864 results 41-60
‘An extraordinary piece of writing – stunningly bold, original and humane’ Joanna Kavenna, Daily Telegraph
A Guardian / New Statesman / Observer / Spectator Book of the Year
Shortlisted for the 2016 Goldsmiths Prize
In the wake of family collapse, a writer and her two young sons move to London. The process of upheaval is the catalyst for a number of transitions – personal, moral, artistic, practical – as she endeavours to construct a new reality for herself and her children.
Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed Outline, and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility and the mystery of change.
Selected as a Book of the Year in 2017 in the Irish Times and The Times
SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD 2017
‘A delicate, crystalline, hugely impressive novel… He's yet another masterful younger writer coming through… Wonderful’ - Sebastian Barry
Her house is on Montpelier Parade – just across town, but it might as well be a different world. Sonny is fixing a crumbling wall in the garden when he sees her for the first time, coming down the path towards him. Vera.
Vera is older, wealthier, sophisticated, but chance meetings quickly become shy arrangements, and soon Sonny is in love for the first time. But there is something unsettling that Vera is keeping from him. Unfolding in the sea-bright Dublin of early spring, Montpelier Parade is an indelible novel about the things that remain unspoken between lovers. It is about how deeply we can connect with one another, and the choices we must make alone.
Longlisted for the Desmond Elliott Prize 2017
YOU CAN RUN FROM YOUR PAST. BUT YOU CAN'T RUN FROM MURDER.
The body is found by the river, near a spot popular with runners.
With a serial rapist at work in the area, DI Zigic and DS Ferreira are initially confused when the Hate Crimes Unit is summoned to the scene. Until they discover that the victim, Corinne Sawyer, was born Colin Sawyer.
Police records reveal there have been violent attacks on trans women in the local area. Was Corinne a victim of mistaken identity? Or has the person who has been targeting trans women stepped up their campaign of violence? With tensions running high, and the force coming under national scrutiny, this is a complex case and any mistake made could be fatal...
LONGLISTED FOR THE ORWELL PRIZE 2017
How do we discuss serious ideas in the age of 24-hour news? What was rhetoric in the past and what should it be now? And what does Islamic State have in common with Donald Trump?
We’ve never had more information or more opportunity to debate the issues of the day. Yet the relationship between politicians, the media and the public is characterised by suspicion, mistrust and apathy. What has gone wrong?
Enough Said reveals how political, social and technological change has transformed our political landscape – and how we talk about the issues that affect us all. Political rhetoric has become stale and the mistrust of politicians has made voters flock to populists who promise authenticity, honesty and truth instead of spin, evasiveness and lies.
Featuring Ronald Reagan and Sarah Palin, Tony Blair and George Osborne, Silvio Berlusconi and many more star performers, Enough Said shows how public language is losing its power, and how an ominous gap is opening between the governed and those who govern. The result of decades of first-hand experience of politics and media, this is an essential, brilliant diagnosis of what we should stop doing and what we should start doing in order to reinvigorate Western democracy.
'A great journalist with a whip-like satirical prose style… Wolfe’s great gift is to make the heavy seem light and this book is such an entertaining polemic that I read it in a day and immediately wanted to read it again.' - Bryan Appleyard, Sunday Times
Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey through language. The Kingdom of Speech is a paradigm-shifting argument that speech - not evolution - is responsible for humanity's complex societies and achievements.
From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in our Kingdom of Speech.
Selected as a Book of the Year by the Financial Times
‘The Gardener and the Carpenter should be required reading for anyone who is, or is thinking of becoming a parent’ Financial Times
Caring deeply about our children is part of what makes us human. Yet the thing we call ‘parenting’ is a surprisingly new invention. In the past thirty years, the concept of parenting and the huge industry surrounding it have transformed childcare into obsessive, controlling, and goal-orientated labour intended to create a particular kind of child, and therefore a particular kind of adult.
Drawing on the study of human evolution and her own cutting-edge scientific research into how children learn, Gopnik shows that although caring for children is profoundly important, it is not a matter of shaping them to turn out a particular way. Children are designed to be messy and unpredictable, playful and imaginative, and to be very different both from their parents and from each other. The variability and flexibility of childhood lets them innovate, create, and survive in an unpredictable world. ‘Parenting’ won't make children learn – but caring parents let children learn by creating a secure, loving environment.
In The Gardener and the Carpenter, the pioneering developmental psychologist and philosopher Alison Gopnik argues that the familiar twenty-first-century picture of parenting is profoundly wrong – it's not just based on bad science, it's bad for children and their parents too.
Two lives. One night sky.
Róisín and François first meet in the snowy white expanse of Antarctica, searching for a comet overhead.
While Róisín grew up in a tiny village in Ireland, ablaze with a passion for science and the skies, François was raised by his restless young mother, who dreamt of new worlds but was unable to turn her back on her past.
As we loop back through their lives we see their paths cross as they come closer and closer to this moment, brought together by the infinite possibilities of the night sky.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017
Selected as a Book of the Year – Observer, Sunday Times, Times, Guardian, New Statesman, i magazine
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other. It will boost his reputation. It will heal emotional wounds.
Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. Also brewing revenge.
After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! But will it remake Felix as his enemies fall?
Winner of the East Anglian Book of the Year 2015
Winner of the New Angle Book Prize 2017
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk.
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns.
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished.
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.
In the summer of 1953, maverick neurosurgeon William Beecher Scoville performed a groundbreaking operation on an epileptic patient named Henry Molaison. But it was a catastrophic failure, leaving Henry unable to create long-term memories.
Scoville's grandson, Luke Dittrich, takes us on an astonishing journey through the history of neuroscience, from the first brain surgeries in ancient Egypt to the New England asylum where his grandfather developed a taste for human experimentation. Dittrich's investigation confronts unsettling family secrets and reveals the dark roots of modern neuroscience, raising troubling questions that echo into the present day.
Selected as a Book of the Year by The Times and The Economist
China's history is an epic tapestry of courtly philosophies, warring factions and imperial intrigue. Yet, over five thousand years, one ancient element has so dramatically shaped the country's fate that it remains the key to unlocking China's story. That element is water.
In The Water Kingdom Philip Ball takes us on a grand tour of China's defining element, from the rice terraces and towering karts of its battle-worn waterways, to the vast engineering projects that have struggled to contain water's wrath. What surfaces is the secret history of a people and a nation, drawn from its deep reverence for nature's most dynamic force.
*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay*
Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street
'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities.
That is an imaginary definition.'
If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse?
In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.
From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.
Winner of the Saltire Society First Book Award 2016
An Economist Book of the Year 2016
A Spectator Book of the Year 2016
In 2011, Isabel Buchanan, a twenty-three-year-old Scottish lawyer, moved to Pakistan to work in a new legal chambers in Lahore. The chambers was run by a determined thirty-three-year-old Pakistani lawyer, Sarah Belal, who had finally found her calling in defending inmates on Pakistan’s death row.
Belal and Buchanan struck up an unlikely friendship, forged through working in a system that was instinctively hostile to newcomers – and doubly so if they were female. At Sarah’s side, and with the help of Nasar, the firm’s legendary clerk, Buchanan plunged into the strange and complex world of Pakistan’s justice system. The work was arduous, underfunded, and dangerous. But for a young Scottish lawyer like Buchanan it was an unparalleled education, offering a window onto a much-misunderstood country and culture. Filled with beautifully drawn characters, she creates a narrative brimming with ideas and bursting with humanity. It is a story of Pakistan, but it is also a universal story of the pursuit of justice in an uncertain world.
Manuel is growing up in Franco's Spain. He adores his elder sister, María, and they are watched over by their mother, who enjoys reciting poetry, and their father, a construction worker with vertigo. Beyond the walls of the house, he encounters chatty hairdressers and priests, wolf hunters and monstrous carnival effigies.
The community is still haunted by the civil war, yet Manuel's world is changing. Coca-Cola opens a factory nearby and news arrives of men landing on the moon. This is a story about family, memory and the experiences that make us who we are.
A GRANTA BEST YOUNG AMERICAN NOVELIST 2017
When the Khurana boys and their friend Mansoor set out for one of Delhi's markets, disaster strikes without warning. A 'small' bomb detonates, killing the brothers instantly. Mansoor is one of the few survivors.
From India to America, the lives of victims and bystanders, mothers and fathers, comrades and adversaries are changed forever. Even the young bomb maker cannot escape the heat of the blast.
'I can't remember the last time I read a book which conjured a world so rich and so convincing'
'Unusually wise, tender and generous'
'Packed with small wonders of beauty and heartbreak that are impossible to resist'
Forty years old and suddenly motherless, Blanca is left shocked and rudderless by the death of the most important person in her life.
To deal with her dizzying grief and confusion, Blanca turns to her dearest friends, her closest family, a change of scenery, and sex. Leaving Barcelona behind, she returns to her mother’s former home in Cadaqués on the coast, accompanied by her two sons, two ex-husbands, and two best friends, with plans to meet her married lover.
Haunted by both the past and the present, Blanca spends the summer in this impossibly beautiful place alongside those she loves most. In loss she learns to find resilience and hope, and what it means to live, truly and happily, on her own terms.
Our world as it once was
In August 2014, Farida was, like any ordinary teenager, enjoying the last days of summer before her final year at school. However, her peaceful mountain village in northern Iraq was an ISIS target as their genocide against the Yazidi people began.
ISIS murdered the men and boys in the village, including Farida's father and brother, and took the women hostage. Farida was one of them. She was held in a slave camp, in the homes of ISIS members and finally in a desert training camp. Continually she struggled, resisted and fought against her captors, showing unimaginable strength and bravery.
This is my story
Eventually, Farida managed to plot her escape and fled into the desert with five young girls in her care, but defeating ISIS was just the first step in her journey. In this book she tells her remarkable and inspiring story.
Selected as a Book of the Year 2017 in The Times
THE SUNDAY TIMES BESTSELLER
ON THE SATURDAY MORNING OF JANUARY 9, 1993, WHILE JEAN CLAUDE ROMAND WAS KILLING HIS WIFE AND CHILDREN, I WAS WITH MINE IN A PARENT-TEACHER MEETING...
With these chilling first words, acclaimed master of psychological suspense, Emmanuel Carrère, begins his exploration of the double life of a respectable doctor, eighteen years of lies, five murders, and the extremes to which ordinary people can go.
'As a writer, Carrère is straight berserk; as a storyteller he is so freakishly talented, so unassuming in grace and power that you only realize the hold he's got on you when you attempt to pull away... You say: True crime and literature? I don't believe it. I say: Believe it' Junot Díaz
'Mesmerising' Sunday Telegraph
'Stunning' Evening Standard
'Unputdownable' Washington Post
'A masterpiece' New York Times
WINNER OF THE INTERNATIONAL MAN BOOKER PRIZE 2017
The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him.
A Horse Walks into a Bar is a shocking and breathtaking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn’t know whether to laugh or cry – and all this in the presence of a former childhood friend who is trying to understand why he’s been summoned to this performance.
With an Introduction by Peter Tatchell
We're all something else inside…
1952. Standing in a cold Suffolk field with her family, six-year-old Mary Ward has a revelation: I am not Mary. That is a mistake. I am not a girl. I'm a boy.
So begins Mary’s heroic struggle to change gender. Moving from the claustrophobic rural community of the 1950s to London in the swinging Sixties and beyond to the glitter of America in the Seventies, Sacred Country is the story of a journey to find a place of safety and fulfilment in a savage and confusing world.
Over a million Rose Tremain books sold
‘A writer of exceptional talent ... Tremain is a writer who understands every emotion’ Independent I
‘There are few writers out there with the dexterity or emotional intelligence to rival that of the great Rose Tremain’ Irish Times
‘Tremain has the painterly genius of an Old Master, and she uses it to stunning effect’ The Times
‘Rose Tremain is one of the very finest British novelists’ Salman Rushdie
‘Tremain is a writer of exemplary vision and particularity. The fictional world is rendered with extraordinary vividness’ Marcel Theroux, Guardian