Flat lay of 12 poetry books against a bright red background

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Reading lists

12 poetry collections to help you understand the world

Ephemeron

Benson retells the Greek myth... in a long-lined, novelistic sequence of rare psychological plausibility: yes, you think, yes, that's exactly how it happened.

Telegraph, *20 Best Poetry Books of 2022*

Benson's third collection Ephemeron is split between nature, motherhood and Greek myth. But few poets write on these themes so brilliantly; Benson's urgent compassion makes us care.

A new collection of Benson's wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted.

There have been a number of impressive reshapings of classical tales in recent years, and it is a bold poet who would risk comparison with Alice Oswald and Anne Carson, but Benson's 'Translations from the Pasiphaë' earns its place alongside their works ... In Ephemeron, Fiona Benson's capacity for capturing bodily sympathy in verse manifests as something like a superpower.

There is a gorgeous, sunbleached quality to much of this writing, which stuns and scorches. It will be a pleasure to see which cycles of myth Benson takes on next.

Ephemeron was one of those books I had to put down and process what I had read – the images were stunningly gripping, visceral and unflinching.

**SHORTLISTED FOR THE RATHBONES FOLIO PRIZE** 
**SHORTLISTED FOR THE T. S. ELIOT PRIZE** 
 
The poems in Ephemeron deal with the short-lived and transitory - whether it's the brief, urgent lives of the first section, 'Insect Love Songs', the abrupt, anguished, physical and emotional changes during secondary school, as remembered in 'Boarding-School Tales', or parenting's day-by-day shifts through love and fear, hurt and healing, in 'Daughter Mother'. 
 
The long central section, 'Translations from the Pasiphaë', gathers these themes together in a blistering, unforgettable re-telling of the Greek myth of the Minotaur, as seen from the point of view of the bull-child's mother - the betrayed and violated Pasiphaë. The familiar legend of the dashing male hero slaying the monster in the labyrinth is transformed here into a story of ordinary people caught up in an extraordinary cycle of violence, power and the abuse of power. At the centre lies Pasiphaë calling for her son: 'They took him away from me/and they killed him in the dark, for years.' 
 
Telling uncomfortable truths, going deep into male and female drives and desires, our most tender and vulnerable places, and speaking of them in frank, unshrinking ways - these poems are afraid, certainly, but also beautiful, resolute and brave.

Vertigo & Ghost

Along with the new Alice Oswald, this is the stand-out Cape poetry book of 2019

Vertigo & Ghost explodes into furious life with a series of poems and fragments about the Greek god Zeus... jagged, staccato poems that shoot down the pages like lightning bolts... an addictive, thrilling, sickening experience.

Vertigo & Ghost knocked the breath from me. Such furious, fierce, ecstatic poems, at once brutal and heartachingly tender; I lay awake at night unable to stop thinking about them. Mothers and children, girls and women, their vulnerabilities and sorrows, fears amidst grave danger, their beautiful animal selves. Against a frightening darkness, these "sore jewels" radiate wild white-heat.

This extraordinarily moving collection is a bold confrontation of violence against women. Vertigo & Ghost is one of the darkest, bravest and most unsettling collections I have read in a while.

[A] tour-de-force... [Vertigo & Ghost] has generated a lot of (justified) buzz... poems of lasting power.

Though this is only her second collection, it’s already clear that Fiona Benson is an exceptional and exceptionally gifted poet. She has a fine ear and a sure hand. Her poems engage with what in our inner lives is most crucial and most at risk. There are poems in this book that scour the skin and must be read.

Promise me you'll read these aloud... [Vertigo & Ghost is] brilliantly chilling... Flick to a random page, take a deep breath, and dive in.

Misogynistic violence, ancient myth and modern rage confront each other in moving and dynamic verse.

Benson is one of the finest English poets writing today.

[Benson] is bravely and unfashionably, a high Romantic.

**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019** 
**WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019** 
 
Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo &amp; Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – hourly – basis. 
 
The book shifts, in its second half, to an intimate and lyrical document of depression and family life. It sounds out the complex and ambivalent terrain of early motherhood – its anxieties and claustrophobias as well as its gifts of tenderness and love – reclaiming the sanctuary of domestic private life, and the right to raise children in peace and safety. 
 
Vertigo &amp; Ghost is an important, necessary book, hugely impressive in its range and risk, and dramatic in its currency: a collection that speaks out with clarity, grace and bravery against the abuse of power. 
 
**SHORTLISTED FOR THE 2020 RATHBONES FOLIO PRIZE** 
**SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE** 
 
 ‘Misogynistic violence, ancient myth and modern rage confront each other in moving and dynamic verse’ Financial Times

Bright Travellers

A collection of poetry from the Eric Gregory Award-winning Fiona Benson. 
 
Winner of the 2015 Geoffrey Faber Memorial Prize 
Winner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection 
Shortlisted for the 2015 T. S. Eliot Prize 
Shortlisted for the 2014 Forward Prize for Best First Collection

Solemn scrutiny, intoxicating lyricism and a dark imagination.

Hugely impressive… [Benson] has the modest exactitude of a true poet.

Fiona Benson’s debut collection may have been the most impressive published by a British poet last year. The 45 poems in “Bright Travellers” capture both her versatility…and her sense of balance. Themes of violence and loss, shown most vividly in her accounts of motherhood, are paired seamlessly with moments of great tenderness.

Winner of the 2015 Geoffrey Faber Memorial Prize 
Winner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection 
Shortlisted for the 2015 T. S. Eliot Prize 
Shortlisted for the 2014 Forward Prize for Best First Collection 
 
In this remarkable, intensely moving, first collection, Fiona Benson shows her fascination with human experience. The poems move on archaeological fast-forward from submerged Devonian forests and a Paleolithic cave-bear skull to the site of decommissioned submarines at HMNB Devonport, where the sea is ‘still a torpedo-path, / an Armageddon road’. She explores the shared human continuum of bodily longing – from the Prehistoric maker of a wooden fertility fetish, to a modern-day couple wading through summer pollen – and the timeless cycles of conception, birth and child-rearing. 
 
A central sequence of dramatic monologues addressed to Van Gogh allows for a focussed exploration of depression, violence, passion and creativity. In these poems, as in all the poems in this impressive debut, we feel keenly the sense of life lived at the edge of threat – catastrophe, even – but also on the cusp of beauty and happiness. Other poems about the bewildering loss of miscarriage are hard to read and impossible to forget, moving with grace and authority through great grief to arrive at a hard-won destination of selfless, unqualified love. 
 
‘I remember again / the corridor / of the labour ward // and that woman / sitting weeping / with her man // having given birth / to a death – / small grey face, // no breath, / something you cannot help / but love – // habibi, akushla, /I go home alone / but carry you, // courie you, / little slipped thing, / to the ends of the earth.’

Fiona Benson

The thrilling story of the healers, artists and prodigies once persecuted as witches – from the three-time T.S. Eliot Prize-shortlisted poet 
 
POETRY BOOK SOCIETY CHOICE 
 
In her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition – the fear and false knowledge – that was witchcraft. 
 
Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals – generally healers, artists, prodigies and almost always women – became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. 
 
In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic. 
 
‘Benson is one of the finest English poets writing today’ Blake Morrison 
 
‘No one writes the way Fiona Benson does. No one is as raging, as fearless’ Daisy Johnson 
 
A new collection of Benson’s wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted’ Guardian

Fiona Benson

Books by Fiona Benson

Articles featuring Fiona Benson

12 poetry collections to help you understand the world

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