No year is complete without a bit of reading reflection, and as we gaze at 2019's shelves, we're more than a bit pleased with the boldness and breadth of the last 12 months of VINTAGE books. From an insider's look at the realities of modern-day poverty to an acclaimed expose of the data bias towards men, and a long-awaited, Booker-winning dystopian smash hit, here are 10 of the biggest highlights.
It might not be snowing yet, and you may have to work until the 24th, but you can still get into the festive spirit with our selection of favourite Christmas reads.
Join us at VINTAGE in a year of challenging ourselves to listen, hear and respond to some of the greatest female writers history has to offer. From Margaret Atwood to Mary Wollstonecraft, revisit your favourites, discover new voices and fill your bookshelf and your year with women’s voices. They matter.
Jeanette Winterson OBE was born in Manchester. Adopted by Pentecostal parents she was raised to be a missionary. This did and didn’t work out. Oranges Are Not The Only Fruit is based on her own upbringing but using herself as a fictional character. Read an extract of the novel below
Jeanette Winterson's The Gap of Time is the first book in the Hogarth Shakespeare project, in which today's best-loved novelists create their own take on the plays of Shakespeare.
Jeanette Winterson CBE was born in Manchester. Adopted by Pentecostal parents she was raised to be a missionary. This did and didn’t work out. Discovering early the power of books she left home at 16 to live in a Mini and get on with her education. After graduating from Oxford University she worked for a while in the theatre and published her first novel at 25. Oranges Are Not The Only Fruit is based on her own upbringing but using herself as a fictional character. She scripted the novel into a BAFTA-winning BBC drama. 27 years later she re-visited that material in the bestselling memoir Why Be Happy When You Could Be Normal? She has written 10 novels for adults, as well as children’s books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She lives in the Cotswolds in a wood and in Spitalfields, London. She believes that art is for everyone and it is her mission to prove it.