Penguin Modern Classics

These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naïve pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.

One of Freud's central achievements was to demonstrate how unacceptable thoughts and feelings are repressed into the unconscious, from where they continue to exert a decisive influence over our lives.

This volume contains a key statement about evidence for the unconscious, and how it works, as well as major essays on all the fundamentals of mental functioning. Freud explores how we are torn between the pleasure principle and the reality principle, how we often find ways both to express and to deny what we most fear, and why certain men need fetishes for their sexual satisfaction. His study of our most basic drives, and how they are transformed, brilliantly illuminates the nature of sadism, masochism, exhibitionism and voyeurism.

This is the story of Tom and Betsy Rath, a young couple with three children, a nice home, a steady income. They have every reason to be happy, but for some reason they are not.
Universally acclaimed when it was first published in 1955, the novel captured the mood of a generation. It was a sensational best-seller that was made into an award-winning film with Gregory Peck, it was translated into twenty-six languages, and its title has become a permanent part of our vocabulary. Today, it is more relevant than ever.

The centenary of Patrick Kavanagh's birth in 2004 provides the ideal opportunity to reappraise one of modern Ireland's greatest poets. From a harsh, humble background that he himself described so brilliantly, Kavanagh burst through immense constraints to redefine Irish poetry - a poetry appropriate for a fully independent country, both politically and culturally. Moving beyond Irish verse's preoccupation with history, national politics and identity, he turned to the land and scenery of his native Inniskeen, portraying the closely-observed minutiae of everyday rural and urban life in an uninhibited, groundbreaking style. Lucid, various, direct and engaging, Kavanagh's poems have a unique place in the canon and a unique accessibility.

This major new edition is the culmination of many years of work by Antoinette Quinn in creating authoritative texts for Kavanagh's poetry - from his early works such as 'Inniskeen Road: July Evening' to his masterpiece, the epic 'The Great Hunger', allowing us to see the development of Kavanagh's genius as never before.

This colourful, perceptive portrayal of English country life reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into farming, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.

Slick, upbeat and funny, these stories inspired the popular musical and film Guys and Dolls.

'Of all the high players this country ever sees, there is no doubt but that the guy they call the Sky is the highest.. He will bet all he has, and nobody can bet any more than this'.

As well as the nine essays on his country's psyche and history that make up 'The Labyrinth of Solitude', this highly acclaimed volume also includes 'The Other Mexico', Paz's heartfelt response to the government massacre of over three hundred students in Mexico City in 1968, and 'Return to the Labyrinth of Solitude', in which he discusses his famous work with Claude Fell. The two final essays contain further reflections on the Mexican government.

The story of the title deals with a little boy named Larry and his feelings towards his father. When his father returns home from World War II, Larry is resentful and jealous of losing his mother's undivided attention, and finds himself in a constant struggle to win back her affections.

A complete collection of short fiction by one of the masters of twentieth-century American literature.

When Alistair Cooke retired in February 2004 he was acclaimed as one of the greatest broadcasters of all time. His Letter from America radio series, which began in 1946 and continued every week for fifty-eight years until his retirement, kept the world in touch with what was happening in America. Cooke's wry, humane and liberal style both informed and entertained his audience. The selection here, made largely by Cooke himself and supplemented by his literary executor, gives us the very best of these legendary broadcasts. It covers key moments from the assassination of Kennedy through to the Vietnam War and Watergate to 9/11, the Iraq War and anticipates the 2004 elections. It includes portraits of the great and the good from Charlie Chaplin to Martin Luther King, Jr, and topics as varied as civil rights, golf, jazz and the changing colours of a New England fall. Each Letter contributes to a captivating portrait of a nation - and of a man.

Boisterous, ribald, and ultimately shattering, Ken Kesey’s 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy’s heroic attempt to do battle with the powers that keep them all imprisoned.

In his work as a physician, Williams had learnt the skill of objective observation which he applied to his poetry, examining, as he said, 'the particular to discover the universal'. Marked by a vernacular American speech and direct observation of the landscape and people of his native New Jersey, his poetry explores the 'raw merging of American pastoral and urban squalor. Emotionally restrained but rich in sensory experience, the poems were written according to the guiding concept: 'no ideas but in things' and those 'things', a red wheelbarrow, a group of trees, a river, convey the local and the particular with a vivid intensity.

When John Franklin brings his plane down into Occupied France at the height of the Second World war, there are two things in his mind - the safety of his crew and his own badly injured arm. It is a stroke of unbelievable luck when the family of a French farmer risk their lives to offer the airmen protection. During the hot summer weeks that follow, the English officer and the daughter of the house are drawn inexorably to each other...

This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.

This excellent collection of Donald Barthelme's literary output during the 1960s and 1970s covers the period when the writer came to prominence--producing the stories, satires, parodies, and other formal experiments that altered fiction as we know it--and wrote many of the most beautiful sentences in the English language. Due to the unfortunate discontinuance of many of Barthelme's titles, 60 Stories now stands as one of the broadest overviews of his work, containing selections from eight previously published books, as well as a number of other short works that had been otherwise uncollected.

Freud's religious unbeliefs are too easily dismissed as the standard scientific rationalism of the twentieth-century intellectual, yet he scorned the high-minded humanism of his contemporaries. In Mass Psychology and Analysis of the 'I' he explores the notion of 'mass-psychology' - his findings would prove all too prophetic in the years that followed. Writings such as A Religious Experience and The Future of an Illusion continue earlier work on the essential savagery of the civilized mind, and Moses the Man and Monotheistic Religion excavates the roots of religion and racism, which he concludes are inextricably intertwined.

This remarkable collection reveals Freud not only at his most radically pessimistic, but also at his most personally courageous - engaging with his own adherences, his own antecedents, his own identity.