Jonathan Stroud

Praise for The Amulet of Samarkand

Drama, humour and hypnotically engaging storytelling

Independent

The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative

Guardian

The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...

The Sunday Times

Drama, humour and hypnotically engaging storytelling

Independent

The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative

Guardian

The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...

The Sunday Times

Drama, humour and hypnotically engaging storytelling

Independent

The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative

Guardian

The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...

The Sunday Times

Books by Jonathan Stroud