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Castle Rackrent and Ennui

Marilyn Butler's introduction discusses how these two bold, groundbreaking works established Edgeworth's reputation as a pioneer of the nineteenth-century novel.

MARIA EDGEWORTH was born in 1768.  Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849.<br/>
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Edited with an introduction and notes by Marilyn Butler

Thady Quirk, devoted steward to the decaying estate of the Rackrent family, narrates a riotous story of four generations of a dying dynasty in Castle Rackrent (1800). Thady will defend his masters to the end, but eventually his naivety and blind loyalty cause him to ignore the warning signs as the family's excesses lead them to ruin. This volume also includes Ennui, the entertaining 'confessions' of the Earl of Glenthorn, a bored, spoiled aristocrat. Desperate to be free from 'the demon of ennui', Glenthorn's quest for happiness takes him through violence and revolution, and leads to intriguing twists of fate. Both novels offer a darkly comic and satirical exposé of the Irish class system, and a portrait of a nation in turmoil.

Heidi Thomson

Maria Edgeworth

Lord and Lady Clonbrony are more concerned with fashionable London society than with their responsibilities to those who live and work on their Irish estates. Concerned by this negligence, their son Lord Colambre goes incognito to Ireland to observe the situation and to discover the truth about the origins of his beloved cousin Grace. Can he find a solution that will bring prosperity and contentment to every level of society, including his own family? Rich in atmosphere and local character, The Absentee (1812) helped establish the 'regional' novel form, which influenced such varied writers as Scott, Thackeray and Turgenev. In this sparkling satire on Anglo-Irish relations, Maria Edgeworth created a landmark work of morality and social realism.

The Absentee

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