Penguin Modern Classics

My Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.

In 1944, Jack Kerouac and William S. Burroughs were charged as accessories to murder. One of their friends, Lucien Carr, had stabbed another, David Kammerrer. Carr had come to each of them and confessed; Kerouac helped him get rid of the weapon - neither told the police. For this failing they were arrested. Months later, the two writers - unpublished at the time - collaborated on And the Hippos Were Boiled in Their Tanks, a fictionalized account of the summer of the killing.

It was the war to end all wars, the global struggle that would finally make the world safe for democracy - at any cost. But one American soldier has paid a price beyond measure. And within the disfigured flesh that was once a vision of youth lives a spirit that cannot accept what the world has become.

An immediate bestseller upon its first publication in 1939, Trumbo's stark, profoundly troubling masterpiece about the horrors of the First World War brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. As timely as ever.

Tim Lott's parents, Jack and Jean, met at the Empire Snooker Hall, Ealing, in 1951, in a world that to him now seems 'as strange as China'. In this extraordinarily moving exploration of his parents' lives, his mother's inexplicable suicide in her late fifties and his own bouts of depression, Tim Lott conjures up the pebble-dashed home of his childhood and the rapidly changing landscape of postwar suburban England. It is a story of grief, loss and dislocation, yet also of the power of memory and the bonds of family love.

Sontag wrote Illness as Metaphor in 1978, while suffering from breast cancer herself. In her study she reveals that the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of the patients and often inhibit them from seeking proper treatment. By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is - a disease; not a curse, not a punishment, certainly not an embarrassment, and highly curable, if good treatment is found early enough. Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote Aids and Its Metaphors, extending the argument of the earlier book to the AIDS pandemic.

Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes some of Sontag's best-known works, among them 'On Style', 'Notes on 'Camp'', and the titular essay 'Against Interpretation', where Sontag argues that modern cultural conditions have given way to a new critical approach to aesthetics.

The Benefactor is Susan Sontag's first book and first novel. It was originally published in 1963, and introduced a unique writer to the world. In the form of a memoir by a latter-day Candide named Hippolyte, The Benefactor leads us on a kind of psychic Grand Tour, in which Hippolyte's violently imaginative dream life becomes indistinguishable from his surprising experiences in the 'real world'.

The story of In America is inspired by the emigration to America in 1876 of Helena Modrzejewska, Poland's most celebrated actress, accompanied by her husband, Count Karol Chlapowski, her fifteen-year-old son, Rudolf, the young journalist and future author of Quo Vadis, Henryk Sienkiewicz, and a few friends; their brief sojourn in Anaheim, California; and Modrzejewska's subsequent triumphant career on the American stage under the name Helena Modjeska.

This collection of essays contains some of the most important pieces of criticism of the twentieth century, including the classics 'The Aesthetics of Silence', a brilliant account of language, thought and consciousness, and 'Trip to Hanoi', written during the Vietnam War. Here too is an excoriating account of America's identity and future, a robust and surprising discussion of pornography and other richly rewarding writings on art, film, literature and politics.

Susan Sontag's third essay collection brings together her most important critical writing from 1972 to 1980. In these provocative and hugely influential works she explores some of the most controversial artists and thinkers of our time, including her now-famous polemic against Hitler's favourite film-maker, Leni Riefenstahl, and the cult of fascist art, as well as a dazzling analysis of Hans-Jürgen Syberberg's Hitler, a Film from Germany. There are also highly personal and powerful explorations of death, art, language, history, the imagination and writing itself.

A historical romance, Sontag's book is based on the lives of Sir William Hamilton, his wife, Emma, and Lord Nelson in the final decades of the eighteenth century. Passionately examining the shape of Western civilization since the Age of Enlightenment, Sontag's novel is an exquisitely detailed picture of revolution, the fate of nature, art and love.

Where the Stress Falls is divided into three sections: the first, 'Reading', includes ardent pieces on writers from Sontag's own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva and Elizabeth Hardwick. In the second, 'Seeing', she shares her passions for film, dance, photography, painting, opera and theatre. And in the final section, 'There and Here', Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.

Set in the days of the Empire, with the British ruling in Burma, Burmese Days describes both indigenous corruption and Imperial bigotry, when 'after all, natives were natives - interesting, no doubt, but finally only a "subject" people, an inferior people with black faces'. Against the prevailing orthodoxy, Flory, a white timber merchant, befriends Dr Veraswami, a black enthusiast for Empire. The doctor needs help. U Po Kyin, Sub- divisional Magistrate of Kyauktada, is plotting his downfall. The only thing that can save him is European patronage: membership of the hitherto all-white Club. While Flory prevaricates, beautiful Elizabeth Lackersteen arrives in Upper Burma from Paris. At last, after years of 'solitary hell', romance and marriage appear to offer Flory an escape from the 'lie' of the 'pukka sahib pose'.

His best-known novels, Animal Farm and Nineteen Eighty-Four, are two of the most famous, well-quoted and influential political satires ever written. The other novels in this volume are also concerned with individuals at odds with repressive institutions: the corrupt imperialism of Burmese Days, disaffection with materialistic society in Keep the Aspidistra Flying, the perils of modern suburban living in Coming Up for Air and the down-and-out girls in A Clergyman's Daughter.

They all display Orwell's deep understanding of human nature, his biting humour and great compassion.

First published in 1949, George Orwell's Nineteen Eighty-Four has lost none of the impact with which it first hit readers.

Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101. . .

'Shooting an Elephant' is Orwell's searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd 'solely to avoid looking a fool'. The other masterly essays in this collection include classics such as 'My Country Right or Left', 'How the Poor Die' and 'Such, Such were the Joys', his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies and a spirited defence of English cooking. Opinionated, uncompromising, provocative and hugely entertaining, all show Orwell's unique ability to get to the heart of any subject.