revelations of corruption in high places, massive fraud, opioid abuse, fake suicides, suspicious accidents, and the generational recklessness of the wealthy legal dynasty at its centre. 
 
James Lasdun explores the psychological puzzle at the heart of the story, which the murder trial failed to answer. Why did Alex Murdaugh murder his wife and son? 
 
Featuring a cast of villains ranging from supposedly respectable lawyers to violent street gang members and a gothic setting in a small town in America's deep south, The Family Man is a gripping, immersive, twisting investigation of a double murder that seems to defy explanation.

The Family Man

Blood and Betrayal in the House of Murdaugh

Adrian Tinniswood

Behind the Throne is a history of family life. 
 
The families concerned were royal families. But they still had to get up in the morning. They ate and entertained their friends and worried about money. Henry VIII kept tripping over his dogs. George II threw his son out of the house. James I had to cut back on the drink bills. 
 
The great difference is that royal families had more help with their lives than most. Charles I maintained a household of 2,000 people. Victoria’s medical establishment alone consisted of thirty doctors, three dentists and a chiropodist. Even in today’s more democratic climate, Elizabeth II keeps a full-time staff of 1,200. A royal household was a community, a vast machine. Everyone, from James I’s Master of the Horse down to William IV’s Assistant Table Decker, was there to smooth the sovereign’s path through life while simultaneously confirming his or her status. 
 
Behind the Throne uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire; the practicalities of cooking dinner for thousands, or ensuring the king always won when he played a game of tennis. 
 
Behind the Throne is nothing less than a domestic history of the royal household, a reconstruction of life behind the throne. Readers go on progress with Elizabeth I as she takes her court and her majesty to her subjects. They dance the conga round the state rooms of Buckingham Palace with George VI. 
 
They find out what it was like to dine with queens, and walk with kings.

Behind the Throne

A Domestic History of the Royal Household

David B

The most acclaimed European graphic novel of the last ten years, Epileptic is David B.'s story of his brother's battle with epilepsy - but it turns into a penetrating and sometimes lacerating self-examination on the author's part, as he delves into his own complex emotions and his family's troubled history, as well as his own youthful fantasy life. Particularly pointed is his description of the family journey from one attempted cure to another, including acupuncture, spiritualism and macrobiotics. 
 
David B.'s drawing is utterly extraordinary, balancing literal representation and expressionist psychological distortion.

Epileptic

Mimi Pond

'A total treat - bravo' Sunday Times 
 
'A spectacular, dizzying romp' Alison Bechdel, Fun Home 
 
Outrageous, passionate and glamourous - a stunning graphic biography of the six sisters who blazed their way through the 20th century, beguiling their peers, the press and then the rest of the world 
 
As a young girl living in sun-bleached 1960s suburban California, Mimi Pond fell in love with the Mitford sisters. Nancy, Pamela, Diana, Unity, Jessica and Deborah Mitford brought society glitz, pageantry, scandal, and real (rainy) weather to her own prosaic life. 
 
High society debutantes known for rubbing shoulders with some of history’s most infamous fascists and communists, the sisters were also, in turn, gifted writers, inveterate nicknamers, chicken-raising homebodies, scathing wits, and passionate adventurers in the maelstrom of the 20th century. 
 
Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography.

Do Admit

The Mitford Sisters and Me

Kapka Kassabova

'Brave, intense, unexpected, lyrical and troubling' Rory Stewart 
 
An extraordinary portrait of the Scottish Highlands: this is an epic and urgent story of destruction and renewal, told through unforgettable encounters with its people. 
 
This is the story of a Scottish glen and its inhabitants, and of how I came to call it my glen. 
 
From the powerful rivers that bring life and prosperity, to the Pictish cairns, undisturbed for centuries and the meadows of bluebells, from which deer emerge, god-like, in a flash, Kapka Kassabova reveals a world that has been abused, but remains achingly beautiful and alive. 
 
In the Highlands, centuries-old connections between the land, nature and people have been, and continue to be, shaken by the forces of colonialism, industry, depopulation and private property speculation. 
 
Borrowed Land tells the stories of those who are working against this disconnect: the last true Highlanders, fighting to preserve their home. 
 
'A poetic and haunting anatomy of what happens when a world is addicted to extraction' James Crawford 
 
'Stark and moving. A hymn, a howl and a call to action all at once' Ben Rawlence 
 
'A brilliant, daring and urgent account’ Sally Huband

Borrowed Land

A Highland Story

Joe Sacco

In his first full-length work of journalism in a decade, the 'heir to R. Crumb and Art Spiegelman' (Economist) brings his comics mastery to a story of indigenous North America, resource extraction, and our debt to the natural world 
 
*A GUARDIAN BOOK OF THE YEAR* 
 
The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around-it is central to their livelihood and their very way of being. But the subarctic Canadian Northwest Territories are also home to valuable natural resources, including oil, gas and diamonds. With mining came jobs and investment-but also road-building, pipelines and toxic waste, which scarred the landscape; and alcohol, drugs, and debt, which deformed a way of life. 
 
In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. Resource extraction is only part of Canada's colonial legacy: Sacco recounts the shattering impact of a residential school system that aimed to remove the Indian from the child; the destructive process that drove the Dene from the bush into settlements and turned them into wage labourers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. 
 
Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, telling a sweeping story about money and dependency, loss and culture, with stunning visual detail by one of the greatest comics reporters alive.

Paying the Land

Leontia Flynn

A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets 
 
'Everyone should be reading her' 
OBSERVER 
 
'One of the most accomplished poets of her generation' 
GUARDIAN 
 
These poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world. 
 
These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song. 
 
This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

Taking Liberties

Amelia Loulli

One in three women in Britain have an abortion. For such a common procedure, it has not been the subject of a dedicated book of poetry - not, at least, until now. 
 
*Winner of the Seamus Heaney First Collection Poetry Prize 2025* 
 
'Painful, brave and steadfastly honest' ANDREW MCMILLAN 
 
'Original, essential... An unforgettable collection' FIONA BENSON 
 
Amelia Loulli opens this fearless, frank, absorbing debut with the words 'I'm going to tell you what happened', and that is precisely what she does. With these careful, generous, insistent poems, we are led through the experience of abortion and surprised at every turn. There is vulnerability and despair, there is the shame and silence too, but there is also the constant, steady pulse of compassion, tenderness and wonder at the world. 
 
Slip is a daring book, not just in subject but in style: skilfully worked, integrating the rich terror of nursery rhymes and folk tales with the bland banalities and euphemisms of social interaction, of medical techniques. It is also, sadly, a necessary book - provocative and transformative poetry about women as mothers and survivors. A cry of fury and a cry of love.

Slip

Ossian Brown

A collection of anonymous Hallowe'en Photographs from America, c.1875 - 1955 
 
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging 'soul cakes' in exchange for prayers, and fires burned to keep malevolent phantoms at bay. 
 
The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementos of the treasured, now unrecognisable, other. Torn from album pages, sold piecemeal for pennies and scattered, abandoned to melancholy chance and the hands of strangers.

Haunted Air

Andrew McMillan

*A 'BOOKS OF 2021' PICK IN THE GUARDIAN, FINANCIAL TIMES AND IRISH TIMES CULTURE* 
 
After two prize-winning collections which examined the intimacies and intricacies of the physical body, McMillan's third book marks a shift: both inward, into the difficult world of mental health, and outwards into the natural and political world. 
 
Keeping his trademark breath-space and lower-case lines, but more formally experimental, incorporating sequences and sonnets, the poems in pandemonium explore the fragility and depth of the human mind - in its panic and its troubled retreat - and map this turmoil onto the chaos and abundance of the garden. Depression is mirrored in the invasive, seemingly untreatable knotweed that slowly suffocates the garden, while the sky conspires in its sudden, terrifying clarity, 'as though the root of the world were ripped clean off'. 
 
McMillan has been celebrated for his unflinchingly frank depictions of the body and sexual love, but these new poems are raw dispatches from a mind in freefall, a body in trouble. Addressing a period of acute depression, they are less about physical union and completeness and more about fracture and distance: tender, savagely moving poems which stare, unblinkingly, into the sudden havoc and hurt of this world, searching for - and finally finding - some redemption.

pandemonium

Rich Cohen

There are many books about Israel, but none like this. From Rich Cohen, the author of the acclaimed Tough Jews, The Avengers, and Sweet and Low, comes a new approach to a story we thought we knew. Breaking through the heated polemics and intractable politics, Israel Is Real is a fresh voice, a tale of people and ideas, of the background of present-day Israel. 
 
Cohen relates Israel's story as that of a place long ago destroyed and transformed into an idea . . . and which, sixty years ago, was retransformed into a place, and therefore into something that can once again be destroyed. From the medieval false prophets, to the nineteenth-century Zionists, and on to present-day figures like Ariel Sharon, Cohen tells the stories of the people obsessed with this fine line between place and idea, creation and destruction. He reclaims from obscurity a multitude of figures marginalised by history, but whose lives are key to any real understanding of Israel.

Israel is Real

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Miriam Gold

This is the story of the ordinary extraordinary life of Dr Elena Zadik. 
 
Lives were bent in the furnaces of the twentieth century, but Elena Zadik was unbroken. With a stethoscope, a jar of herring and a hearing aid occasionally switched on, she forged an extraordinary life. Elena ran through the twentieth century without looking back. 
 
A refugee twice before she was 17, she broke glass ceilings to become a doctor during World War 2. She was as brilliant a doctor as she was terrible a driver (she never took a test). Finding community, falling in love and starting a family in Sheffield while her parents were imprisoned and killed in Auschwitz, she swam against the odds with courage and tenacity. 
 
Miriam gathers the threads of her Granny’s story, reflecting on their unconventional relationship and how trauma travels down through the generations in this gorgeous brocade of illustration and collage. 
 
Granny was an unintentionally hilarious woman, often difficult, always opinionated and deeply resourceful. Her hands were always busy and form the heart of this timely, irresistible graphic story of the ordinary extraordinary resilience of women. 
 
A heartfelt and charming graphic memoir of love, family and fearless women.

Elena: A Hand Made Life

Raymond Briggs

In his customary pose as the grumpiest of grumpy old men, Raymond Briggs contemplates old age and death… and doesn’t like them much. 
 
Illustrated with Briggs’s inimitable pencil drawings, Time for Lights Out is a collection of short pieces, some funny, some melancholy, some remembering his wife who died young, others about the joy of grandchildren, of walking the dog… He looks back at his schooldays and his time as an evacuee during the war, and remembers his parents and the house in which he grew up. But most, like this one, are about his home in Sussex: 
 
Looking round this house, 
What will they say, 
The future ghosts? 
 
There must have been 
Some barmy old bloke here, 
Long-haired, artsy-fartsy type, 
Did pictures for kiddy books 
Or some such tripe. 
 
You should have seen the stuff 
He stuck up in that attic! 
Snowman this and snowman that, 
Tons and tons of tat.

Time For Lights Out

Marjane Satrapi

From the bestselling author of Persepolis comes this humorous and enlightening look at the sex lives of Iranian women. Embroideries gathers together Marjane's tough-talking grandmother, stoic mother, glamorous and eccentric aunt and their friends and neighbours for an afternoon of tea-drinking and talk. Naturally, the subject turns to loves, sex and vagaries of men...

Embroideries

Julia Blackburn

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. 
 
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. 
 
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. 
 
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers. 
 
'An astounding, disarming book, full of grief and beauty' Olivia Laing 
 
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman

Dreaming the Karoo

A People Called the /Xam

Colin Grant

What do we leave behind when we move to a new place – and what do we carry with us, physically and emotionally, wherever we land? 
 
Here are the voices of people who have come to Britain to make a new life: a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, a Romanian police officer in Edinburgh. 
 
Colin Grant has travelled the country and listened to their stories – foundational tales of arriving in a new land, along with rarely spoken stories of love and loss. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain. 
 
Candid, profoundly human, sometimes funny and always moving, What We Leave We Carry is a chance to listen to Britain – in all its richness and complexity. 
 
PRAISE FOR HOMECOMING by COLIN GRANT: 
 
'Oral history at its finest' Daily Mail 
'Prickles with beautiful, comic and brutal details' Observer 
'An extraordinary and compelling book' Daily Telegraph 
'Utterly fascinating' New Statesman 
'A hopeful, angry, tear-jerking read' Grazia 
'Essential reading' Guardian

What We Leave We Carry: Voices of Migration to Britain

Fiona Benson

The thrilling story of the healers, artists and prodigies once persecuted as witches – from the three-time T.S. Eliot Prize-shortlisted poet 
 
POETRY BOOK SOCIETY CHOICE 
 
In her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition – the fear and false knowledge – that was witchcraft. 
 
Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals – generally healers, artists, prodigies and almost always women – became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. 
 
In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic. 
 
‘Benson is one of the finest English poets writing today’ Blake Morrison 
 
‘No one writes the way Fiona Benson does. No one is as raging, as fearless’ Daisy Johnson 
 
A new collection of Benson’s wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted’ Guardian

Midden Witch

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