Jonathan Stroud
Praise for The Amulet of Samarkand
Drama, humour and hypnotically engaging storytelling
Independent
The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative
Guardian
The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...
The Sunday Times
Drama, humour and hypnotically engaging storytelling
Independent
The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative
Guardian
The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...
The Sunday Times
Drama, humour and hypnotically engaging storytelling
Independent
The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative
Guardian
The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he ...
The Sunday Times